Rio Lobo
Rio Lobo
G | 18 December 1970 (USA)
Rio Lobo Trailers

After the Civil War, a former Union colonel searches for the two traitors whose perfidy led to the loss of a close friend.

Reviews
Steinesongo

Too many fans seem to be blown away

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Stometer

Save your money for something good and enjoyable

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Ezmae Chang

This is a small, humorous movie in some ways, but it has a huge heart. What a nice experience.

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Bob

This is one of the best movies I’ve seen in a very long time. You have to go and see this on the big screen.

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Edgar Allan Pooh

. . . (if that Shamu was wearing elevator shoes), says a Rebel soldier capturing John Wayne and struggling to lift the unconscious icon early in RIO LOBO. I remember seeing a TV miniseries about England's King Henry VIII, which showed how the geriatric monarch had to be winched up via a tripod hoist to attain a mounted horseback status in his declining fatso years. It's easy to picture a similar apparatus being commissioned for "Il Duce" as he insisted upon abusing horses and making Westerns well into his twilight years. Most NASCAR fans watch their "sport" primarily for the wrecks, and these people's grandparents probably flocked to the theaters for a similar reason in the mid-1900s, not realizing that Wayne's stumbles (whether from the saddle or as a pedestrian) would be edited out of his pictures through Hollywood trickery. The chicks in RIO LOBO treat this one-time singing cowboy like an old Saint Bernard, spooning with him in their long johns merely for nighttime warmth. Though THE LION IN WINTER was barely a blood relation to Henry VIII, Wayne--nicknamed after his childhood dog--proves to be more of an ordinary canine than a regal feline here in RIO LOBO, as in "Come out and see how Westerns have really gone to the dogs!"

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wes-connors

Civil War veteran John Wayne (as Cord McNally), former Confederate foe Jorge Rivero (Pierre "Frenchy" Cordona), and super-model Jennifer O'Neill (Shasta Delaney) ride into "Rio Lobo" to stir residents into action. Also in town are Robert's son Christopher Mitchum (as Tuscarora Phillips) and his pa Jack Elam (as "Old Man" Phillips). Proving the law of diminishing returns for his last film, herein, director Howard Hawks re-visits "El Dorado" (1966) which had re-visited "Rio Bravo" (1959). Ms. O'Neill's line, "I was running out of things to say" may apply. She is very beautiful, but needed to go over lines with her co-stars (or, maybe she did). The script seems to poke fun at Mr. Wayne's age, weight ("He's heavier than a baby whale."), and acting ("If you'd been a good enough actor.") with good-natured humor. It only helps a little.**** Rio Lobo (12/17/70) Howard Hawks ~ John Wayne, Jorge Rivero, Jennifer O'Neill, Jack Elam

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ma-cortes

Involving and fascinating Western with crisp action , masterfully directed by Howard Hawks , being a take-off based on ¨Rio Bravo¨ and ¨El Dorado¨ mold . After the Civil War, Union ex-Colonel Cord McNally (John Wayne ) searches for the traitor whose perfidy originated the defeat of his unit and the loss of a close friend (Edward Faulkner) . The Duke then out to settle some old scores . In addition to an ex-Confederate officer (Jorge Rivero ) and an ex-sergeant ( Chris Mitchum) with whom he forms an uneasy alliance . They go to a little town called Rio Lobo where rules an ominous marshal (Mike Henry) and a heinous baron land named Ketchan (Victor French) . But the Duke takes prisoner Ketchan and imprisons him into jail for being brought to justice . Then he takes on a blockade of gunfighters and the nasty sheriff is out to get his kill-crazy boss . Duke along with a shotgun-toting old loony (the scene-stealing Jack Elam) are besieged and only helped by the Mexican/French ex-captain and the hot-headed Sergeant Tuscarora .Action western, snappy dialog , shoot-outs at regular intervals, and humor abounds in this magnificent film whose roles are splendidly portrayed . It packs larger-than-life characters, uproarious events and lively happenings. The Duke carries strong acting on his brawny shoulders and perfectly does. It's basically a lighthearted , upside B Western and being mainly lifted out by veteran Jack Elam 's wonderfully acting as a half-crazed sympathetic old man , whose finger itches demoniacally on the trigger every time he gets a nasty guy in his sights . And of course, top-drawer John Wayne , few stars could match his ability to dominate a scene . Delightful supporting cast formed by several youthful costars as Chris Mitchum , Robert's son who starred Rio Bravo ; a gorgeous Jennifer O'Neill , recent his hit in Summer of 42 ; Sherry Lansing's last movie as an actress who married William Fredkin and future Paramount studio head ; Susana Dosamontes who married a magnate and gave birth the singer Paulina Rubio . Glittering Technicolor cinematography by William H Clothier who adds much to the setting of this unique Western . Marvelous musical score by Jerry Goldsmith including emotive guitar playing . This overlong, too much-acclaimed and very gripping Western will appeal to John Wayne fans . Rating : Above average, essential and indispensable Western , a masterpiece horse opera whose reputation has improved over the years . The motion picture is well directed Howard Hawks supported by John Wayne , it's a nice Western made by these two giants . Hawks proved to be a Western expert as ¨Big sky¨, ¨The outlaw¨ and ¨Red River ¨.Rating : Good and great fun , though over lengthy and displays a number of similarities to previous ¨Rio Bravo¨ , quintaessential Hawks Western at the peak of his powers , starred by Walter Brennan , Ricky Nelson , Angie Dickinson and ¨El Dorado¨ with James Caan , Edward Ashner and Arthur Hunnicut virtual retreat of the previous role played by Walter Brennan and again by Jack Elam in ¨Rio Lobo¨in this second reworking of Rio Bravo; and of course the great John Wayne who repeats in the excellent trilogy .

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Karl Ericsson

Yeah, who cares if it's all the same? This isn't a movie, it's a good time and it feels. Not so much as in Rio Bravo or, even better, El Dorado but still, it's there and the heist in the beginning is rather well carried through, in spite of all the nonsense.Just the stubbornness of doing the same film for the third time with almost the same locations is so downright disrespectful that it deserves extra praise just that. Who does he think that he is, Howard Hawks? He doesn't care and cares even less than a flying fart what you think of him. Well if that isn't charming, what is? What I'm really saying with this review is that Howard Hawks shows us how little a story really means and how many different things can be said without changing the story.

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