2:22
2:22 Trailers

Two planes almost collide after a blinding flash of light paralyzes air traffic controller Dylan Branson for a few seconds. Suspended from his job, Dylan starts to notice an ominous pattern of sounds and events that repeats itself in exactly the same manner every day, ending precisely at 2:22 p.m. Also drawn into a complex relationship with a woman, Dylan must figure out a way to break the power of the past and take control of time itself.

Reviews
Teddie Blake

The movie turns out to be a little better than the average. Starting from a romantic formula often seen in the cinema, it ends in the most predictable (and somewhat bland) way.

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Zlatica

One of the worst ways to make a cult movie is to set out to make a cult movie.

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Beulah Bram

A film of deceptively outspoken contemporary relevance, this is cinema at its most alert, alarming and alive.

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Phillipa

Strong acting helps the film overcome an uncertain premise and create characters that hold our attention absolutely.

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Andrew Williams

Really bad movie but great cinematography and that's all it has to offer

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natashadiamond

Without a doubt, one of my top 10 favorites . if you didn't seen it you must see :p

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ladybug2535

I loved this movie--it had romance (and I'm not a fan of romances in general), mystery and some absolutely jaw-dropping bits. The aerial ballet is absulutely beautiful, as was the artist's presentation at the gallery. Wonderfully done--the movie was worth watching for those scenes alone! As for the story itself--I truly do not understand how anyone could have been confused. In fact it pretty much telegraphs the fundamental premise very early on--it was hard to miss. I suppose if the viewer does miss the point then the varous scenes as they evolve could be confusing, but the very factors that create the mystery for the main character (the patterns) should easily lay out the "answer" to the audience. I don't want to give too much away, but to say that a key point brought up repeatedly is that of the dying star who's light "is reaching earth from 30 years in the past". Enough said about that. I will add, this is NOT a rehash of "Groundhog Day".The music was appropriate and enticing, while the acting was good--the cinematography is some scenes was breathtaking. I do have a few quibbles with the script, but overall it was intriguing and involving--though I did guess the "twist" pretty early on. Apparently I'm in the minority--in that I didn't find the film confusing at all. Honestly I don't know how they could have made it clearer without simply giving the whole game away from the beginning--which would have made it an entirely different (and boring) film (if not a simple straight forward love story). The main characters were certainly presented well enough that I found myself wholly engaged in rooting for them as the story progressed--there was only one scene that felt out of character (a major if brief "temper tantrun" that felt entirely gratuitious and out of place to me), which is certainly a better score than many films rate. While not Oscar worthy, it absolutely deserves a better score than a 5. PARENTS: Nothing inherently offensive that would force you to lock up the kiddies for the night before viewing, though there is mild gun violence. There IS a close call between fully packed passenger planes which some viewers may find disturbing. At no point is there anything particularly gory or horrifying--though there is the tension of potential life-threatening (and sanity breaking) danger and mystery. There isn't even any nudity or sex and I don't remember any swearing (though I can't swear to it--ha ha).

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petra_ste

This is a good example of "How not to execute a high-concept sci-fi/fantasy premise". An air traffic controller (played by Daario Naharis from Game of Thrones) starts having visions and notices weird patterns in his daily routine, with the implication of some impending tragedy taking place at 2:22 and involving both him and his new girlfriend (redeemingly pretty Teresa Palmer).See, in movies where the plot hinges on some kind of premonitions, you need to ESTABLISH CLEAR SIMPLE RULES - like in Minority Report, Groundhog Day, Source Code, The Dead Zone, Déjà Vu, It Happened Tomorrow, etc. Not necessarily explanations. But rules. We need to know early in the story how the hero's powers work, how he can take advantage of them, what their limits are. THEN you can put a spin on those rules - but you need to establish them first. If it's all too vague, then anything goes and tension becomes tedium. Here the story turns out to involve, I kid you not, the explosion of a far-away star, the protagonists' astrological sign and reincarnation. It's too much; the movie drags. Pity, because an initial scene involving a potential plane crash was fairly tense.4,5/10

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