Fantastic!

It's hard to see any effort in the film. There's no comedy to speak of, no real drama and, worst of all.

Great example of an old-fashioned, pure-at-heart escapist event movie that doesn't pretend to be anything that it's not and has boat loads of fun being its own ludicrous self.

Story: It's very simple but honestly that is fine.

I have fond memories of this series when I was a child, and thought Jeremy Brett was gorgeous. Seeing it again as an adult, I was surprised at how good it still is.Some of the acting is rather hammy, particularly Anne of Austria and Constance Bonacieux, the fights seem pedestrian and some of the lighting is poor. However, given the time it was made, it is a faithful adaptation and it is unfair to compare it to modern dramas. The musketeers are all fine, and Brett is still gorgeous. Most impressive though to me is a very convincing portrayal of the melancholy and woman-hating Athos by Jeremy Young, whose performance stands out among the four friends. I recommend it as more closely following the novel than the later films. Just a shame it's in black and white.

I gave this a nine for faithfulness to the novel. The scenery and costumery and sets were good.No poor performances. Jeremy Brett is a fine actor and did his best in the role of D'Artagnan but alas he is no D'Artagnan.Jeremy's performances gets better as the story moves on.Brian Blessed was perfectly cast as Porthos. Mary Peach turned in an excellent performance as Milady but physically speaking against type. I really appreciate that this version includes Musketeers 4 servants and not just one and Lord de Winter,Milady's brother-in-law .This is faithful to the novel more so than Richard Lester's and George Sidney's versions which were pretty darn close as was Bernard Borderie's 1961 and the 1978 Russian version. This fine 1966 version had an equally faithful 1967 sequel called The Further Adventures of the Three Musketeers with almost the same cast as its predecessor which was based on Alexandre Dumas Three Musketeers sequel The Twenty Years After. A little Musketeer trivia to end this comment Richard Lester remade the Twenty Years After as The Return of the Musketeers in 1989 with the same cast as his Three and Four Musketeer films and the Russians also remade the Twenty Years After as Musketeers:20 Years After and followed with a version of the Man in the Iron Mask with the same cast as the 1978 D'Artagnan and the Three Musketeers. This is the Musketeer production that should be shown in a literature class.It follows the novel.

This 1966 BBC production is a fairly conventional adaptation of the classic Alexandre Dumas story. Content-wise, it is comparable to the better-known 1948 and 1973 versions. Whereas those films have comedic elements, this one lacks any significant humor.On its own merits, it appears to have enjoyed a respectable budget and fairly good production values. The casting of Brian Blessed as Porthos is particularly welcome. However, the performances are stiff, the fights and swordplay uninspired and unrealistic, the music and cinematography mediocre to poor. Portions of the portrayal of D'Artagnan are grating, particularly in Episode One. There is an over-reliance on dialogue, giving the film the tone of a plodding soap opera rather than a rousing adventure. When compared to the 1948 and 1973 adaptations, its weaknesses become particularly glaring. Nevertheless, dedicated fans of the Musketeers genre should probably give it a chance.

This TV version of the Dumas novels was made during the golden age of the BBC Sunday teatime classic serial and I still have fond memories of it forty years later. Like its successor, 'The Further Adventures of the Three Musketeers', the whole thing was played straight and not as a jokey camp fest like so many of the movie versions. The young Jeremy Brett as d'Artagnan was particularly memorable.It is actually a very good story, and if played straight with outstanding actors as was the case in this BBC version, can make for thrilling and at times moving drama. Let's hope that the original tapes are still lodged safely in the BBC vaults and have not been wiped, since this is a true classic.