Crappy film

A lot of fun.

This is a gorgeous movie made by a gorgeous spirit.

Through painfully honest and emotional moments, the movie becomes irresistibly relatable

This show is OK, you get to see a ballet company from the inside, which is interesting enough.But on the other hand, I don't see any of them surviving one week in the Ballet de l'opéra de Paris or the Royal Ballet. They are not bad dancers, but surely not great ones and sometimes it is a bit awkward to hear big compliments for such dancing.But to be honest, it is a regional ballet and also a reality show, you can't expect to have an étoile from the ballet de l'opréa de Paris.If you like ballet and want an inside look in a company why not, if you are in for great ballet dancing I don't think you'll enjoy it as much, watch one of the many documentaries about ballet.

This show is great and filled with interesting (but not unrealistic) stories about 7 of Ballet West's dancers. Its also putting ballet back in the mainstream eye (though its ratings are low) and is offering us a real look at how hard the industry is to succeed in. I have been glued to this show since the first episode, but I must say that episodes 3 and 4 are better than episodes 1 and 2 cause 3 and 4 contain more dance with the same consistent amount of reality TV drama. Every person on this show is talented and deserving; and I really hope the show gets a second season cause it would be a shame to see one of the highest quality reality shows slip through the cracks. If you haven't checked it out definitely look it up (you can watch all the already aired episodes legally on the internet) and give it a chance, especially if you have a love for dance like me.Some notes on the 7 dancers (no episode spoilers, just brief bios/intros and personal opinions). Beckanne Sisk is a very young (19) up and coming dancer who blows everyone away with her ridiculous talent. Shes really good friends (and roommates) with Katie Martin. Katie is in a relationship with fellow ballet west cutie Ronald Tilton. I love Katie, she's really sweet and funny. Ronald, Katie's boyfriend, is super lucky in that he also gets to work alongside his brother Rex Tilton at Ballet West. Rex is sortof dating Allison Debona. Allison is SUPER career focused and I really sympathize with her on the show, but some people find her irritating...personal preference (and only bad edit?) I suppose. Christiana Bennett is one of the principal dancers at ballet west. Christiana seems like a great person and she dances sooo effortlessly (though we know shes gotta be in pain and struggling). And lastly there is Ronnie Underwood. Ronnie is a MAN...No really that is how they sell him on the show...total dude. He's pretty hilarious to watch as he struts his stuff like a hot peacock.

I'm a lifelong Salt Lake-area resident, former (ten-year) student of ballet, and occasional season subscriber to Ballet West, so I've been quite interested to see what this Ballet West reality show would turn out to be. Ballet West is an old and much-respected company and its dancers' personal lives are frequently commented on locally--the unusually high count of married couples in the company, in particular--and so I'm not surprised that they were deemed strong subjects for a ballet reality show. The obsessive ballet world was ripe for reality show treatment, and so far I'm glad that our local dancers were chosen for the job. (Another selling point: reality show subjects with ties to Mormonism/Utah seem to be Hot Stuff in TV Land. I think network executives have discovered the fierce viewer loyalty Mormons provide anyone they perceive as being connected to their culture, even indirectly.)Of course, a more documentary treatment of ballet would have been preferable--there are some standard reality show elements in Breaking Pointe that made me laugh out loud. For starters, suspicious editing practices: was that shot of principal artist Christiana Bennett scowling really a reaction to the new girl's praised performance, or completely unrelated? There's some typical forced conversation and amplified drama: does the real Allison really walk up to other dancers unprovoked and mockingly reduce their superior abilities to fat, sturdy ankles? I doubt you'd survive long professionally with such behavior, unless you've been cast as the Villain and charged with the task of stirring up on-screen mischief. And there are also a few too-convenient symmetries, as the envied rising star and her only close friend are promoted and canned, respectively. Did company director Adam Sklute choose which handful of dancers to feature based on the drama of the particular fates he already had planned for them? Or maybe he fired Katie for no other reason than to provide a nice dramatic contrast to Beckanne's good fortune, as well as the side benefit of romantic tension in parting Katie from her dancer boyfriend? Though I was not surprised to see such familiar reality show devices in the show, I was a little disappointed. But I can't compare a reality show airing on a crappy minor network to Great Documentary Cinema, and for all its flaws I think this show must sit somewhere near top of the reality show heap. I was glad to see that the producers haven't tried to impose a general cat fight vibe on the company--a rare thing in the reality show world, where the assumption is that viewers tune in to see real or fabricated animosity between the characters. Except for Villain Allison (whose evil seems a bit forced, as I already mentioned), the dancers come across as driven and ambitious but ultimately good-natured and occasionally self-deprecating. Overwhelmingly likable. I certainly want to believe the best of these people: I have a fondness for them after watching them onstage for years--Bennett in particular--so it's great to see that this is a better-than-average reality show and portrays the dancers as being better-than-average human beings. The dancing here is beautiful and the dancers are quite articulate in explaining their world, and so if I can make it through next week's Ballet Babes Gone Wild bikini episode without being fatally annoyed, I expect I will enjoy the rest of this series very much.

I've only done a quick pass so far through the first two episodes (produced by the BBC) and they seemed a little high key, but interesting and not totally out of line with Ballet West's YouTubes which focus well on rehearsals and ballet development.BW's artistic director talks on some of them and they help to personalize the dancers, who can sometimes feel that no-one picks them out on-stage. They depict a company which works hard and sticks to the classical standards on-stage.Ballet companies of all sizes are trying new kinds of promotion in this tough economy, with so much other entertainment now out there. European and US ballet companies generally have been in a somewhat precarious position and even ABT and NYCB laid off dancers for a while in the downturn in 2009. Some companies have since done without orchestras though Ballet West still has one.For the moment the number of well-paid dancer positions (probably in the US below 500) doesn't seem to be growing, and the audiences are not yet really diversifying. A national survey was presented to a dance management workshop in NYC recently which showed that overall seat sales for ballet in the US have now slipped below 30% of total budget. Maybe half of that seat revenue comes from the Nutcrackers. The rest is made up by local government (ballet can be a real asset for cities), foundations, benefactors, and fund-raising galas, all demanding and none of them forever.Now we get to see ballet fighting back. :-) My guess is the potential for an explosion of interest in ballet is there. The movie Black Swan which this show seems an extension of was a bit bizarre but it reached an audience far wider than ballet normally does. The ABT's soloist Sarah Lane did most of the hard dancing in that as the double for Natalie Portman.Ballet West is about the same size and offers the same kind of mostly classical-ballet programs and training as say the Anaheim, the Memphis, the San Diego, and the Tulsa. All the companies of that size and most of the larger are doing sometimes peculiar new things to pull in bigger crowds.Anaheim is perhaps the most way-out in promotion: check their YouTubes. They do ballets in strange places which some other companies (Pacific Northwest in Seattle, and Hamburg, and English National Ballet, and the new Angel Carrera company in Madrid) are also doing. I for one like them. Many companies are traveling more. This month in New York we have the best-ever two-month ABT season (an amazing Onegin last night with a cast to die for: Gomes, Vishneva, and Osipova) and City Ballet next door at Lincoln Center with dozens of new ballets, and in a few days the Australian National and next month Paris Opera Ballet will be here.The Mariinsky from St Petersburg was in NY a few months ago, and soon after, they simulcast a very good 3D Giselle with Osipova in the lead role in theaters around the world. English National Ballet have done a Swan Lake in 3D. YouTube now offers 3D so 3D videos of ballet could appear there soon, and probably most new ballet DVDs will be in 3D. (Hint: it's awesome.)Personalizing the ballet dancers and the creative process which we see here in Breaking Pointe can resonate really well and could be the best response to the question at the end of Jennifer Homan's recent history of ballet (Apollo's Angels): Is ballet over? I'm not Mormon but I like Salt lake City and it is serious about its culture. So good luck Ballet West. I for one hope this venture does okay. Ten stars for trying.