Although it has its amusing moments, in eneral the plot does not convince.

After playing with our expectations, this turns out to be a very different sort of film.

The film's masterful storytelling did its job. The message was clear. No need to overdo.

The film may be flawed, but its message is not.

Many critics regard chapter 7 as the best of the serial. Personally, I prefer number 8, though I must admit 7 runs it close for thrills with Merton's brilliantly edited stagecoach escape and chase. 7 ends right in the middle of Canutt's famous under-the-coach stunt. 8 has the stunt complete, plus a marvelous sequence with Ramon trapped in a blazing jail by a wonderfully vicious peg-legged turnkey. 9 is the economy episode, most of it consisting of footage from chapters 1 and 2 featuring Merton, plus a bit of Cobb from chapter 3. The tie-in council conference is all directed by English in his usual lackluster style, including would you believe the cliffhanger itself. 10 is certainly an improvement, as we get back to a bit of Witney action and Lydecker miniature work. 11 is one of the best. The ceremonial cave atmosphere is creepy enough, while the cliffhanger is a real humdinger. 12 has the longest introductory reprise of any of the episodes. The final unmasking of Don Del Oro is reasonably exciting. Zorro also unmasks, would you believe? And for the heroine yet! For someone who receives billing right after Hadley, Miss Darcy has certainly had an easy time. She figures briefly in but four or five of the twelve episodes. Very briefly. She seems a very nice girl too. Never mind. The serial is wound up to all our satisfactions by the re-appearance of Carleton Young's Juarez and a few rousing bars of "We Ride". One or two odd lapses in continuity (the mission that is blown up at the end of an early ep is magically restored much later on) plus a few of the usual cliffhanging "cheat" shots would not have worried the serial's original Saturday matinee fans. Nor would the generally no more than passable acting; nor some unintentionally risible examples of corny, cliched, amateurish, explaining-the-obvious dialogue. Full of energy and gusto, Zorro's Fighting Legion deserves its number one choice among many critics as the best serial ever made. It's not my favorite (that's Jungle Girl), but it certainly rates in my Top Ten.

Serials were short subjects originally shown in theaters in conjunction with a feature film that were related to pulp magazine serialized fiction. Known as "chapter plays," they were extended motion pictures broken into a number of segments called "chapters" or "episodes." Each chapter would be screened at the same theater for one week. The serial would end with a cliffhanger, as the hero and heroine would find themselves in the latest perilous situation from which there could be no escape.The audience would have to return the next week to find out how the hero and heroine would escape and battle the villain once again. Serials were especially popular with children, and for many children in the first half of the 20th century, a typical Saturday at the movies included a chapter of at least one serial, along with animated cartoons, newsreels, and two feature films.The golden age for serials was 1936-1945. This was one of the best of the era.Zorro has been seen in many films, but Reed Hadley ("Racket Squad", The Undying Brain) was excellent in the role.The action is constant, and we are led chapter by chapter to the ultimate end where we find out the identity of the evildoer.Zorro triumphs, as he always does.

Best of the Zorro serials and one of my favorite serials, period. This is a period serial set right after the birth of Mexico. The new nation is counting on the gold produced by this one town to keep the republic solvent. However a gold god, Don del Oro is stirring up the Indians and stealing the gold for himself. Its Zorro and his band of men to the rescue. Reed Hadley is a winning Zorro and he cuts a dashing figure as he gets into a nice selection of scraps (most all of which were reused by the later Zorro serials as well as other serials as well).The story moves and its nicely not clear who the real bad guy is. There is a reason that I've seen this the most of any serial I've seen, its simply a great action adventure film. The only thing I can compare it to is the Mark of Zorro with Tyrone Power or one of the other swashbucklers of the period. Its super and highly recommended.

As serials go "Zorro's Fighting Legion" is one of the best action serials of the 1930s. Made in a period when the studios could still field a large cast, this one has wall to wall action throughout its 12 chapters.In 1824 the President of the newly formed Republic of Mexico Benito Juarez (Carleton Young) is trying to put his new country on a solid financial footing. To that end, he has arranged to have rich gold shipments forwarded to the capitol from the local San Mendolita mine.Members of the local council plot to steal the shipments on behalf of Don-del-Oro a gold armored god, who with the aid of the local Yaqui tribe, hopes to install himself as the ruler of Mexico. Opposing him is Don Francisco (Guy D'Ennery) who forms a legion of locals to aid Juarez. When Don Franciso is murdered by Don-del-Oro's men, a stranger, the fopish Don Diego (Reed Hadley) arrives in town. Diego aka Zorro takes over the legion with the help of his friends Ramon (William Corson) and Juan (Budd Buster). The token heroine of the piece is Ramon's sister Volita (Sheila D'Arcy).Both Diego and Ramon hold seats on the local ruling Counsil. It soon becomes apparent that some of the other members of the Council are in league with Don-del-Oro. First there is the Chairman of the Council (Leander de Cordova), the head of the militia Manuel (John Merton), Chief Justice Pablo (C. Montague Shaw) and Gonzolez (Edmund Cobb). Zorro suspects that one of these men is Don-del-Oro, but which one?What follows are several hair raising escapes by Zorro and his confederates from the followers of Don-del-Oro. We have the ever present collapsing rope bridge, the deep chasm between two cliffs over which only Zorro can jump to safety, and the usual assortment of explosions, fires and coaches and wagons crashing or going over the cliff. Hats off here to Republic's fine team of stunt men lead by the legendary Yakima Canutt and the Yrigoyens, Bill and Joe. Canutt performs his signature stunt jumping on a team of runaway horses and then falling beneath the coach which he repeated in other films including John Ford's "Stagecoach" the same year.Anyway, Zorro finally unmasks the false god Don-del-Oro and restores peace to the valley before riding off into the sunset in Chapter 12.Others in the cast include Jim Pierce, Curley Dresden and Charlie King as Don-del-Oro's hence men and if you look closely you may spot bits by future serial star and Lone Ranger Clayton Moore and stuntman Canutt in bits. "Big" Jim Pierce by the way, may be best remembered for playing Tarzan in 1927's "Tarzan and the Golden Liom" (1927) and for his marriage to Joan Burroughs the daughter of Tarzan creator Edgar Rice Burroughs.Thoroughly enjoyable.