Excellent, a Must See

The movie's neither hopeful in contrived ways, nor hopeless in different contrived ways. Somehow it manages to be wonderful

Strong acting helps the film overcome an uncertain premise and create characters that hold our attention absolutely.

Blistering performances.

D A Pennebaker had already filmed icons like Dylan and Lennon before getting the gig to film David Bowie's "farewell" concert at London Hammersmith Odeon in July 1973. Bowie was huge in Britain at the time but had yet to break America which makes me tend to think the assignment came to him rather than the other way round.Actually as a great fan of glam rock back in the day (being 13 at the time of the movie's shooting date, how could I not be, 1972-73, being glam's heyday here), I do remember the fuss about this being Bowie's last show, giving the concert great curiosity, not to mention envy value at the time to fans in the sticks like me. To discover that this historic show was captured in full was a great and welcome surprise to me.That said, the film-maker's approach to the concert is pretty conservative actually as we get a little bit of pre-show scene-setting, with Bowie getting made-up in his dressing room, chatting to his wife Angie, while cutting in scenes of his adoring, often lookalike fans outside. Without too much delay, however, the show's on and Bowie and his band, the latter brilliantly led by Mick Ronson on lead guitar, tear into a great set, culminating in the famous, if misleading "This is our last show" quote and the bathetic euphoria which greets final song "Rock and Roll Suicide".In between, we get four costume changes, a goodly selection of numbers from his just-released "Aladdin Sane" album (but no "Jean Genie" sadly!), plenty, naturally from the "Ziggy Stardust" album but also tracks from some of his earlier albums. Unlike other rock-movies by the Rolling Stones and Led Zeppelin, Bowie and the band are on fine form, with confidence exuding from the singer's every phrase and move.Yes, some tracks go on too long, it was a shame that two of his best tunes ("All The Young Dudes" and "Oh! You Pretty Things) get rather thrown away in a medley, but against that there are great covers of Jacques Brel's "My Death" and the Velvets' "White Light White Heat", although I'm still undecided at what to make of the somewhat ridiculous mine-sequence during an almost never-ending version of "Wild Eyed Boy From Freecloud". Pennebaker's editing is adequate if, as I say, unimaginative, making the most of the no doubt limited camera numbers available to him, but thereafter just cutting from Bowie and Ronson (you barely see the rest of the band) to the ecstatic audience. Somehow Ringo Starr, director of Bowie friend and rival Marc Bolan's "Born To Boogie" movie the previous year, appears in Bowie's dressing room between songs casting an envious eye no doubt on a missed opportunity behind the lens again.Anyway, I was rapt by this exciting glimpse of a top artist on top form, masterminding his destiny to a "T", delivering a great rock and roll show in the process.What of course differentiates this show to contemporary rock concerts is that Bowie treats the performance itself as musical theatre, quite literally, a performance artist if ever there was one.

In 1973, David Bowie return to the UK from a success world tour. July 3rd was to be his final show in the personae of Ziggy Stardust, playing alongside the Spiders From Mars. Thousands of fans crammed into the London venue to watch the great man go out on a high. Of course, it would have helped if the film crew had had more money, more technology or, dare I say it, more skill at their disposal, because, as a concert film this is a pretty grainy affair to watch.I should start on the good first I guess. The music is great and fans will not be disappointed with the delivery and the capturing of it. It all sounds great and, although I know others have talked about the use of miming, I must admit I was too into it to really care. As someone who falls into a later generation, I was never going to get a chance to see Bowie in concert at this stage of his career, so this my best chance to get to see it so, on that level it is worth a look. I enjoyed it because of the music but, as a film, I must admit finding it very hard to watch, preferring at some stages to get on with something else while just listening to the songs.Visually, it is a mess. The images are very blurred and grainy, an effect not helped by the lighting throughout the show. The couple of cameras offer a limited amount of shots and I didn't think any of them did a good job of capturing the atmosphere of the gig; and no, showing me screaming teens didn't cut it on its own. The chance to see the costumes and stage presence of Bowie made me keep watching but it is hard to ignore just how very amateurish the footage feels. I was able to forgive to some degree due to the lighting and the period it was shot in, but it is still hard to ignore the problems when they are constantly present – blurrily staring at me from my screen.Overall the music saves it, making it well worth a look for anyone with more than a passing interesting in the music of David Bowie. It seems to have been a great show and it must have been memorable to have been in the audience, but you wouldn't know it from Pennebaker's footage. Sadly the lighting has left the footage looking blurry, while the mobile nature of the cameras means that it is all shaky and regularly has a bad view as its best view. Still worth seeing but it does need your forgiveness at times.

This is a badly filmed concert. From many perspectives (lighting, setup, directing, and most importantly, focus) there seems to have been almost no thought to making a decent film out of this concert. Another person has said that this film looks like something made by a few people who snuck in cameras (though that would have been pretty tough in 1973). Except for a few seconds of band introduction, the video might lead you to believe that Bowie and Mick Ronson performed as a duet. Bowie introduces the bass player and drummer of the spiders briefly, but fails to mention the four offstage musicians (given 0.5 seconds in the final credits.) So why watch this film? Because in 2002 it was re-released with a mix by Tony Visconti (longtime Bowie producer who truly knows exactly what he's doing with Bowie's music) so the sound is really pretty good in stereo or 5:1. It's not the studio albums, but it's good. The question you always have to ask is, am I listening to a re-mix off the sound-board, or some filler recorded long afterward? Nevertheless, if you've seen Bowie live, and know what an incredible performer he is, you'll be curious about this 1973 show. You'll be disappointed if you spend $7 in a theater, let down if you spent $3 to rent the video, but OK if you caught it on cable for free and play it loud.

but I like it. This is a terrific concert recorded 30 years ago by Bowie. Considering that Bowie is in his 50's now and still recording and touring this is an excellent opportunity to see him in his prime. His voice is in great shape & the songs are first rate. Ziggy is one of the peaks in Rock and Roll history. Also Mick Ronson is one of the greatest rock guitarists ever. Much has been made of the costumes & Bowie's use of mime etc. but it is the music which carries the day.