Absolutely Fantastic

A Masterpiece!

what a terribly boring film. I'm sorry but this is absolutely not deserving of best picture and will be forgotten quickly. Entertaining and engaging cinema? No. Nothing performances with flat faces and mistaking silence for subtlety.

This is a dark and sometimes deeply uncomfortable drama

Two of television's best known cowboy heroes, Dale Robertson from Tales Of Wells Fargo and the Range Rider Jock Mahoney star in this unusual western about a town full of hypocrites. Imagine High Noon had we probed a bit deeper into the town of Hadleyville and its citizens who would not back up Gary Cooper and you have A Day Of Fury.Notorious gunslinger Robertson arrives in the town and the townspeople are righteously aroused. They want Marshal Mahoney to just run this guy out of town. But Mahoney's life was once saved by him and with no wants or warrants out on him, Robertson is a free man until he actually commits a crime.Which works out fine as Robertson bit by bit turns things around completely and it's the marshal these fine citizens turn on. You have to see how he does it, more I will not say. There's also the complicating factor that Mahoney's fiancé Mara Corday has history with Robertson.A trio of standout supporting performances come from Jan Merlin as a local tough, John Dehner as the town minister, and most of all Dee Carroll as the spinster school teacher who is a repressed and tragic figure.Mahoney and Robertson have some good chemistry in their scenes. A nice mixture of antagonism and respect goes into their dialog.A Day Of Fury is a real sleeper of a western. Caught it by accident almost, glad I did.

A well-turned screenplay, efficient editing, good small-scale production values, and tense directing make A Day of Fury much better than most Westerns.Dale Robertson is a better actor than his reputation, but all 3 leads are limited in range. The best role and performance are the Preacher by John Dehner, who helps any film in which he appears. Most Westerns present ministers either as comic-cowardly milquetoasts or as unrealistic studs who give up their guns for the good book. When changes unsettle the town, Day of Fury's Preacher is the first to lose his temper and threaten violence, but then he's embarrassed by his own failing and horrified that his parishioners turn into a lynch mob.The plot plays an interesting variation on the classic Western formula of the Old Wild West struggling to survive in or against the Cleaned-Up Bourgeois Town. The taciturnity of Robertson's Jigade fairly inverts the man-of-few-words Sheriff typically played by Joel McCrea or Randolph Scott into a Mephistophelean villain who quietly but steadily chips and shatters the thin veneer of civilization until the townsfolk break down into drunken irresponsibility, foolish greed, and vengeful terror. Jagade's opportunistic power compromises the town's Sheriff, played by the physically imposing Jock Mahoney, whose taciturnity can only dwindle to mute puzzlement until the wild card in Jagade's deck--the punk gunman Billy Brant--changes the game and creates a clear path of action for the law.The sets are few, but the director keeps moving the characters across each other in well-defined space. The film's most impressive quality is to open with an atmosphere of uncertainty that steadily escalates into tension or dread. But its most interesting feature is that the anti-hero Jagade seems to have orchestrated the story as a suicide note.

"Day of Fury" gets off to an interesting start when Dale Robertson's character saves Jock Mahoney from an ambush on the trail to West End, but then struggles to deliver in any meaningful manner on the way to a final showdown between the principals. It's supposed to be a story about the passing of the Old West as frontier towns try to put the reputations of feared gunslingers behind them, but having the town marshal in jail for half the story reduced a lot of the dramatic tension that could have been.Maybe the biggest problem with the story was having a character named Jagade. It was pronounced with three syllables enunciating the 'e' at the end, but that just didn't sound quite right. A simple Ja-gade wouldn't have been much better, and since it doesn't seem to derive from another language, it wound up being this big question mark for me throughout the story. I really wish the script would have explained it in some way.The other thing I didn't get was the lapdog character Billy (Jan Merlin), especially since he seemed to tip off the ambush guy on the second floor who was gunning for Jagade. It was fitting Jagade whacked him for it, but instead of making himself an enemy, Billy turns into Jagade's go-fer the rest of the way. Just very odd the way his character was written.The main recommendation, if there is one to be found for this film, is the presence of Robertson and Mahoney, both going on within a couple of years to head up their own TV Westerns. Robertson had the lead in 'Tales of Wells Fargo' as special agent Jim Hardie, while Mahoney brought a suave and sophisticated portrayal to the role of Yancy Derringer. I watched them both as a kid, and when I get the chance, still watch them today.You knew the finale had to come down to a shoot-out between the two, but the writers held their cards pretty close to the vest. We never got to see how good Marshal Burnett (Mahoney) was with a gun, so that element of doubt was always there. At the same time, Jagade pretty much established himself as a heel once he brought the town of West End under his sway. It wasn't the most dramatic of finishes to be sure, but was enough to settle the triangle between the protagonists and Sharman Fulton (Mara Corday). The thing is, it seemed to me she could have had the outcome go either way.

I really like these Universal-International colour westerns made in the 1950s. This one was very probably the movie that got Dale Robertson the starring role in "Tales Of Wells Fargo" on TV (which I loved when it first appeared).The chief extra reason why I like this movie though is the other main star was Jock Mahoney, in his usual understated style. He, of course, had previously starred in that superbly action-packed series "The Range Rider" and later "Yancy Derringer".