Good , But It Is Overrated By Some

This is a coming of age storyline that you've seen in one form or another for decades. It takes a truly unique voice to make yet another one worth watching.

Although I seem to have had higher expectations than I thought, the movie is super entertaining.

The film never slows down or bores, plunging from one harrowing sequence to the next.

Just watched this with my better half on DVD. I had read the books before, she hadn't.I was positively surprised that the writers did not change much of Waugh's novels for dramatic condensation; they just omitted lots of peripheral characters and events of minor meaning to the overall plot.The main characters are well cast and the acting is excellent. In contrast to some other reviewers, I am convinced that Daniel Craig is the perfect fit for his appearing neutral in the crucial point of class. Guy does not represent a specific class in the novels either: He's too catholic and too old for being a "chap" among the officers, he is too introverted and serious to succeed in society, and too rich and educated and considering to be a role model for the ordinary men. No, he remains an outsider to all worlds - which gives him the best position for observing and documenting all the others.My better half liked the acting and thought the film gave her two good evenings of entertainment. Yet she was confused with the abrupt changes of locations and times (I had no problems with that with all the background knowledge of the novels and the dozens of Wikipedia pages I consulted to understand the novel's story while reading it).I can understand her: If you are not really into WWII (and even more: if you are non-British), you really get lost if those sandy rocks now represent mock Crete in Scotland, Egypt or real Crete and what the heck were the British doing in Greece anyway? I don't think it was a good choice to split the story in two parts, while the book is made of three. The story lacks a stringent climactic structure anyway (life seldomly follows the rules scriptwriters have set for entertaining plots), and stopping in the midst of volume 2 does not really make things better. Maybe a 3 or 4 part miniseries with a run-time of 7 or 8 hours total would have been more fitting with the Crete and Yugoslavia episodes deserving a full leg of attention.What I missed was the mentioning of Stalin. In the novel, two of Stalin's moves are main triggers for Guy's decisions: The Hitler-Stalin-pact of '39 convinces Guy to go back to England, join the army and fight the forces of evil. Germany's invasion of the USSR in '41 causes Stalin to change sides which makes Guy doubt his cause. The co-operation of the Allies with Stalin's Soviet Untion forms the quintessence of his conviction of the overall senselessness of his efforts. I can see that it is hard to make this fit into a movie version, but not to mention it at all? I also missed Stalin's sword mentioned although it is the name-giver to Waugh's trilogy.What became clear to me after watching it is that the material is still well suited for movie or series adaptations. So, Netflix, Amazon - anyone?

Desperate to find some cause to hitch his waggon to,Guy Crouchback, introverted,middle - class,Catholic,is a man determined to find honour and redemption in war.To assist him in this effort he commits himself whole - heartedly to the Halberdiers,an obscure but "superior" British regiment which after years of idleness suddenly finds itself confronted with the realities of modern warfare. Actually proving a rather good and popular officer,he fights a losing battle against the tide of cynicism,opportunism and political in - fighting,corruption,self - aggrandisement and general rottenness from his contemporaries,a victim of their jibes,their genial or sometimes not so genial contempt and condescension. Bloodied,appalled and bruised by what one of his colleagues calls "the whirligig of war",he gets the chance to "do the decent thing" by marrying his ex - wife,Virginia, who is pregnant by an odious fellow - officer,thus,by proxy,continuing the Crouchback line which dates back to mediaeval times. When Virginia Crouchback is killed in an air raid,Guy comes home and sees "his" son for the first time. Awkwardly,clumsily,he says to the boy,"I'm your father" as the camera cranes up and we leave the two of them to a hopefully happier future. Adapting Waugh's marvellous trilogy of war novels for television was no mean task,and leaving aside any petty intellectual snobbery from old school Waugh admirers who might baulk at his masterpiece being sliced up and presented as popular entertainment no matter how well done,it must be said "Sword of Honour" is something of a triumph. Mr D.Craig is quite excellent as Guy and conveys well the gradual change in his character as his wartime experiences have an increasing effect on him. Mr L.Phillips - a man whom I would normally walk a mile to avoid on the screen - is sensitive and moving as his elderly father,a man unshakable in his beliefs and quietly indomitable in his courage.Miss M.Dodds as the flighty Virginia gives the best performance,displaying the easy charm existing in a total moral vacuum but somehow fatally attractive. The production values are high,the battle scenes well above par for a TV production and,in line with the original,the TV adaptation takes on a very bleak aspect towards the end. By giving legitimacy to Virginia's son,Guy redeems himself in a way that he signally failed to do in combat. Channel 4 is to be congratulated.

Recap: Guy Crouchback joins the war effort during World War 2, an idealistic quest to join the forces of good in the fight against evil. But his efforts is not rewarded, he never has any chance to join any real fighting, circumstances always prevent it. Instead he finds himself in the middle of an army full of cowards, incompetents and a few outright evil men. They of course reap the fortunes of war, promotions and fame, but never Crouchback. His war is just an endless list of transfers and an hopeless but noble quest for righteousness.Comments: Really a miniseries, based on a novel, or apparently a series of novels, that has been put on a DVD together to find a very long movie. Never read the novels, so I can't comment on how the movie compares to the books. But I can comment on the movie, and I can't really figure it out. Does it want to be a comedy, or a dramatic comment on wars as such. I think it really tries to be both, but because of it accomplishes neither.Too many characters are too incompetent, too cowardly or simply too mad to really take seriously. And if a score of characters can't be taken seriously, how could any message or implication in the story really be taken seriously. At the same time Crouchback seem to get in to quite a few hotspots in the war, but nothing really ever happens to or around him. So it is certainly not anything like an action. There is an implication about the madness of war, but what doesn't get lost in the lack of seriousness really get lost in the inaction of the movie. The message may be noble and important, but more than three hours are too much time to make just one statement, and when nothing other happens it gets dull.A few known actors and faces, but Daniel Craig is certainly the most known of them, mostly for his work after this movie. Can't really say he shines in this one, but he doesn't disappoint either.The movie isn't that bad really, but far too long. Therefore nothing I can recommend.5/10

'Sword of Honour' can be seen as an update of the Boultings' 'Pilgrim's Progress' - an anachronistic idealist fights in World War Two for reasons of chivalric honour, only to see the world overrun by liars, cheats, murderers, cowards and lunatics; where decency is pointless, even dangerous. William Boyd's restructuring of Waugh's war trilogy is a miracle of adaptation - his leavening of verbal humour with slapstick; his capturing of Waugh's elliptical tone; his creation of haunting visual patterns acting as counterpoint to the horrific satire that is the war. There is one haunting sequence amid so much disintegration, the false bomb warning during Virginia's post-natal party, that magically hints at forces beyond man's self-defeating endeavour, while also rescuing a character Waugh was rather hard on. In the moral sense.