This Movie Can Only Be Described With One Word.

It's the kind of movie you'll want to see a second time with someone who hasn't seen it yet, to remember what it was like to watch it for the first time.

Just intense enough to provide a much-needed diversion, just lightweight enough to make you forget about it soon after it’s over. It’s not exactly “good,” per se, but it does what it sets out to do in terms of putting us on edge, which makes it … successful?

One of the most extraordinary films you will see this year. Take that as you want.

This Comencini version of the adventures of Pinocchio is the most fateful to the original novel and also perhaps the best, including some of the biggest names in Italian comedy of the seventies, like Manfredi, Lollobrigida and Vittorio de Sica. The score of the film (by Nino Rita) is FANTASTIC: the themes are airy, elegant and memorable. The slow carillon in "Fata turchina", the coupled piano-harpsicord motif of "Birichinata" or the magic, slightly psychedelic mood of "Trasformazione di Pinocchio e Lucignolo", the askance tango "Il Gatto e la Volpe": just a few of the excellent episodes giving the LP its old-fashioned countryside charm. Fun for all family, and undeservedly little known of outside of Europe. A children classic with a subversive undertone that adults can appreciate.

It is always tricky and very hard to turn a (great) novel into a movie with good results. So many times the result is quite bad. But in this case this rendition of Carlo Collodi's wonderful novel (read it! And have your kids read it!) by one of the greatest Italian directors will leave you totally delighted and moved. The actors are superb and the atmosphere is absolutely perfect. Andrea Balestri (Pinocchio) is... well... THE perfect Pinocchio. Geppetto (the great Manfredi) is unforgettable, and so Lollobrigida, and so Franco Franchi e Ciccio Ingrassia and... well, try and find a copy: every effort you will make is worth, trust me. I have to say that Disney's version (after all a cartoon. A great one, but a cartoon) disappears if compared to Comencini's Pinocchio. I watched Comencini's Pinocchio when I was a kid and many times since then (I am Italian so I have had more opportunities to watch it) and I do think that this version is a masterpiece.

It's simply a masterpiece to collect. The best Pinocchio movie adaptation ever made. A strict adhesion to the Collodi's text and several genial inventions like Franchi and Ingrassia as "Il Gatto e la Volpe" or Vittorio De Sica as "il Giudice" or the Gherardi's costumes and the unforgettable soundtrack. The original tuscan speech, unfortunately available on Italian version only I suppose, enhances the philological value of the film. By the Comencini's Pinocchio the Italian TV production, at beginning of 70's, reached probably its quality top, rarely confirmed later. Forgot Benigni and his "colossal-flop", manufactured for US market! Only Comencini and Suso Cecchi D'Amico, uo to now, have been really able to adapt the Collodi's tale for a movie.

This is the 300 minutes version of the best TV-adaption ever made of "Pinocchio", a co-production of several European public TV-networks. Directed by Luigi Comencini, with Nino Manfredi as Gepetto, Andrea Balestri as Pinocchio and Gina Lollobridgida as the fairy. Great actors and a subtle poetry make this adaption a real masterwork of Italian television. The mini series consists of 6 episodes, each about 55 minutes long. See also "Avventure di Pinocchio, Le" (1972), there you have the very much edited one part-movie version, which in Italy (for example via internet) is available on VHS and DVD.