Tsunami: The Aftermath
Tsunami: The Aftermath
| 10 December 2006 (USA)
SEASON & EPISODES
  • 1
  • Reviews
    Vashirdfel

    Simply A Masterpiece

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    Exoticalot

    People are voting emotionally.

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    SoTrumpBelieve

    Must See Movie...

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    Janae Milner

    Easily the biggest piece of Right wing non sense propaganda I ever saw.

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    kevinalvarezp

    I was pleasantly surprised at how well the tsunami tragedy was re-enacted. The acting and the writing stand above the other craft.The execution is compelling thoroughly. It boggles my mind to find so many negative reviews on this site. This film in my opinion presents an honest and comprehensive account of the tsunami tragedy and its aftermath, it explores the causes, it attaches blame without luridness, it visits the foundation of the family as a institution in the midst of a life altering crisis, it is emotionally compelling, it is educational, it is thought provoking. This film made my everyday problems feel like a picnic at the park.I didn't know Tim Roth was that good.

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    wmontalv

    Bad acting, Over-reliance on emotions that don't get expressed properly, Offers no interesting/original story or point of view. I agree with others that it has too much of the inaccurate documentary and very little of the Thai people's suffering and grief. This film was truly disappointing for such an earth shattering event. One of the greatest natural disasters in history affecting millions of people seems truly small and the main characters concerns and tragedies feel like petty whining. The Tsunami was a much larger and important event than what this film manages to convey. It truly does not live up to the challenges set out for something of this magnitude.Any amount of taste garnered by the dignified responses of the main characters is undermined by the films total focus on tourists as the main sufferers of this tragedy, totally bypassing what this event meant for the millions of locals who were affected.As a person who is very well acquainted with the toll a natural disaster can take I was extremely bored and disillusioned with this portrayal.

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    Bobbycenturion

    Tsunami: The Aftermath ranks up there with movies such as Titanic, Nicholas and Alexandra, and many other historical movies! This was a great protrayl of the tsunami tragedy that happened in Thailand 2004! The acting was great, everything was top notch! Seeing possible events occur in the film/mini-series was heart wrenching and sometimes made me angry or depressed! Anger at the Hotel Chains for being so greedy, and depressed and sadness at the loss of loved ones! This is a great movie and I hope it gets the recognition it deserves!! And the actors all deserve an award for playing such a diverse set of characters coming together in tragedy, especially Toni Collete, Chiwetel Ejiofor, Sophie Okonedo and many others!

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    paul2001sw-1

    The problem with making a film about a well-known disaster is that the obvious line of dramatic development is precluded precisely because everyone knows it before the film starts. In 'Titanic', James Cameron spun a tale about the spirit of the age, which he bound up with the famous event at the heart of the film; but 'Tsumami: the Aftermath' tries no such tricks, and sells us a straightforward catalogue of human misery and suffering. It's all very earnest, and unclear what the point is supposed to be. Countless survivors (with missing relatives) are shown responding with a mixture of dignity and disbelief in reality. This may be one response to tragedy, but it's not the only one, and in this film appears to be celebrated as the highest expression of the human condition: epitomised when one man stands up at a public meeting and is applauded for his heartfelt but impossible demand that his (dead) child is returned to him. Liekwise, the film stresses a view that those on the scene in a non-personal capacity needed to emotionally empathise with the feelings of the suffering, whereas one could argue that, when it comes to the rationing of limited resources, one actually needs officials who can be completely dispassionate, and who can turn down the heart-rending (and conventionally justified) demands of those who cry loudest to meet instead the needs of those with even greater need. Finally, there is a political sub-plot, but this is presented more as a means to the redemption of a cynical journalist (who, as you might have guessed, learns to care) than as an end in itself.The review may sound pretty cynical in itself, and I don't want to belittle the appalling human suffering of the real life tragedy in any way. But this film's obsession with dignified emoting puts a very strange spin on the human condition.

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