You won't be disappointed!

To me, this movie is perfection.

Fresh and Exciting

The acting in this movie is really good.

I adore Barbara Stanwyck, but this one is a real stinker folks. Fonda is whiny, histrionic, and tedious in the role of a millionaire who marries a doctor (Stanwyck), only to get immediately jealous of the demands on her time, and her male patients. Stanwyck has some nice lines ostensibly standing up for women's rights early on, but all that is thrown away as she caves in for the silliest of reasons. She is completely unbelievable as a doctor, mainly because of the script. I won't spoil it in case you actually want to watch it (don't!), but you may actually feel vomit creeping up in your throat as the story plays out, that is, unless you're hooting at the screen too hard. Ah, the poor rich white man, with wives not content to stay at home, and unable to take a job lest they displace someone less fortunate from the work force. Even if you suspend disbelief, or cut the movie some giant slack since it was made over 75 years ago, there is no chemistry between Stanwyck and Fonda, and their sudden romance is unbelievable. Even Stanwyck's make-up is bad, with her lipstick well above her lip line in most scenes. It may have been an attempt to make her lips appear fuller, but it looks sloppy and unappealing. The only thing of interest for me was at the very beginning - the scenes on the ski slopes, which, while silly, have the lithe and svelte Stanwyck in her ski pants. Skip this one, and if you're interested in a 1941 Stanwyck film, watch either 'The Lady Eve' (paired with Fonda) or 'Ball of Fire' (with Gary Cooper), both of which were excellent.

This Barbara-Stanwyck-Henry-Fonda stinker of a movie doesn't really have redeeming qualities. It's rather depressing, in fact, that Dalton Trumbo had written the story on which it's built. I expect better taste from him. However, Trumbo's not the listed screenwriter for this film adaptation. This movie came out seven months after "The Lady Eve." It must have been some desperate attempt to ride the coattails of the earlier Stanwyck-Fonda "Eve" pairing which had a certain charm even though it was just a screwball comedy. Wow, this one, though, has some rather nasty subtexts going on. First and most importantly, Fonda knows from the time he first meets her that Stanwyck is a physician with an established medical practice. Thus, he can have had no doubt that she typically saw a wide variety of patients. In a family practice, that means that she almost certainly would be treating women, children and men as well. However, this movie plot has Fonda making himself embarrassingly jealous over Stanwyck's male patients, as if they all make passes at her and that she, like some mindless tramp with no character, would be seduced by them. That's so insulting to the doctor whom Stanwyck portrays and to all women that it's shocking that even way back in 1941 anyone could have thought it amusing. If Fonda thinks that Stanwyck is or will be a tramp now, or is so stupid as to be gullible enough to be tricked and seduced by her patients, then obviously Fonda would also have to think that Stanwyck had always been just that much of a fool. If seeing male patients now would somehow make her behave as an amoral tramp, then the obvious corollary is that she already must have been behaving as a tramp with her previous patients. In that case, it's stupid to have Fonda written as falling in love with her. He just wouldn't have respected nor trusted her from the beginning. A second big problem, though not as bad as the first one, is that the plot has a Depression-era presumption that Fonda taking a job would rob some other man of any chance to work. Maybe that outlook was a little bit understandable in 1941 because the United States had not entered World War II yet, not till December. It was wartime manufacturing jobs which finally pulled the United States out of the last of the Depression's unemployment morass. Nevertheless, it's just very stupid and shortsighted to assume that one man's job directly causes some other man to go jobless. Oh, yeah, Stanwyck's Edith Head wardrobe is good -- but that's not enough reason to watch this.

A multi-millionaire marries a female doctor. He hasn't worked in a day and she is devoted to her profession. He sees her off each day. Something has got to give.Our hero, Henry Fonda, finally decides to do something with his life. He becomes a salesman in a department store but is soon fired as poorer people need the job. In the meantime, Dr. Helen Hunt, (Barbara Stanwyck) has given up her practice? What's there to do?Kirk (Fonda) buys a bankrupt hospital and the two shall now be happy aiding others while they eke out an existence.What's with the writing here? When annoyed with her husband, Dr. Hunt says, "You've been acting like gestapo." This is supposed to be a comedy. Hogwash. A very boring, tedious film. Very little going on here.

You Belong To Me was the final teaming of Henry Fonda and Barbara Stanwyck as a screen team and it was a loan out film for Fonda to Columbia Pictures. Fonda had signed a contract with 20th Century Fox in order to get the Tom Joad part in The Grapes of Wrath. But after that it was usually his loan out films that were good while he was cast in mediocre things at Fox.But the rule was broken here. Though the character he plays bears some superficial resemblance to Charles Pike from The Lady Eve, this film isn't anywhere near as funny. In fact feminists would probably be aghast at it. In fact Barbara Stanwyck herself didn't like it at all. She liked working with Henry Fonda right enough, but thought this film was ridiculous. As well she should have.Fonda is another millionaire playboy, who we would now call a trust fund baby who doesn't really do much with his life. He's sort of lovable lunkhead who meets Stanwyck on a ski slope and literally falls for her trying to show off. Turns out she's a doctor and they have a whirlwind courtship and get married. But it turns out Fonda has a jealous streak, especially when it involves Roger Clark, another millionaire patient of Stanwyck's. And he's not understanding as to her professional obligations.Stanwyck, like Bette Davis and Katharine Hepburn, was and is a feminist icon. When she tells Fonda that he ought to go out in the working world and live on a salary and see if he can do it, Fonda goes out and gets a job as a salesman in a department store. She's so proud of him, that she actually is going to give up her medical practice and live with him on his salesman's salary.Today NOW would be picketing the film. Stanwyck did not have too much conviction in her performance, probably because she didn't believe any of it. I certainly couldn't. I don't think even back then audiences believed it either. But the two stars and the rest of the cast tried their best, but this one was a Thanksgiving special.