Very well executed

recommended

The story, direction, characters, and writing/dialogue is akin to taking a tranquilizer shot to the neck, but everything else was so well done.

It's the kind of movie you'll want to see a second time with someone who hasn't seen it yet, to remember what it was like to watch it for the first time.

I watched this solely for Paul Bettany but was pleasantly surprised to see Emily Woof and Jason Orange amongst the cast, all of whom are very good. Paul Bettany is a very strong presence and he overshadows the lead actor's performance.I presume when this was first aired on TV it was a 3-part drama. I found the first hour tedious as we were introduced to the characters not all of whom were convincing - notably the lead character Scott and the wild girl Charlie/Charlotte. However, once the computer game 'Killer Net' was underway it picked up apace and grew increasingly interesting. The computer game idea worked well and was thrilling as well as menacing. The plot line was unsurprising and I guessed the denouement as it neared the end.The drama is two stories woven into one that intersect when Scott selects his 'Libra' murder victim (to understand what this means you will have to watch). The first and prime story is about Scott and his friends and the other concerns the designer of the software.If you enjoy Linda La Plante and appreciate Paul Bettany you'll probably find this a well acted drama. What lets the production down is the very dated computer technology, not into video games myself it did not bother me too much, though I imagine it will irritate some.

Killer Net was written by crime writer Lynda La Plante best known for Prime Suspect. The series revolves around a student called Scott who gets addicted to a violent video game (Killer Net). The player must plot and perform the perfect murder without leaving evidence or getting caught. As Scott plays the game his house-mates become interested and start playing it as well. Unfortunately for them a real-life murder takes place which they get accused of.Killer Net is clearly inspired by adult "interactive video" games (such as Harvester, Phantasmagoria and interactive sex games) which were popular around the time of the broadcast. The graphics used on the Killer Net game footage now look dated. This sort of makes it slightly nostalgic as it reminded me of old video games I've played. The series also references Chat Rooms and the fears surrounding them. I do not think the series makes any major social comments but is interesting how it tapped into media scare stories involving video game violence and chat rooms which are still relevant today.The series is also noticeable for containing a young Paul Bettany. His acting is decent and he clearly had screen presence then. Tam Williams plays the naive Scott well but overacts in places. Emily Woof is excellent throughout. It is notable for featuring Jason "Take That" Orange as a thuggish DJ. Unfortunately his delivery of dialogue is a bit wooden and almost camp making the character's "hardman" image unconvincing.The series was panned on its initial release but it has gained a cult following. It has a good plot. Some decent acting and makes good use of the Brighton location. Despite its 18 certificate and reputation, if your expecting a gorefest you'll be disappointed; it is however disturbing but the violence is very brief.DVD Review: Sharp picture quality. There's a few sound dips but nothing serious. The limited extras include: Actor biographies and a trailer for Lynda La Plante's series: The Commander. It would have been good if the original Channel 4 trailers were included. This version is Re-Edited and runs around 5 minutes shorter than the VHS release. Worth owning especially as it can be picked up reasonably cheap. Recommended.

Watched it last night on late night TV. Engrossing film. Not recommended for the very squeamish. The film contains some nudity and drug use, as well as vivid violent allusions. Wasn't too bad, took me to about 30-45 minutes before the end to know who the killer was and work out everything that was going on. Which is longer than most of the movies out and about today. Some interesting twists and turns mixed with some subtle humour. Kept me from going to bed until the very end. (I just had to know if they caught the killer!)Worth watching at least once.

This is to me a masterpiece. It is brilliant plotted, as one would expect from this writer, yet shares little with her other work, particularly in the way the police are very much a background presence helpless in the invasion of newer more sophisticated menaces such as the internet, which even their own computer experts cannot keep up with. The acting is particularly noteworthy, from the naive but so believeable Tam Williams to his maternal flatmate Emily Woolf, but best of all is the amazing Paul Bettany as rugby playing, arrogant Joe, who delivers a scene in part four so well you cannot help but gasp as you watch. Another star of this is the music, which is superb, doomy yet very catchy. Of special mention is the inspired use of the Linoleum track "Twisted" at two key points in the story, the fusion of music and drama making them the two strongest moments in the series, they work so well. The series was poorly publicised in Britain and many perhaps just expected an ill informed cautionary tale about the internet; even worse was the video release which gave the entire plot away on the inside sleeve notes! The direction by Geoffrey Sax is what really lifts this drama into the level of masterpiece though. The performances he wrings from the cast is amazing, but the depiction of the game and the pacing (amazing for scenes of just Scott sitting playing a computer game) are breathtaking. The point of view shots of Scott drunk in part two are remarkable, and the whole production glistens with a flashy, gimmicky finesse and sophistication which matches the game itself. A true classic comparable with a Nigel Kneale or Dennis Potter drama. One interesting point to ponder however...the internet is so criticised because it is new, whereas books and plays are "respectable". Does the television not offer as much virtual reality violence in this production as the internet? And in that sense the internet is censor-friendly, since you have to request to view explicit materiall. If it was somehow restricted when young children are viewing it, it would surely be less criticised, because a game like Killer Net, believeable addictive and thrilling, is just as bloodthirsty as watching this!