Very Cool!!!

Simple and well acted, it has tension enough to knot the stomach.

It's easily one of the freshest, sharpest and most enjoyable films of this year.

Easily the biggest piece of Right wing non sense propaganda I ever saw.

Okay, let's see: a large dog drives a car, a film nerd gets caught in a bull-ring wearing a red coat, the film nerd falls from a scaffolding right onto the bed on which Anita Ekberg lies. There are story holes (Dean still owes the money at the end to the gangsters, right?)Does any of this read as if we are embarking on an intelligent film odyssey (ie, cp with any Steve Martin film). Of course not. That being said, this is a really fun and funny movie. The characters are drawn sufficiently full that we feel we do know what and who they are, the slapstick is set up reasonably logically, and the visual comedy reflects the fact Lewis and Dean had honed their shtick over many many years. It all works, and works well. The songs are nice, Dean looks great, Lewis' timing is on-spot, all the women shown in the opening credits, pool scene, etc are still fun to see, the director keeps it humming quickly along, the shots of Chicago's Lake Shore Drive and downtown are fun to see, and the story, well, the story is the nonsense to get from one scene to another.

Oh, poor little film, only three user comments! I'll scribble something for self-amusement, so, uh... You might as well skip this.The film is indeed highly enjoyable.Some of the bits are stupid, borderline-infantile in fact, but that matters not.The movie buff element could've been emphasized more.I need to see more Tashlin. Nice cartooniness again, though the look of "Artists and Models" is even sweller. In fact, it's better overall.The songs, in something of a surprise, are great!The dialogue sparkles at times, which I appreciate much.What, that's it?

"Hollywood or Bust" was the last of Jerry Lewis and Dean Martin musical comedies and a very good one. Although it is not as bracingly innovative and riotous as Tashlin's "Artists and Models", I kept laughing throughout. Some hilarious and enjoyable scenes come to mind: The opening moments in the movie theater where Lewis is ruining a woman's hair with popcorn; the rousing musical number "A Day in the Country" (Martin and Lewis in a car) which is Tashlin's homage to the "Beyond the Blue Horizon" number in Lubitsch's 1930 musical "Monte Carlo"; and there is Lewis' imitation of Rudolph Valentino's "Blood and the Sand". Sure it can be silly and puerile at times, but it's a lot of fun. Worth seeing.

A very enjoyable film, though my view may be a bit prejudiced due to I have a Dane. Kudos to director Tashlin for giving Mr. Bascomb a distinct personality and some very funny moments! This movie is a testament to both Martin and Lewis as they had basically ended their partnership while HOB was being made, yet still seem to be enjoying themselves.