Very very predictable, including the post credit scene !!!

Fantastic!

Did you people see the same film I saw?

Great movie. Not sure what people expected but I found it highly entertaining.

Taking this movie for what it is, a movie about an historical event, it's pretty good. The scenes, settings, and dialogue all work towards looking and portraying the events documented in history. Because it's a movie, it is more of a play about real events. The music is the most disruptive and annoying part. It heavily detracts from watching the story. The dialogue is spoken as actors would speak it, with drama, rather than the conversational tone it was surely truly spoken as. The Indians, many of them, are fat, way too unbelievable for people who lived off the land, and Crazy Horse, while thin and muscular most likely didn't have the six pack of someone who works out, but maybe he did. Most disappointing is the portrayal of Captain Benteen, who, according to the movie, callously refuses to go to Custer's aid. I think in truth he didn't know Custer's location or true predicament. Though no love was lost between the two real men, Benteen was a brave soldier who would have come to the aid of other 7th Calvary soldiers. That said, it's a good reenactment movie with real or real looking historical sets, and I love the replacing of the famous Custer picture with Gary Cole as Custer in one of the closing shots. I believe that Custer, as a personality, was more likely a self-centered quarterback type, instead of the pretty boy he's played as. He sounds like he as a pretty ruthless killer, not very Errol Flynnish.

General Custer is one of the most controversial figures in American history. He is perceived by some to be an egotistical, murdering, glory hunting pariah but to others he is almost a saintly figure to whom history has been most unkind. The truth inevitably lies somewhere between the two. Custer was indeed egotistical and also very ambitious, but he most definitely was not a murderer. Custer was a man of his time, a professional 19th century soldier obliged to carry out the duties of his office. No matter what he personally (and a letter exists to prove that Custer was against an Indian war) felt about his orders. Son of the Morning Star makes the mistake many make when dealing with Custer. It places 20th century 'politically correct' sensibilities upon the events of his later years which distort the truth to an alarming degree. Custer did not 'murder' women and children at the Battle of Washita, evidence exists to prove that he did, in fact, prevent soldiers from such acts although many were killed before he could intervene. Custer did not 'leave some of his men to die' after the battle, he was forced to withdraw as a large army of Sioux approached his position and he was ill-equipped to deal with them. Custer was vigorous in his determination for Indian Agencies to supply the reservation tribes with the food etc that they were entitled to, risking his own career in the process. And finally, at the Little Big Horn, he did not go charging in without thought or rationale. He presumed (incorrectly) that the tribes were escaping and, after giving orders to his subordinates which they did not obey, went in pursuit. Unfortunately there were many more Indians to deal with than expected so he held a defensive position and waited for reinforcements which did not come, due to the failure of others. Consequently he and his men were annihilated. Custer was a complex man, something that this film attempts to touch upon but is let down by it's emphasis on debunking anythinhg positive to be said about him. it's about time someone made a 'real' film about Custer. One that portrays his fine record in the Civil War (he is still the youngest ever General in the US army) and how he was an inspiration to his men. How he displayed great tactical knowledge and extreme bravery under fire. People laugh at Errol Flynn's portrayal of 'Saint Custer' and indeed the latter stages of They Died With Their Boots On are laughable, but the depiction of Custer during the Civil War is (although heavily stylised) very accurate. The flamboyant uniform, the cry of 'ride you wolverines!', marching to Garry Owen - this stuff really happened. After the war Custer was given one tawdry job after another by the army. He disgraced himself on more than one occasion and was ultimately court martial-ed, but he performed his duty for his country and should be remembered for the role he played as a winner in the Civil War, not just as the loser at the Little Big Horn. Cinematically, the film is escellent, with good attention to detail and fine staging of the battle scenes. It's a shame it is flawed by a ha'porth of tarred scripting.

As near as anything has yet got to a true and accurate reflection of the 1876 summer campaign; this film displays not only the history of the white push into Montana after Grant's "hostiles" and the final conflict on the Little Bighorn, but also explores the psychology and personalities of the important members of the 'Custer Story'. If one understands the mental reasoning, then one can have a better overall grasp of the history in a film which is largely liberated of possible romantic nonsense that movies in the past rated viable.Son of the Morning Star also, commendably and thankfully, explores the history, society and feelings of the native peoples. The film removes the tinted image of the Indians being brutal and thoughtless heathen savages, allowing an audience to build sympathies for a people who were being invaded and eradicates the idea that these were a dark and quiet race who would sell their own mothers. And about time too. If that is all that a viewer take from this film, then it has certainly achieved one of it's objectives.Not only is history, society and emotion addressed (the emotional angles are most effective, e.g. Custer's relationship with Libbie, the contrast of Crazy Horse and Custer etc-all very clever, potent and emotionally though provoking), but the filming locations are very good (I have been to the Little Bighorn and Reno's fighting ridge is an exact looking filming location as one could wish for) and the atmosphere created by minor details of dress, action (see Reno's hat in the battle) and background is wonderful.You want a Western? You want Son of the Morning Star.

"Son Of The Morning Star" is by all accounts and definitions an epic. With a period backdrop, compelling characters, a cast of thousands and a span of ten years, "Morning Star" fits the mold of almost every made-for-tv-mini series. Yet you can't help but feel it's being confined on the small screen like a belt that's too tight on you. It has the look and feel of a theatrical feature, and would seem so much bigger on the big screen. But Mike Robe's gigantic effort is no movie of the week basic network fodder. It's the post-Civil War story of General George Armstrong Custer, his lovely and loyal wife Libbie, and Custer's Indian equivalent Crazy Horse, and the interesting chain of events that lead the two warriors to the gentle slopes of the Little Big Horn, or, more popularly, Custer's Last Stand. But, as the Indian female narrator Kate Bighead tells us, "it was not [Custer's] last stand...it was ours". The first half of the film seems somewhat confused of its real direction, and it's pretty much the movies only flaw. We meet the characters, soak in the rich setting of the western plains of our country, and are led through such happenings as Custer's court martialing for his harsh treatment on deserters, the training of his 7th cavalry, the somewhat flawed presidency of Ulysses S. Grant, who, apparently, is quite the anti-Custer, and to a lesser extent to all of this, the early days of the Cheyenne warrior Crazy Horse, played by underrated Native American actor Rodney A. Grant (Wind In His Hair from "Dances With Wolves", which is what I believe ultimatly helped greenlight this production). But besides that jumbled storyline, which really isn't all that jumbled, there are first rate acting scenes displayed by Gary Cole as our arrogant blond hero, who seems to really know his stuff when it comes to first person impressions. Rosanna Arquette is just going through the motions, and so is Dean Stockwell as Custer's superior in Washington, General Sheridan. But the real reward for sticking through this movie is the heart-wrenching climax of all movie climaxes, the Battle of Little Big Horn. Custer's actual Last Stand isn't until the final half hour, but boy is it worth the wait. Mike Robe really deserves some, heck, A LOT of credit for this logistical nightmare of a production. He takes us through Custer's final moments with true skill and utter authority. Combined with the poetic and professional lens job done by director of photography Kees Van Oostrum, and a lush orchestral score by Craig Safan, "Son Of The Morning Star" is a real piece of work, and should be considered a genuine cinematic triumph in the annals of western and dramatic film. Kudos, guys.