SERIOUSLY. This is what the crap Hollywood still puts out?

Not even bad in a good way

While it doesn't offer any answers, it both thrills and makes you think.

A film of deceptively outspoken contemporary relevance, this is cinema at its most alert, alarming and alive.

The 221 episodes of "The Lone Ranger" were originally broadcast on ABC from 1949 to 1957; and then for many years they played in local syndication. For most of the original broadcast years the series was ABC's most watched piece of programming. The new DVD set from Pop Flix contains the first 16 episodes (15 Sept-29 Dec 1949) and for some reason unknown to me episode 22 from the fifth season, for a total of 17 episodes (the same 17 available on last year's Mill Creek Entertainment release so these are probably in the public domain). These sets pretty much render "The Legend of the Lone Ranger" movie superfluous as all three episodes that were combined in 1952 to form the movie are included in these releases. The early episodes hark back to radio as there is considerably more voice-over narration used as an introduction and to introduce key plot moments. The series itself was pure kiddie western with clear-cut good and evil distinctions and no romance. The title character (played by Clayton Moore) started out Texas Ranger John Reid. The first three episodes provide the background for his transformation to Lone Ranger status, his partnering with the Indian Tonto (Jay Silverheels), and the taming of his horse "Silver". There is an unambiguous code of positive morality infusing each episode. The Lone Ranger is totally good but he adopts the guise of evil. While a masked man in the west was normally feared by the good citizens and an Indian was distrusted, the Lone Ranger is feared by those who would do evil. One persistent theme is that when the Lone Ranger and Tonto first encounter an average citizen they are greeted with suspicion, and by the end of the episode the citizen has been convinced of their value. The trademark ending was a secondary character asking the question: "who was that masked man?". To really enjoy the series you must accept it for the simplistic morality tale it was intended to be. If you don't take it seriously and keep wishing for some self-reflexive campy parody elements you will only get frustrated. Then again, what do I know? I'm only a child.

Bullets may not have bounced off his chest, but The Lone Ranger was every bit the symbolic icon to me as my other boyhood hero - Superman. He represented truth, justice and the American way in a classic TV Western setting, living by the principle that he would never use his gun to kill, while scouring the American Southwest with his faithful Indian companion Tonto to bring every single outlaw to justice. The advent of TV provided the perfect opportunity for a post War generation to find it's ideal in an enigmatic masked man who stood for law and order, while providing unparalleled entertainment for five seasons spanning almost eight years.Today I had the opportunity to view for the first time the complete three part origin episodes start to finish without the standard opening and closing sequences to interrupt the continuity of the story. For fans of the Ranger, this is the grand daddy of all Western sagas, telling as it does how Texas Ranger John Reid survived the ambush by the Butch Cavendish Gang, and how he was nursed back to health by an Indian friend from his childhood. Tonto (Jay Silverheels) declares his companion a 'trusty scout', and names him Kemo-sabe. I've read various interpretations of the origin of the term Kemo-sabe, but I'm satisfied with Tonto's explanation. Reading too much into it just detracts from the story, just like the English translation of 'tonto' from Spanish, which I won't reveal, because it's just better not to know if you can help it.I thought it quite clever how the origin story created the mystique of the Lone Ranger, like the sixth grave that created the illusion that all the Rangers died in the box canyon ambush. You never see the face of the man who becomes the Lone Ranger, as it's always turned away or obscured to hide his real identity. Even the origin of Silver is handled brilliantly; the voice of the story's narrator describing the wild stallion's sterling qualities. Would that relate, say, to sterling..., silver? I got the biggest kick out of that.Of course with the passage of time, watching the Lone Ranger episodes today offers a view of how unsophisticated the show was beyond the origin story. Some of them are almost embarrassingly goofy, particularly when it comes to a Lone Ranger showdown when he shoots into the middle of a crowd of bad guys to knock a gun out of a villain's hand. And how about that little wave he gives to Tonto whenever they're about to ambush the bad guys - it's always the same gesture, but Tonto always knows what it means in different circumstances. Then you have the episodes where Clayton Moore takes off the Ranger mask to don a different disguise to impersonate another character in service to the story. He even went under cover once as an actor portraying President Abraham Lincoln to uncover a villain, top hat and all!Few fans that I come across ever know that actor John Hart replaced Clayton Moore for the 1952/53 season in a contract dispute that Moore had with the show's producers. If you ever saw that "Happy Days" episode where Fonzie idolizes his boyhood hero, you'll notice it was John Hart listed in the credits. It's difficult actually, to tell if you're watching a Hart episode or not, the key is to listen to the voice; Moore's is so distinctive that it's a dead giveaway.If you ever get the chance to sample some of the final season color episodes, you're in for a treat. The renditions I've seen on VHS are absolutely gorgeous, although I don't know if commercial prints are available. Most of the black and white episodes around have been re-packaged by any number of distributors in different configurations, so getting your hands on those should be no problem. The must see of course is the three part origin, and if you don't watch anything else, this gives you all the flavor and excitement you need to capture the imagination of one of the West's most famous heroes. Hi-Yo Silver, Awaaaay!

Someone once defined what is the definition of AN INTELLECTUAL as being: "A person who can listen to "The William Tell Overture" without thinking of the LONE RANGER!" In this, we heartily concur! It surely would be a tall order to accomplish this, and one that Leopold Stokowski, Arturo Toscanini or .Leonard Bernstein would all find nigh well impossible to do.And in this there is no disgrace. The Radio Series and the Television Series, along with some Movie Serials, Feature Films, Syndicated Newspaper Comic Strip and Comic Books, all did their part to make "the Masked Man of the Plains and his Faithful Indian companion, Tonto" a deeply seeded element of our collective psyche and of our literary folklore.As with most legends, it all started gradually, first with a series of Radio Plays, written for local use in Detroit over Radio Station WXYZ. The Creator was one George W. Trendle and the Principal Writer on the Series was Mr. Trendle's brother-in-law, Mr. Fran Striker. The year was 1933 when the Ranger first rode out to "…the Plains of the Early Western United States!" The Lone Ranger, Tonto and the Radio Series all successfully guided Depression Era Americans through the mid and late '30's up to and through World War II. But the Post-War Era found the country in the midst of a Super-Nova Explosion of invention and technology. There had been a new communications medium standing ready in the wings, but unable to go forth until both VE Day and VJ Day had been achieved. Once these were accomplished and the World and America was ready to settle down to both Peace and Prosperity. The "New Technology" was, of course was TELEVISION! And we would surely need something else than "Roller Derby" and "Wrestling From Marigold Arena" to fill up the broadcast hours. And while at first, the time that a TV Station had anything on, except that portrait of that Mohican Chief (Test Pattern, Schultz!) Very soon and with post haste, the Networks began tapping their existing Natural Resources, their existing programming! Virtually all would be ripe for adaptation to the TV Screen.So, the folks over at Lone Ranger, Incorporated were very interested when Producers Jack Chertok, Harry Poppe, Sherman Harris and Jack Wrather all approached them with a deal to put The Masked Man and Tonto on the Television waves, as well as the Radio.Immediately they went to work and gave us the first season, which made use of the considerable back log of Radio Dramas, all potentially adaptable to TV dramas. They cast Clayton Moore, a fine supporting actor in many a feature film, and with about a dozen years experience. He also had done some work in Serials over at Republic Pictures' "Thrill Factory", which would be invaluable experience in doing "THE LONE RANGER". Cast as his "faithful Indian companion" and partner in bringing Justice to various parts of the Frontier, we had sheer perfection in character-supporting Actor, Jay Silverheels.** We must mention that there was that rift in about '53, when Clayton Moore walked and was replaced with John Hart. After a season or so, Mr. Moore was back in-having been missed so much! Now, Back to Our Story!! The first years of filming gave the episodes a look and a sound all of their own. They made good use of off screen Narrator, which gave these shows a feel of authenticity and an individual, stand-out one of a kind series. The actors employed were all veterans of the movies of the late silent era thru the 1930's and 1940's. A lot of them had been just about exclusively "Cowboy Movie" players. A good example of these is the casting of Glenn Strange (Bartender Sam on "GUNSMOKE") as the vicious, murderous Gang Leader, Butch Cavandish. And it was the Cavendish Gang's massacre of the Texas Rangers that led to the origin of John Reid (thought to have been slain with the other Texas Rangers) as the "LONE RANGER".In addition to the old timers in the cast, you will find a lot of new and up and coming talent (then) in the cast. We see people like Phyllis Coates, Dwayne Hickman, Denver Pyle and others in the cast from week to week. All of this, along with an always calling for fair-play, justice and peace in a western world.The last couple of seasons brought some big changes. First was the use of Colour Filming. That made no difference as a Colour TV Set was still a long way off for our household. The second was a new set of musical themes and queues. (Other than Rossini's Finale from "U NO Wutt!") The new music was never a big deal to us, as we preferred the "old Radio" stock stuff.With this series and two Feature Films done during this period, THE LONE RANGER (Warner Brothers, 1956) and THE LONE RANGER AND THE LOST CITY OF GOLD (United Artists, 1958), the character has been permanently and indelibly impressed in our identity as a People, we Americans!

Iam not sure if discussing the television series is exactly where the comments should be drawn to,however it is on the television where the The Lone Ranger really made a name for himself.Iam not even referring to the original radio broadcasts of this masked rider of the plains,Iam though referring to a point where in a little boy, about 9 or 10 years old,I was to see the movie,"The Lone Ranger"and never forgot it.I can recall that I was on a line or we were moving toward the Paramount Theater-the theater was located in the theater district,if I remember correctly.It was directly across,going East to West from the building that has the ball that drops on New Years Eve-This is of course if anybody doesn't know, New York City.High Above the street on the roof tops there was a time and maybe even still today huge billboards would advertise what was being shown and so on.It was at that point in time that I looked up and was never more impressed as I was when I looked at that billboard to see The Lone Ranger across the roof tops-It was great-It made an impression and was never forgotten.That day we went to see The Lone Ranger-It was the story of how the Lone Ranger was born-The terrible ambush that the Texas Rangers rode into and the subsequent rebirth of one of its fallen heroes.It was in this film we learn that The Lone Ranger will not shoot to kill but to injure so as to let the law be the judge.That type of thinking is so worthwhile that we might be good to learn something from history.This is where we learn that Tonto discovers the fallen Ranger and upon seeing the symbol of the boyhood friendship that The Lone Ranger established years earlier when he as a younger person came to the aide of a injured young person in Tonto-For the aide given, Tonto gave to his faithful friend, a symbol of his thanks which now was part of a necklace that Tonto recognized.Tonto said,"you are Kemosabe".The Lone Ranger said,"kemo-sabe,that is familiar?Then Tonto tells the story of this "trusty scout"(the meaning of Kemosabe)I think the Lone Ranger is one of the true heroes of the silver screen and one of the great heroes of television.It should also be stated that these very respected individuals Clayton Moore and Jay Silverheels sought to live there lives according to the legend of The Lone Ranger-It may very well be that there is an inspiring story in the story of the Lone Ranger and his faithful companion Tonto.I myself was so pleased by the ability to find and buy the DVDs, that I stayed up all a Saturday morning and watched The many episodes now available.Long Live The Lone Ranger and His faithful companion Tonto-Hi-Ho Silver-