Alas Smith and Jones
Alas Smith and Jones
| 31 January 1984 (USA)
SEASON & EPISODES
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  • Reviews
    Dorathen

    Better Late Then Never

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    Tacticalin

    An absolute waste of money

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    Solidrariol

    Am I Missing Something?

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    Neive Bellamy

    Excellent and certainly provocative... If nothing else, the film is a real conversation starter.

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    peenham-46348

    Excellent example of British sketch comedy. Some slide through PC waters but only the self righteous outraged idiots will be offended. Some of the face to face sketches are drawn out but they change the pace of the show. There aren't many shows that you cant predict anymore. This is one that will surprise and offer many laughs. Champagne comedy abounds.

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    RaspberryLucozade

    Two years after the end of 'Not The Nine O'Clock News' ended, Mel Smith and Griff Rhys Jones formed a double act together instead of going their separate ways and formed this long running sketch show for BBC Television called 'Alas Smith & Jones' ( the title being an obvious spoof of 'Alias Smith & Jones' ). A lot of the show had many similarites to its parent programme in that it featured wacky skits ( although some were traditional in tone ), songs and, very occasionally a spoof news item or two.Perhaps the most popular sketches were those entitled 'the head to head routines', which had the two sitting facing each other close up in front of a blank background, talking over a particular subject without having the faintest idea what they are talking about.It was popular, there was no doubt about that, but overall I personally found the show rather hard going. Certainly there were many funny moments, such as the 'Terry & June' spoof 'Achmed & June', a sketch featuring Mel sitting on a toilet bowl wondering why the room is moving downwards, only then to discover he is sitting in a lift, Mel as a cack handed dentist trying to pull a tooth out of Griff's mouth, only then to pull out his entire skull or Mel at a funeral casually tossing a wreath amongst a group of mourners as though he were tossing a bouquet at a wedding, but largely the show was patchy and sometimes even derivative.Quite an impressive list of guest stars took part in the show such as Marsha Fitzalan, Brenda Blethyn, Chris Barrie, Leslie Grantham, Robert Llewellyn, Paul Bradley, Tony Slatterly, Joanna Lumley, Kate Robbins and, surprisingly, Patricia Routledge.'Alas Smith & Jones' ( later just named 'Smith & Jones' ) may not have been a wonderful show but it certainly had an influence on later shows. For instance, Smith landed his own sitcom, the short lived but funny 'Colin's Sandwich'.

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    Yrmy

    After Not the Nine O'Clock News ceased production, Rowan Atkinson got bitten by the Black Adder, while Mel Smith and Griff Rhys Jones continued with their own sketch show. Less declamatory about politics and social issues (well at least there were no "let's drop the bomb on the leaders" songs), Alas Smith & Jones became a solid sketch show that could be clever and poignant, but was more often downright cheeky and rude. At best, it could be both (how about an advertisement for rectal cream directed in the style of Ingmar Bergman, or a documentary about a life-swap between an unemployed Northerner and a prosperous Southern cow?). Solid is the word: it broke little new ground in the way that The Black Adder did, for example, but it held the already occupied territories with gusto. Its decline during the final series was almost symptomatic of the general stagnation creeping in on Britcom during the late Nineties.As these kinds of shows do, Alas Smith & Jones depended on the talents of its performers even more than on its material, and the portly Southerner Smith and the thin Welshman Jones were a perfect match in this respect. While they had enough range to create a lot of memorable types, they were at best in doing their stage show-derived "talks" and banter. Here Smith would style himself a faux-bohemian man of the world against Jones' neurotically reserved, stiff-upper-lip stage persona. Their takes on various issues, whether advertising, transmigration or the perceived tallness of Danny DeVito, were frequently hilarious.Some of their best running sketches came at the start of the 1990s, including "Olympus", a brilliant soap-opera parody which put all the clichés of the Dynasties and Dallases to work on ancient Greek mythology. At the time their regular guests included Chris Langham and Brenda Blethyn, both featured in the "After Dark" talk-show parody where they added a general dimwit and a radical feminist-lesbian-vegetarian to Smith's Sun-reading yobbo and Jones' so-middle-class-hasn't-farted-in-twenty-years snob to complete the set of deliciously employed stereotypes. Other rising comediennes to pass through their ranks included Sarah Alexander and Sally Phillips.It worked splendidly on the small screen but never translated well into the big one, as shown by the limp Wilt and the messy Morons from Outer Space. Here in Finland they were popular enough to be commissioned to star in a promotional video by the Finnish Foreign Ministry called Finland for Adults. That was not their finest hour either...Viewed today, some of the stuff is unavoidably dated (mostly those bits dealing with the issues of the day), but most of it is still highly enjoyable. Watch it if you get the chance.

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    farbrorwilly

    This is one of the best sketch-based shows I've seen. I'm a big sucker for this kind of british humour and this show really made me laugh my pants off (quite literally actually). Both Smith and Jones are great comedians which give even greater performances. Highly recommended.

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