Zero Motivation
Zero Motivation
| 03 December 2014 (USA)
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Filmmaker Talya Lavie steps into the spotlight with a dark comedy about everyday life for a unit of young female Israeli soldiers. The human resources office at a remote desert base serves as the setting for this cast of characters, who bide their time pushing paper, battling for the top score in Minesweeper, and counting down the minutes until they can return to civilian life. Amidst their boredom and clashing personalities, issues of commitment—from friendship to love and country—are handled with humor and sharp-edged wit.

Reviews
Softwing

Most undeservingly overhyped movie of all time??

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Pluskylang

Great Film overall

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BroadcastChic

Excellent, a Must See

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Taraparain

Tells a fascinating and unsettling true story, and does so well, without pretending to have all the answers.

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lileonhirth

Zero Motivation is an Israeli film about a group of women who are working in the Israel Defense Forces. Zohar and Daffi are best friends who traveled together daily to work at the Human Resources Office at a remote dessert base in Israel. One day when they arrive at the base Daffi finds her replacement named Tehila. Daffy's big dream is to work in Tel-Aviv, so she tried to get a replacement and reassignment, so she could work in Tel-Aviv. Rama is the supervisor and head of all the girls working in the defense forces. Daffi and the rest of the base soon found out that Tehila was not her replacement. Tehila snuck onto the base to see a boy that she fell in love with. This boy serving in the forces rejects Tehila, and she then commits suicide. Daffi decided to apply for a position to be an officer because she saw this as the only way to achieve her goal to work in Tel-Aviv. She got transferred to another base, and left her friend Zohar in bad terms. Daffi then graduates from officer training, and instead of being placed in Tel-Aviv, ironically she receives Rama's old position which was extremely ironic. Daffi struggles to discipline the girls that she used to be friends with while working in the office. Zohar and Daffy get involved in a violent fight. These girls got arrested because they were harassing each other. In the end Zohar takes the blame, so that Daffi can experience her dream by working in Tel-Aviv. I would recommend this film to someone who is not looking for a lot of action, and wishes to learn about women's role in the Israeli troops. I have watched many films throughout this school year, and Zero Motivation has not been very intriguing. This film was very boring and did not have any climax which does not allow the viewers to question what will happen next. Although I did not enjoy watching this film, I thought it was very interesting to see footage of all the soldiers serving for the Israel Defense Forces.

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popcorninhell

Zero Motivation follows in the tradition of Catch-22 (1970) and M*A*S*H (1970) by exploring the understated banalities, vulgarities and absurdities of military life. Much like those films, we follow a congress of loosely connected characters, none of which approach their jobs with any kind of pride or relish. Instead they see their predicament as some sort of purgatory by which a better life lies just beyond their reach. Slight difference in this case, is the majority of the films denizens are Israeli women and not American men.The story is divided into three vignettes largely following the quiet and diminutive Zohar (Ivgy) and the rebellious Daffi (Tagar). The first story involves the duo returning from furlough. On their way back to base they meet Tehila (Tobi) who Zohar mistakes for a replacement thus making her dream of transferring to reality. Tehila however is not what she seems. The second story involves Daffi's fruitless quest to loose her virginity which has disastrous consequences on her unit, including and especially Rama (Klein) her superior officer. The last story sees the unintended results of Zohar's constant schemes to leave her isolated base for a cushy position in Tel Aviv.The rest of the ensemble includes Russian transplant Irena (Klingon) and twitty songbirds Livnat (Twito) and Liat (Gal), who fill out the rest of the unit like glitches in a computer program.Though if one were to point to a standout performance it would be Shani Klein as Rama. Between the privates and the male high commanders, Rama approaches everything with exaggerated incredulity and frustrated exhaustion. Anyone who has had to supervise a gaggle of uncaring, unmotivated underlings while being pressed by micromanaging overseers will automatically sympathize with her plight. Especially when faced with the one-woman agent of chaos that is Nelly Tagar's Daffi.Each vignette ends in much the same way; ironically and with a darkly humorous twist where no one is a modicum happier. Even those who have never experienced Army life (or been a woman) will find a lot to love about Zero Motivation. The girls are fighting the same kind of dull lethargy many of us contend with on a daily basis. When the plot isn't grinding hopes and dreams into a fine powder, the girls occupy their time with various distractions, the most coveted of which is Daffi's Minesweeper game. It's sad, bordering on pathetic yet when something as inconsequential as a computer game is the only trinket tethering your sanity, you'd want to hold on to it too.Darker than Stripes (1981), funnier than Catch-22 and way more concise than M*A*S*H, Zero Motivation is a fierce, fun little satire made all the more relevant coming from a country that has only known war since its inception. While it does pull its punches in the last act, leaving us with an ending that is uncharacteristically hopeful, everything leading up to it is pure gold. Check out this Israeli import if for no other reason than you'll never look at a staple gun the same way again.

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Nozz

Some elements of the movie are quite unbelievable, but the movie is clever enough to approach them gradually and only after achieving buy-in from the audience. What with the delicate balance of comedy and drama, when the girls start duelling with staple guns you truly aren't sure whether somebody's going to get terribly hurt or not. I've never been a fan of Dana Ivgy, sullen and sulky as she always looks, but the role here fits her; and it's a nice script, divided into ostensibly separate chapters but surprising the audience with links between them and not ending before even the shrewish valkyrie of a desk officer has been vouchsafed a moment of sympathy from the audience. If Nat Hiken were alive, I think he and his creation Sergeant Bilko would approve.

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kolnoaMograbi

How anyone could not enjoy *Efes Yachasei Enosh* is beyond me. The incomparable Dana Ivgy (Zohar) with her zinger lines and equally zing-y delivery, and the actress who portrays Irena (why is she not credited?) carry this zany, slightly dark IDF comedy.I subtracted one star from 10 because I found it unrealistic that a shot could be fired on an IDF base and no one comes running.Other than that, the plot is just complex enough with just enough loops to keep it moving, yet not confusing; and the characters were thoroughly differentiated, again simplifying things for the viewer.The story treats contemporary issues such as date rape, sadistic commanders, and the plight of women soldiers assigned to unchallenging administrative jobs. I recommend Zero Motivation highly.*By the way, I'd translate *yachasei enosh* יחסי אנוש as "people skills", but "motivation" works, as this crowd lacks both!

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