Fantastic!

Awesome Movie

I wanted to like it more than I actually did... But much of the humor totally escaped me and I walked out only mildly impressed.

It's simply great fun, a winsome film and an occasionally over-the-top luxury fantasy that never flags.

Even at 24 hours or so, this family does not overstay its welcome. Splendidly costumed and intricately plotted characters – for the most part wonderfully portrayed – combine in a number of imbricate tales, all of which, however seemingly episodic, reveal aspects of our main characters' (the Paliser paterfamilias and his wife) personalities. Humane, feminist, open- minded and just – all these define the stiff, awkward, sometimes dour but never pessimistic Plantagenet Paliser, and explain his attraction to us. He indulges his wife, the real axis for much of the story, and it's good he does; she rounds out his truth with an emotional honesty of her own that he opposes at first only to, always, bow to. It is the characters then that grab us in this long miniseries, as they must in any long-form for us to stay engaged. The Palisers may not have the same degree of dramatic ups and downs of I, Claudius and other miniseries greats – but the humanity the eponymous couple demonstrates is just as compelling.

In 1967 the BBC produced "The Forsyte Saga", a 26-episode adaptation of John Galsworthy's novels. It was a sensation and gripped the whole country. The BBC's only mistake was making the series in black-and-white. In the early 1970's, with colour television becoming the standard, they looked for another 'saga' they could treat the same way but as a colour production and came up with "The Pallisers". Once again they got it right, magnificently right, but the series didn't seem to grab the public as the Forsytes did (a strike half way through the first transmission didn't help). This is a great shame because this is one of finest costume dramas ever made for TV.It's hard to know where to start praising this series. Simon Raven does an excellent job of weeding out Trollope's inessential sub-plots and leaving the meaty stories revolving around major characters. His dialogue is rich and intelligent and full of character.The production values are superb. The use of videotape for exterior scenes avoids the jarring jump from studio work to grainy film that was a feature of TV production at the time (although some remote locations, such as Scotland, still rely on film). The interiors are rather set/studio-bound, but there's nothing cheap about them and they are convincing. The costumes look as though they cost a fortune in themselves (I don't think Susan Hampshire wears the same dress twice).So what of the drama? Nothing less than 26 episodes packed with incident and fascinating characters: George Vavasor, Ferdinand Lopez, Mr. Bonteen, Robert Kennedy, Mr. Chaffenbrass, Lizzie Eustace, Lord Fawn, Sextus Parker, the list is huge and the cast is a roll-call of the best British actors around doing some of their best work to bring their characters to life. It's a team effort and impossible to select one outstanding member, they are all memorable.At the centre lie the two fixed characters of Plantagenet and Glencora. All I can say here is that Susan Hampshire is so charming and lovable as Glencora she steals your heart as much as she does Planty Pal's. In some ways Philip Latham has a thankless job as Plantagenet. He is the embodiment of a high-minded public servant: humourless, devoted to his work, and an apparently aloof, unaffectionate husband and typical Victorian father. Again, though, the script fills out the character and some of the most memorable moments in the whole series come when Philip Latham shows the human qualities that lie behind this forbidding shell (particularly his fair-mindedness when faced with an argument). The scene where he tells Glencora never to think he doesn't love her is very moving and as a fine a piece of acting as you will find.Above all, the story of Glencora and Plantagenet shown in the series is the *true* story of a marriage. With all its ups and downs, misunderstandings, disagreements and differing points of view, there comes to be a deep affection between them that stands the test of time.It is this that makes "The Pallisers" one my very favourite TV series (along with "Tinker, Tailor, Soldier, Spy" which is a horse of a very different colour): it is huge in scale but never loses sight of the human element. Anthony Trollope said he was fascinated by "the interestingness of existence". This adaptation, full of love, betrayal, greed, jealousy, ambition, *and* comedy, captures this in a truly unforgettable way.

They really don't make them like this any more - nearly 20 hours of TV devoted to six Trollope novels. The costumes are fabulous, the sets lavish, the acting superb. The whole is set around the characters of Lady Glencora Palliser (Susan Hampshire) and her husband, Plantagenet (Philip Latham), who string the various stories together more or less loosely. We start out with a miserable and rebellious Glencora and her arranged marriage with Plantagenet, follow the tale of Alice Vavasour and her suitors, then continue with Phineas Finn and his turbulent life. On to the wicked Lizzie Eustace, back to Phineas and then on to poor Emily Wharton. The last chapter is about the Duke's children, Silverbridge, Mary and Gerald. Around these central characters you have a huge cast of supporting characters, every one of them beautifully portrayed. The series has stood the test of time very well indeed, probably because they did it all well to begin with - the costumes all authentic and hand made, no zippers here! What a delight.

This series was a huge undertaking, of a sort that probably would not be attempted today. It was an adaptation of Trollope's "Palliser" novels, and dealt with a great many characters and intertwining plots. The series worked best for viewers who could take an interest in the fictional politics of the time, as Plantagenet Palliser, like most of the men in the story, is a politician and this theme runs throughout the series. However, Susan Hampshire as Lady Glencora, his mismatched wife, provides a romantic strain as well, though she eventually adopts her husbands concerns and interests as her own. The story from time to time veers away from these two main characters, and becomes quite entertaining as it delves into the complicated life of the scheming Lizzy Eustace, and also that of the greenhorn politician from Ireland, Phineas Phinn. His problems with women and his trial for murder (including a cross-examination in Latin!) are among the most interesting and enjoyable passages in the series. This is a thoroughly entertaining series for those who can just relax into the Victorian atmosphere and are not in a hurry to get to the end.