Such a frustrating disappointment

just watch it!

Bad Acting and worse Bad Screenplay

Unshakable, witty and deeply felt, the film will be paying emotional dividends for a long, long time.

Noting in the Wikipedia article on Dashiell Hammett only 3 of his 5 full length novels became motion pictures. But the three The Thin Man, The Glass Key and The Maltese Falcon became classic films all. The Maltese Falcon as we know was done 3 times as well.A fourth one The Dain Curse was deliberately segmented into three self contained mysteries which for purposes of adaption fitted nicely into the television mini-series format. James Coburn played our protagonist/cynical hero Hamilton Nash and I think Coburn should have done more detective stories, he was perfectly cast for the part.It starts out as an investigation of a jewel robbery of a family the Leggetts. It's Coburn who deduces that he thinks the robbery story has a lot of holes in it. The Leggatts are Paul Harding, wife Beatrice Straight and her stepdaughter Nancy Addison. Straight is also Addison's blood aunt, Harding's first wife was Straight's sister. They are members of the Dain family upon which it is said there is a legendary curse.One who tries hard to convince Nash there's something to this curse business is Jason Miller, Coburn's hard drinking novelist buddy. As this is 1928 and Prohibition rules the land that was some hard drinking indeed.The Dain Curse might be the bloodiest novel Dashiell Hammett ever wrote. Several members of the Dain family die here including those who married into the family and those who had some involvement with them. Still Coburn thinks there's a guiding intelligence at work here and of course he's right.A lot of expense went into this production and you really do think you're in 1928, cars and costumes definitely authentic. Look for good performances by Jean Simmons as a cult church leader, Hector Elizondo as a hick sheriff, and the future Data from Star Trek, The Next Generation Brent Spiner as one of the cult members in good standing.The Dain Curse is definitely worth watching for more than James Coburn and Dashiell Hammett fans.

Although Hammett's Continental Op is written as short and squatty, Coburn manages to fit the role perfectly. The novel never gives him a name, but in a four-and-a-half hour film, he of course has to have one. This is the main change from Hammett's masterful novel, which the filmmakers have wisely chosen to stick to like glue. Beware the shortened version. If you can catch the complete version, it's worth it. Excellent cast, and terrific score. Coburn has never been better, and it's always great to see Jean Simmons. Hector Olonzdo is worth watching as the sheriff. This is a terrific tale of redemption, corruption, and unrequited love. This is one of Hammett's forgotten tales, and it's amazing that it was never filmed until 1978.

Just awful. It's almost unbelievable that, with characters and situations provided by Dashiell Hammett, such a plodding, passionless mishmash could result. But that's television for you -- filler between commercials. The first warning signal sounds from the fussiness of the period re-creation, which screams "1928" in banner type. Flivvers and touring cars, fedoras and waistcoats, cloches and speakeasy jazz (jarringly played) -- with all the attention paid to pointless, arty detail, the important matters get ignored.Like narrative clarity, or plausibility, or competent writing and acting. The plot sets one of Hammett's operatives ("Hamilton Nash" so whether he's called "Ham" or "Nash" we think of "Hammett" or "Dash") investigating a bogus diamond theft. Thus is introduced the young woman who supposedly carries the Dain Curse (the charmless and talentless Nancy Addison, who went back to soaps where she belonged); she belongs to a crackpot religious cult led by Jean Simmons and seems addicted to "drugs" as well; there's also a Mysterious Gaseous Drug which seeps into rooms....But enough. The writing is never more pedestrian than when it reaches for the poetic or high-flown, and the cast parrots it the only way they know how: by grotesquely overacting. Simmons gets treated like minor royalty from Old Hollywood, but the grande-dame treatment doesn't wash. Hector Elizondo for some reason enjoys second billing (after Coburn) for a dispensable part. Other familiar faces drift through, doing little good for their resumes.The actors aren't even photographed to look good; Jason Miller is an especial fright, but extreme close-ups of Coburn are pitiless, too. Coburn probably copped this role because, with mustache, he bears a strong resemblance to Hammett. He needed more guidance than that; nobody has given him the vaguest hint as to how to play his character, or of the story's tone, or of how the different strands of the plot mesh together (they don't, at least not in this telling). So he flashes his big Chesire-cat grin whether called for or not.The Dain Curse is available on videotape, in a variety of lengths. For those foolhardy enough to "see for themselves," the shortest abridgement is the kindest cut of all.

In Dashiell Hammett's world, nothing was ever what it seemed and people were mysteries to be unwrapped layer by layer. The characters in the "Maltese Falcon" and "The Thin Man" were enigmas to Sam Spade and Nick Charles and so it is in "The Dain Curse." If you are looking for a simple plot, go elsewhere. The hero of the novel was a nameless detective known as "The Continental Op." In the movie, the hero is Hamilton Nash (a nod to Hammett who once was a Pinkerton detective). The film captures the flavor of Hammett's writing and is well cast (look for Jean Simmons in a supporting role, Hector Elizondo as a local sheriff, Brent Spiner as a baddie and Sidney Tolar (the last film Charlie Chan) in a minor role. James Coburn is well suited to the part of Nash. The show captures the flavor of the roaring '20s very well and is a must see for Hammett fans.