Batman: The Brave and the Bold
Batman: The Brave and the Bold
TV-Y7 | 14 November 2008 (USA)
SEASON & EPISODES
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  • Reviews
    StunnaKrypto

    Self-important, over-dramatic, uninspired.

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    Protraph

    Lack of good storyline.

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    Solidrariol

    Am I Missing Something?

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    Hadrina

    The movie's neither hopeful in contrived ways, nor hopeless in different contrived ways. Somehow it manages to be wonderful

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    ooface

    I understand the appeal of Batman: TAS and the Nolan Trilogy. But if you are a true Batman fan, I'd suggest that you should give this show a chance. The idea of Batman making jokes, or his villians describing their evil ambitions as: "Those years in jail kept me from achieving my own greatness.But when people hear how I used a kite for my fiendish revenge......I'll be the most famous kite-related person in history(instead of Ben Franklin)."(KiteMan to Batman and Plastic Man) might be anathema to many Batman fans,like me, whose first introduction to Batman was the legendary 1992 animated series. However, this is a good show in it's own right. If you still have doubts, and are able to laugh at your own nerdiness, I'd recommend episode 19 of season 1: Legend of the Dark Mite which was written by Paul Dini, one of the writers of Batman:TAS.

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    Cheese Hoven

    This series is an odd mixture. Mostly it is lightheated and sometimes even camp, with golden age superheroes (Green Arrow, Wildcat.Plastic Man, minor and rarely used villains (Kiteman, Dr Double X) and lots of throwaway quips. As such it conjures up old comic books and the 60s Batman TV series. This part of the series works well enough, in its own terms, as enjoyable not too serious fun. However, certain dark themes enter from time to time and seem completely out of place. In one episode, Batman in buried alive and has to fight demonic creatures in hell. This would be frightening to young children and ill judged. In other episodes, characters die and gruesome characters appear, which clashes with the cartoonishness of most of it. One odd juxtaposition is a teaser which consists of a scary Spectre dishing out a gruesome punishment to a criminal. This is followed by the main episode which has Batman team up with Detective Chimp and B'wana Beast in a comical adventure.That sums up the strange mixture that is The Brave and the Bold. Clownishness and dark morbidity side by side (hence the title of this review

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    engremore

    I've been reading comics for over 40 years, and in that time I've seen Batman portrayed in many ways, both in comics and other media. I've seen him light, I've seen him dark. I've seen him whimsical, I've seen him serious. I've seen him brilliantly utilized, I've seen him squandered and pandered. "Batman: the Brave and the Bold" is a case of respect for his legacy."Brave and the Bold" was a long running comic series that featured team-ups, often between characters who ordinarily wouldn't be found teaming up. In this case it's "Batman and...". While visually stylized after a solid silver-age (50's and 60's) version of the character, they've blended in touches of the more modern hard-nosed version in personality.As far as the DC mythos goes, this is actually one of the few places you'll see animated versions of many characters, including the Metal Men, the JSA, Batmite, and Plastic Man, amongst others. The writing sways from adequate to pitch perfect, imbuing each character with a distinct personality, and relationship to Batman. The structure is fairly standard: pre-credit wrap up (kind of like a Bond film, where Bond is already up to his neck in something before the opening credits, usually unrelated to the primary storyline), credits, then the episode, thus allowing two team-ups per episode.I, for one, am going to be very sorry to see it go (a new computer animated Batman series is in the offing, and word is that B&B is ending).***SPOILERS BELOW******SPOILERS BELOW******SPOILERS BELOW***Some things to watch for, particularly in the 3rd season:A musical episode, featuring Neil Patrick Harris voicing the lead villain.Aquaman as you've never seen him before - as a laughing barrel-chested braggart who thinks everything is OUTRAGEOUS!Aquaman, sent back in time to defend earlier incarnations of Batman, lamenting "But I wanted to fight Romans!" (spoiler: he DOES get to). This episode also lifts from "The Return of Bruce Wayne" series of comics, featuring various "Batmen" of the past.A Batmite episode where he tries to do a makeover on Batman, and you see a variety of Batman styles, including the Frank Miller version.A pre-credit "Life with the Currys" - Aquaman and Family in a vintage sitcom, with their irascible neighbor, Black Manta.A Superman team-up, with dozens of references to actual Silver Age Superman comic covers (I particularly liked the bit where he picks up Kandor, the shrunken city in a bottle, and shakes it like a snow-globe)."Batman's Strangest Cases" hosted by Batmite, and featuring a perfect animated version of Wally Wood's "Batboy and Rubin" parody from the pages of MAD back in the 60's. An adaptation of one of Kuwata's "Bat-Manga" stories done in 60's anime style, complete with awkward dubbing. And they close with "Scooby Doo meets Batman and Robin" - not the original Scooby Doo episode, but done in the exact same style, with Superfriends versions of B&R, the Joker& Penguin, and to keep it modern, Weird Al as the celebrity guest in peril. Watch for Batmite to break the 4th wall a few times, including pointing out that people weren't allowed to throw punches back then, so he remedies it, and you are treated to Scooby and Shaggy joining in the donnybrook.a brief appearance by Wonder Woman, complete with Lynda Carter's WW theme-song.

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    antoinecatry

    The fan I am agree with the different points of view developed here, on the positive and negative sides and in my opinion, the positive slightly takes over. The show is a good surprise because it enables us to see Batman in totally new situations, not only lurking in the dark for the criminal element to rise. Hell, criminals don't always come at night ! In day or at night, in space, on earth and in the sea, why not ? After all, superheroes with or without superpowers were meant to define a modern day mythology, so why should they stick to our or their own particular and gloomy reality ? Batman is a true demigod devoted to justice in every one of its forms, I like the idea of him facing up new challenges, honing his capabilities beyond human perfection everywhere for the cause : as a member of the Green Lantern Corps, as a ghost striving to reanimate his earthly envelope, as a knight in medieval times. About his side-kicks, I particularly like Deadman and Wildcat because of their relative proximity to the universe of Batman in the comic book. Anxious to see Bronze Tiger and the Terrible Trio ! The introduction independent from the rest of the episode reminds of the good old James Bond series. The change of tonality is apparently consistent compared to The Batman, and it was on purpose, contrary to the works of Glen Murakami or Joel Schumacher. This show is an opportunity to rehabilitate old foes from the 60 (a similar choice is being made in the books, King tut recently appeared in Batman Confidential), as well as give more solidity to other DC heroes, it also brings a bit of detachment and lightness from all the darkness of the character, which I like most of the time, but that has gone too far now. A refreshing change.

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