Simply A Masterpiece

One of my all time favorites.

It's funny, it's tense, it features two great performances from two actors and the director expertly creates a web of odd tension where you actually don't know what is happening for the majority of the run time.

The film never slows down or bores, plunging from one harrowing sequence to the next.

Whether this is better than other dramatizations of the book is irrelevant. If it's bad, it's bad--and this is bad. The fact that this version covers far more of the book--including Kostya Levin's story, which I think is more interesting than Anna's--just makes its atrocities even more unbearable.What bothered me much more than its distortions of the book's characters and deviations from its plot is its dragging THE WHOLE BOOK down to the level of a soap opera. From the very first scene with Countess Vronskaya and Anna on the train, and in every single following scene, all the way through to the end, I felt like I was watching As The Word Turns--all 13,858 episodes. It made me sick.To me, one of Tolstoy's most astonishing achievements in this book is that it NEVER--not for one scene or one paragraph or one word--falls into melodrama. Every character is alive and real, everything they do is believable and organic. Nothing is overblown or contrived.This production is the exact opposite. EVERYTHING is overblown, EVERYTHING feels contrived and phony and stupid. It takes a very great book and turns it into cheap melodrama. What a disgrace.

This version of 'Anna Karenina' by Tolstoy presents the story in ten parts of around 50 minutes each. Starring Nicola Pagett, best known as Elizabeth Bellamy in 'Upstairs, Downstairs', as Anna; with Stuart Wilson as Vronsky and Eric Porter as Karenin.This is a leisurely version, with time to develop the minor characters and subplots, while keeping true to the book in the story of Anna's affair with Count Vronsky, and its tragic conclusion. It starts with the infidelity of her brother and in doing so, shows the difference between men and women where divorce and adultery are concerned.As Anna, Pagett is excellent, veering from thoughtless frivolity to total despair; while Eric Porter is perfect as Karenin, strong, tormented, and complicated. Stuart Wilson is charming as Vronsky, looks the part and is an appealing character. In support the rest of the cast are excellent too, especially Sheila Gish as Betsy and Mary Morris as Countess Vronsky.This mini series is well worth your time and doesn't have a dated feel at all - the space given to the story means this version has more weight than those with Garbo or Vivien Leigh.

I have a poor VHS copy of the series from when it was shown on PBS in 1984. I have searched for years to locate a clean copy. It is worth viewing over and over again--the acting is tremendous.The costuming and sets are great, and the series is true to the text and atmosphere of the original novel.I recommend it to anyone, but for some reason it has not been issued or reissued in the market. BBC has reissued most of its major series in VHS or DVD. I hope that this will be the case for this great series.This is a timeless story that is absolutely fundamental to an understanding or consideration of what it is like to live our lives out even with all the pitfalls and joys.

I have to admit that I saw this series only once (in 1978), and my memory of it has faded somewhat. Nevertheless, I still vividly recall its vibrant reproduction of Tolstoy's masterpiece, its authentic characterizations, and its remarkable set pieces, especially given the fact that this was a television production.Standouts include Nicola Pagett's complicated portrayal of Anna, and Robert Swann as the ambivalent Levin. The intoxicating scene of Levin and his peasants bringing in the harvest, and Anna's tragic demise are worth viewing again.Hope the powers that be resurrect this one in the near future!