I don't have all the words right now but this film is a work of art.

Great Film overall

It's easily one of the freshest, sharpest and most enjoyable films of this year.

Exactly the movie you think it is, but not the movie you want it to be.

I loved this miniseries! It was very subtle and it made the viewer think. A room of people could watch the same episodes and gather different opinions about the meaning. I love British drama because it doesn't spell out everything for the audience. The Prince's proposition to Louis, the relationship with Julian and two other characters and the meaning of being on the edge. I love the expression on the main character's face when he realizes what it going on. The socio-political statements are subtle and clear as to class and race. It made me reflect on how far this world has come since then. The interracial relations and the color hue thing made me remember how it was back in the 70's and how different it is now. I also love the way color and class was discussed when money came into the picture. From sneaking through the back door to being escorted in the grand entrance. I wished it went on for another season where characters were brought back from exile and old love rekindled, but this is good enough. I think John Goodman is a compass towards good scripts and he makes any movie better. Watch it and enjoy. Being black and poor and hob knobbing with the leisurely wealthy can be dangerous for the ones on the edge of a society where color is still an issue. Being given privilege and then having it taken away can bring you back down to earth so you can see things clearly. Being poor and not having any nobility can also take you to a place where you feel you may transcend your status but like a young blue jay with it's wings clipped, you fall to the ground.

There are so many things to say that is wonderful about the first few episodes of Dancing on the Edge. The visuals were great, the music catchy, the characters interesting. I couldn't wait to see the next episode. There was so much intrigue and suspense.Then on the 4th episode it seems that the writers were told that this wasn't going to be an ongoing project and to wrap it up in a few episodes as possible. It was at this time that the show lost all suspense and interest. There were so many ways they could have developed this program, but just took short cuts and then wham the final episode was just the worst possible of all 6, (5 including the interview episode).They could have developed more on the lives of the two rich protagonist. They could have delved more into why Julian was the way he was. They could have told us more about Sarah and her father...or even the basic relationship between Louie and Sarah. It would have been nice to know more about Jessie, but it was not to be...she was far more tragic than her role portrayed.I could go on....but I won't. Watch it for the 1st three episode then bail. If you want all six, you will wish you had those hours lost on viewing it back.Seriously disappointing.

This television series from the celebrated Stephen Poliakoff portrays 1930s upper class London but focuses on a Black Jazz band travelling the clubs of Britain, mixing with the high ups of polite British society but reveals an underbelly of prejudice, secrets and murder.Chiwetel Ejiofor plays Louis Lester, trained in the USA but his jazz band takes London by storm when armed with two female singers. Matthew Goode plays a music journalist who champions the band in his music paper. John Goodman turns up as a mogul who wants to buy newspapers.Although there are twists and turns, Poliakoff needs to stick to writing, needs a stronger story editor and get someone else to direct and interpret his words to the screen.It looks good, there is a fine all star cast from Jacqueline Bisset, Jane Asher, Anthony Head. The music and song which was written originally for the series is fine with a few memorable tunes but it meanders too much. The murder story has little mystery as you have a rough idea who the culprit might be.

Prepare yourself for six hours of bad writing, bad acting, and really, really bad music.Writer-director Stephen Poliakoff has become the M. Night Shyamalan of British TV drama. He started strong, with dramas that seemed to be new and different and even (hideous new modifier!) award-worthy. Then, with each new project, his threadbare bag of tricks became more familiar and predictable; what once seemed endearingly offbeat became simply irritating, and Poliakoff's narrative deceits became increasingly obvious, no longer distracting us from his inability to create living characters or coherent plots.The downward spiral has led to this sloppy, boring mess of a mini-series. Good luck getting through the whole thing, and if you do, you will almost certainly be disappointed by the limp ending.Particularly irritating is the music. Poliakoff presumes to resurrect a largely forgotten era of British entertainment, but the newly-written songs on offer here do not capture the spirit of the originals. Not only are they displeasing to the ear and badly sung, but the viewer is forced to hear them over and over and over.It is hard to see how Poliakoff's next project can be worse than this, but if the trajectory holds, he will find a way to make it so.