Mostly, the movie is committed to the value of a good time.

It’s fine. It's literally the definition of a fine movie. You’ve seen it before, you know every beat and outcome before the characters even do. Only question is how much escapism you’re looking for.

I enjoyed watching this film and would recommend other to give it a try , (as I am) but this movie, although enjoyable to watch due to the better than average acting fails to add anything new to its storyline that is all too familiar to these types of movies.

A terrific literary drama and character piece that shows how the process of creating art can be seen differently by those doing it and those looking at it from the outside.

I always loved Martin and Dean. Who knew that they could do a lot of performances with jumping on ropes or shelves. They must had to have at least 1,000 protein pills to get all the energy and fitness going haha!I have at least two favorite scene's on this, one was when Lewis and Martin had to serve custards to the public but the public were getting out of control that the machine began to malfunction. They were literally covered with Custard and you could hear the audience just laughing their heads off! Then we go onto the second, I loved when Jerry Lewis did a performance as a clown and he was talking of sadness to a little girl because she didn't find him funny. Suddenly he was successful making her laugh, the pair of them were so adorable, they just hugged with delight! It definitely warms your heart 💟This is the best Martin and Lewis film I've seen. Although I found the audio was very low so I missed out on the words on what they were saying. For the heck of it, I enjoyed so I can't complain further!

This must have been a tough film for Dean Martin to make. After all, his character is a bit of a jerk and he garners so sympathy or love from the audience in this one. As for Jerry, he is an oddball in this one--not bad at all, but also not exactly funny. Instead, he's amusing and it's nice to see him take on a lot of different jobs at the circus.When the film begins, Pete (Dean) and Jerry (Jerry) are leaving the army. They have no prospects and are mostly just concerned with getting a free meal when they wander into a circus. But Jerry would love to one day be a clown--but en route he tries his hand at lion taming, tightrope walking and even getting fired out of a giant cannon! As for the unlikable Pete, he's a schemer and loves it when the circus' resident prima donna (Zha Zha Gabor) falls for him--as he is allow to loaf about and not get fired because he's her boy- toy. Later, as Pete takes on more and more responsibilities with running the circus, he begins to act like it's his and is a pretty obnoxious guy--so much so that his pal, Jerry, becomes rather disillusioned with him. Does this sound like a comedy? No...well you get the picture. It has some sweet moments and Jerry gets to do quite a bit--but Dean is in a thankless role as the film lumbers along. Certainly not one of their better films since the chemistry that made the team enjoyable is a bit lacking.

There are some strange echoes of the real life bust up between Martin and Lewis in the script. It's saddled with Jerry's sincere but misguided belief that he is a natural clown and screen heir to Emmett Kelly, who's makeup he closely resembles in some scenes, imitation being flattery I guess. The buddies, newly discharged from the army and penniless head for the circus where Jerry, longing to become a clown instead has to apply to be a trainee lion tamer (as if..) the usual water squirting elephants and disgruntled, drunken clown lead us to the quease-inducing finale when Jerry as the clown succeeds in making a sad little girl (in leg irons, yet)smile at his tears. For 1954 audiences I'm sure it was a pleasure break from post war blues but it's well past it's sell by date. TRIVIA: Unless I'm much mistaken the sequence where Dean Martin does acrobatics on some low bars is doubled by Nick Cravat who appears elsewhere in the film and was an acrobatic partner of Burt Lancaster.

Dean and Jerry are more relaxed in this film than in previous efforts. The comedy is also milder. It is also the first time Jerry indulges in his sentimental clown shtick. Hello, telethon Jerry! Dean has absolutely nothing to do in the film. He plays his usual heel character, but there is absolutely no depth to it. And where are the musical numbers? Only the woefully unfunny "That's My Boy" has less in the way of music! Dean and Jerry get to do one new number, "Puncinello", and Dean sings the standard "It's a Big, Wide Wonderful World" to a bunch of animals! (Hugh Shannon, the wonderful jazz singer-pianist who is most identified with this song, must have had a good laugh from Dean's version.) Dean has no ballads and hardly any screen time with his leading lady, Joanne Dru. It's all about Jerry, not silly, lovable Jerry, but a telethon Jerry, trying to become a clown. Actually, the film is quite amusing and heartwarming, but it's not Martin and Lewis. I do not know if Twenty-first Century youngsters would find this amusing, but I did when I was a kid. It is more endearing than "That's My Boy" and most of the solo Lewis films. It may be a bit slow for today's kids.