SERIOUSLY. This is what the crap Hollywood still puts out?

Really Surprised!

The movie turns out to be a little better than the average. Starting from a romantic formula often seen in the cinema, it ends in the most predictable (and somewhat bland) way.

Worth seeing just to witness how winsome it is.

During my childhood the staccato musical "sting" could be heard anytime and any place that there was a parody of a detective programme or even between kids if there was a minor mystery, someone would hum the theme.Actually watching it for the first time many decades later in very bleary prints shown on the most obscure satellite channel to fill the gaps between adverts early in the morning, its brilliance still shines through. "Everything you see is true". But how true and how was it actually made? There doesn't seem to be any authoritative account of how the scripts were written so I can only guess. Two things however strike me: firstly there is a precision and sometimes quirky individuality about the portrayal of the suspect, small but striking details of their manner and behaviour. Secondly, the calm reasonable and utterly professional cops who at all times remain dedicated, fully human and humane, sympathetic yet not presented as superheroes.My feeling at least is that the source of the materials was not just the files but the actual cops involved who related things they'd remembered but which would not have seemed significant enough for them to include in a written report.The most impressive was Lee Marvin playing a violent killer who combined calm petty self-absorption with lying, and unconcerned matter-of-factness about his murders. He's just violently attacked a cop, is now handcuffed and about to be taken down to the station yet calmly says he wants to clean his teeth and expects the cop, who's still got a bloody face, to hand him the toothpaste and turn on the tap. He's not trying to wind the cop up, he just wants what he wants. During questioning he says that he's hungry, is taken to a cafe and carefully chooses a meal with a special salad. Once finished he is confronted with compelling evidence, and casually confesses to a string of brutal and almost motive-less murders, then calmly turns to a discussion of how a little salt is vital to fully enjoying lettuce. It's his last meal outside jail and probably not far from his last meal on earth yet he remains calm and self-absorbed. It is the perfect outline sketch of a psychopath.

In the 1950s, "Dragnet" was one of the most popular shows on television. Nearly a decade after the series ended, new "Dragnet" shows went into production--with Jack Webb once again playing Sergeant Friday*. However, his old partners, such as Officer Smith (Ben Alexander), were now replaced by Officer Gannon (Harry Morgan). These later shows are the ones I grew up with and loved. Only recently have I begun watching the early "Dragnet" shows--and I am very glad I did. While in many ways the styles were very similar, the older shows were grittier and more violent--and frankly, I like that. The only big advantage the newer ones was that they looked nicer--with color film and they also did more outdoor shots. In fact, this studio-bound look was something you really notice in the older shows--so often action outside the office is DESCRIBED because apparently the budget didn't provide for location shots.My advice is by all means watch the older shows. And, even better, if you can find the Dragnet movie from this same time period, this is well worth seeing--very well written and full of wonderful dialog.

I purchased a couple of episodes of the classic B & W version of "Dragnet" in a "Everything for a Buck" sort of store, not long ago. In one collection, the transfer from film to DVD was great. However, the other set, from a different company, left a good deal to be desired. The film quality was low, and to add insult to injury, they had edited music from the score, as well. I would wager that it was the signature, "Dahhh-da-DUM-DUM" that we all know "Dragnet" by.Still was a great watch, however, and the stories are interesting. Just having the audio quality change, and small bits of dialoge get clipped by inserting a piano playing a couple of notes, is somewhat irritating.

Check this out. If you run on public transportation, your chances are slim to catch a TV screen and enjoy some "Dragnet" while riding. That's because the Orlando based "Transit Television Network" is adding the original "Dragnet" series to their schedule. In case you wonder, TTN is an advertisement system that runs on the public transportation systems in Orlando, Milwaukee and Chicago. During selected days and depending on the route, you may catch a classic episode of "Dragnet" and other TV shows like "I Love Lucy" or "Bonanza". However the advertisement system is supposed to bombard you with more commercials every hour. Included are local advertisement and public service announcements. Also the fact that you will encounter a "Travel Trivia" or "Race The Clock" game of challenge.