Women on the Verge of a Nervous Breakdown
Women on the Verge of a Nervous Breakdown
R | 11 November 1988 (USA)
Women on the Verge of a Nervous Breakdown Trailers

Pepa resolves to kill herself with a batch of sleeping-pill-laced gazpacho after her lover leaves her. Fortunately, she is interrupted by a deliciously chaotic series of events.

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Reviews
Redwarmin

This movie is the proof that the world is becoming a sick and dumb place

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RipDelight

This is a tender, generous movie that likes its characters and presents them as real people, full of flaws and strengths.

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Ezmae Chang

This is a small, humorous movie in some ways, but it has a huge heart. What a nice experience.

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Fleur

Actress is magnificent and exudes a hypnotic screen presence in this affecting drama.

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SnoopyStyle

TV actress Pepa Marcos is depressed after her boyfriend Iván disappears. The apartment is filled with animals. She accidentally sets the bed on fire. She puts sleeping pills in her gazpacho. Her distressed friend Candela shows up. Iván's son Carlos (Antonio Banderas) also shows up with girlfriend Marisa who are apartment hunting. Carlos' mother is crazy Lucía. Candela tries to jump off the balcony. She had an affair with an Arab who turned out to be a terrorist and she fears the police. It's a series of chaotic intertwining characters. It's a lot of wacky crazy chaos. It's a little hard to follow at times. It has some fun. It's got the Pedro Almodóvar style. I'm sure that I missed half of the jokes due to the language barrier. Still, it's wacky fun.

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ma-cortes

Offbeat crazy comedy with hilarious results and turns out to be pretty funny . Almodóvar comedy starred by Spanish star cast plenty of likable humour and disconcerting plots . A film dubber woman called Pepa (Carmen Maura) is on the verge of a nervous breakdown when his lover named Ivan (Fernando Guillen) leaves her, and she tries to contact him to find out why he left her . In the opening scene Pepa (Carmen Maura) and Ivan (Fernando Guillen Cuervo) are dubbing to Spanish Johnny Guitar (1954). Pepa takes on Ivan's wife (Julieta Serrano) who is zealous because of his husband left her for her . Meanwhile , her clueless friend called Candela (María Barranco , though Victoria Abril turned down the role) appears in her flat . Candela who is as unsettling as she is afraid the police are looking for her because of her boyfriend seems to be a dangerous Islamic terrorist . There also meets Carlos (Antonio Banderas) , Ivan'son , and his girlfriend (Rossy De Palma) and amazing happenings take place . Pedro Almodóvar brings us a very mixed bag of outlandish characters , rapid dialogs , and absurd situations on a luxury flat . As a pregnant woman becomes involved into loving triangles , terrorists , revenger wives and faces the greatest danger, which we carry within ourselves . Enjoyable though silly film full of good taste , offbeat characters , embarrassing mood-pieces , fun scenes , sympathetic humor and sense of style but not totally satisfactory , including conventional as well as undiluted pitfalls . The picture deals with troubled people , off-the-wall comedy , absurdities , terrorism , jealousy and many other things . The movie is pretty well and turns out to be a superior comedy to Almodovar's previous and subsequent entries . The result is an amusing but sometimes absurd comedy ,including profanities , colorful frames and a crazy strings of plots . There are many references to Pedro Almodóvar's universe throughout the film . Pedro Almodóvar and Carmen Maura's personal relationship was seriously damaged during the shooting, which Maura even defined as a "living hell". It took 18 years for them to work again . On Carmen Maura , Almodóvar told : ¨If you divide the stages of my career and labelled them with the names of the people I've worked with, there's definitely a stage in my filmmaking that would be called The Carmen Maura Years, and those films were all in the 80s - although I did work with her again on Volver (2006). At the time, I felt she was absolutely the best vehicle I could find to tell my stories. She was the actress who had the best intuition, to connect with what I wanted from her. She could be very funny and very dramatic at the same time, so it was the perfect combination for me¨ . Nice interpretations by all star-studded cast as Maria Barranco , Fernando Guillen , Rossy De Palma , Julieta Serrano and full of familiar faces as Chus Lampreave as a caretaker , Witness Jehová , and other delightfully played roles such as Kiti Mánver , Guillermo Montesinos as Cabman , Eduardo Calvo , Loles León , Joaquin Climent , Lambordero , Ana Leza , among others . And a Hollywood/Spain super star : Antonio Banderas . In fact , this movie marks Antonio Banderas's 3th collaboration with Pedro Almodóvar , after Labyrinth of passions and Matador , subsequently they made : Atame , The skin I live in , I'm so excited , among others hits . As usual in most of Pedro Almodóvar's movies, there is a small role for Agustín Almodóvar, his brother and producer of the film, who plays a building employee . Atmospheric musical score by early deceased Bernardo Bonezzi , Almodovar's ordinary ; including known songs by Chavela Vargas . Colorful and luxurious cinematography by Jose Luis Alcaine . The motion picture was realized in his peculiar style by Pedro Almodovar ; he often uses symbolism and metaphorical techniques to portray circular story lines though here he directs a special comedy , including his ordinary touches . Almodovar directs throughout with splendid zip and he usually portrays strong female characters and transsexuals and along his career getting some important international prizes . His first feature film, Pepi, Luci, Bom (1980), was made in 16 mm and blown-up to 35 mm for public release . In 1987, he and his brother Agustín Almodóvar established their own production company : El Deseo, S. A. The "Almodóvar phenomenon" has reached all over the world , making his films very popular in many countries . Oscar-winning Spanish director Pedro Almodovar subsequently made successes such as Labyrinth of passions , Law of desire , Women on the verge of a nervous breakdown , Bad education , All about my mother , Talk to her , Broken embraces , The Skin I Live In and many others . The latest from acclaimed Spanish director , Pedro Almodovar's I'm So Excited (Los Amantes Pasajeros) competing for the inaugural best European comedy honor during the upcoming 26th edition of the European Film Awards .

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wvisser-leusden

Confused relationships are a pretty common theme to make a film about. Starting right back in the 19-Thirties with the magnificent American Laurel & Hardy.Being Spanish from 1988, and therefore quite different in its style and approach, this film surely touches on an equal level.Great acting in a stylish film. Presenting us with a slightly surrealistic touch that lifts 'Mujeres al borde de un ataque de nervios' ways above the common level its story suggests. Making it to a really great black comedy.Mentioning Laurel and Hardy is justified here: they, too, were absolute masters in lifting up a common story to a level that easily survives any passing of time. I have no doubt this Spanish film will do the same.

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lastliberal

With the Toronto Film Festival going on this weekend, it is appropriate that this is my second venture into Pedro Almodóvar's films, as it won the People's Choice Award at that festival in 1989.Almodóvar wrote and directed this very funny film that is a far cry from Matador. Antonio Banderas is back, this time with a Lyle Lovette haircut, as the son of a philandering husband (Fernando Guillén), who also cheats on his girlfriends.Carmen Maura (Volver0 leads a superb cast as the girlfriend that just got dumped. She is hilarious as she appears to be losing it. In comes her girlfriend (María Barranco), who is afraid of being arrested for harboring Shiite terrorists (this is 1998!). Add Banderas and his mother to the mix, and you have one laugh after another.It even had a great line reminiscent of "A woman needs a man, like a fish needs a bicycle.":Ana (Ana Leza, who was married to Banderas before Melanie Griffith came along): I'm fed up. I'm gonna get myself some quick cash, buy myself his bike and split. With a bike, who needs a man? Pepa (Carmen Maura): Learning mechanics is easier than learning male psychology. You can figure out a bike, but you can never figure out a man.It is almost misogynistic to say the movie was very funny as all the women were hysterical, but it was.

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