Very very predictable, including the post credit scene !!!

A movie that not only functions as a solid scarefest but a razor-sharp satire.

It is an exhilarating, distressing, funny and profound film, with one of the more memorable film scores in years,

The film never slows down or bores, plunging from one harrowing sequence to the next.

Jane Seymour is wonderful here as mother suffering from amnesia as a result of the beating she got from her husband, a wealthy school principal. He was able to go to court and charge abandonment and therefore obtain custody of the children. Finally, he tells the children that their mother is dead.8 years later, Seymour, who doesn't remember a thing, has a chance meeting with a fellow waitress. The latter fills her in on her life and of course, she goes back to Fillmore California. Naturally, she is threatened by her husband, a much older looking but totally effective Bruce Davison. Remember him in his supporting Oscar nomination for 1989's "Longtime Companion?" He was also the older Patrick in the 1974 Lucille Ball "Mame" vehicle.This terrific film just shows you what a brutal man can do when he has so much power in town.

I love this movie! I couldn't stop watching it. I wanted to see it to the end with out and interruptions. Rebecca loved her kids so much and her ex-husband made it to where she couldn't remember who she was. Her new husband loves her so much that he was scared that he was going to lose her when she went to find out what happened in her past that gave the scar on her forehead. When she was stopped by a lady and called her Abbie and asked if she got her kids back she had to find out what had happened to her. She went to her old town that the lady told her that she used to live in and remembered some of things that happened to her gradually. The more time she spent their the more she started remembering. This movie just kept getting better and you couldn't predict what would happen next.Just watch and see how great this movie really is! You wont be able to stop watching it!! You will want to keep watching it to see what will happen next!

I agree that Jane Seymour's now-mature beauty isn't shown to best advantage in this piece, and her distinctive crooked mouth is sometimes allowed to look like an actual distortion. It's agreeable to find that the plot isn't quite predictable, and one really can't help staying with the story to see the mystery solved, and (one hopes) all resolved. What did he do? Why did he do it? It's hard to say whether all questions are answered... I had difficulty with the chronology, since it's mentioned that Abbie married very young-- then one looks at the ages of the children and at Jane and ex-hubby and things don't quite add up, but really, one can just ignore that and go with the premise. It was quite needless, though, that when Abbie/Rebecca and her daughter are having a special moment finding some 'forget-me-nots', the flowers are obviously lobelia. Watch and see!

Executive produced by James Keach, Jane Seymour is Rebecca Vega, a bookstore worker living in San Pedro with construction worker husband Joe (A. Martinez), but she has headaches and nightmares. She meets Lynn Wyman (Cathy Lee Crosby) who knew Rebecca as Abbie Stewart with 3 children - Jenna (Amanda Barfield), Ethan (Colton James) and Lilly (Mika Boorem) - and Rebecca goes to Fillmore County to investigate her past. Seymour has a gash in her forehead which we later see is from being hit with a fireplace poker, and in her flashback memory her long hair is shoulder length and she wears virginal white. She is actually lit unflatteringly, looking tired and leathery, perhaps partly due to her traumatised state, so when her former husband school principal Chase (Bruce Davison) tells her how beautiful she is, it sounds odd. Seymour provides sobless tears, we see her handwriting, wears a stick in her hair worn up, overdoes a hesitation in opening a buzzed door, and has a campy panic-attack faint in a supermarket. The teleplay by Lindsay Harrison and Renee Longstreet, based on a true story, has a howler in Rebecca/Abbie to Chase `I've learned a lot from you. School's over.', and Jenna has a good line in sarcasm when she tells her mother to take her locket in case she loses her memory again, but director Harry Winer goes all out with the nightmare/daymare visions - black and white, tilted and subjective camera, whiplash editing, slow motion, stop motion, and lightning flashes, and fire - plus a choir in the music of Mark Snow.