This is a must-see and one of the best documentaries - and films - of this year.

This is a dark and sometimes deeply uncomfortable drama

The movie really just wants to entertain people.

I didn’t really have many expectations going into the movie (good or bad), but I actually really enjoyed it. I really liked the characters and the banter between them.

Winnie Mandela (Jennifer Hudson) is the sixth daughter to a disappointed father hoping for a son. She tries to prove her worth chaffing at the paternalistic culture. Her father is the son of the chief and a ground breaking teacher. She studies to be a social worker and excels. She is fascinated by Nelson Mandela (Terrence Howard) and catches his eye. They are soon married but they are always hounded by the cruel De Vries (Elias Koteas). Mary Botha (Wendy Crewson) hires her despite the troubles and becomes her supporter.This is such a bland uninteresting biopic. With such an amazing complicated subject, this has no intensity. It has no life. The story has been simplified into a paint-by-number biopic. It's as if it's boiled down to highlights of a compelling life. It uses way too many montages. Terrence Howard is especially hamstrung by the script while Jennifer Hudson takes a backward step with her performance. Elias Koteas is a great actor but the movie appears to suggest that all of Mandela's problems stem from an over-zealous persecutor. Winnie is one of the most compelling characters in our modern history and this treats it all like a melodrama. I'm left a little uncertain about Hudson's skills after this. However I put most of it down to a bad script.

This biopic about the first wife of iconic and legendary South African statesman and apartheid adversary Nelson Mandela, stars Academy Award winning actress Jennifer Hudson (Dreamgirls) as the title character who was raised in a strict, rural upbringing with a schoolteacher father who was disappointed with the fact that she was his sixth daughter. Winnie worked hard to win his approval and when she was of age she moved to the city to pursue medical school -- which was unusual in a sexist, apartheid South Africa. It was here that she met (and almost reluctantly) fell in love with the young political revolutionary Mandela (Terrence Howard - Hustle & Flow) who was already an "enemy" of the white government for believing in equality.The film is rather shaky in that it doesn't really appear to know how it wants to portray Winnie and while an Oscar-winner (in a good performance with one STELLAR, knockout scene), Hudson does appear to have a limited acting range. After Nelson is arrested and incarcerated, Winnie also faces some horrible and unjust, inhumane abuses at the hands of the South African government. Once she is freed she attempts to carry his mantle but does so with some very questionable actions that have today tainted her legacy.The film perhaps wants to be overly honest but in doing so Winnie doesn't come across as a winning figure for such a biopic. She is quite polarizing and the "hero tone" the film presents is rather conflicting. This could possibly all be intentional on the filmmaker's part.Different time ... different place. She was strong and she was not broken and she did NOT give up. Like her or not -- she was no Nelson -- but I wish this movie had been better.

Great historical drama! When i first saw that Terrence Howard and Jennifer Hudson were playing the lead roles i was doubtful that they could pull off a creditable performance. Boy was i wrong! From what i know of the actual Mandela story, seeing how i have been following the real story since the apartheid protests began in the 60's, i would say that both Howard and Hudson channeled both Mandela and Winnie!! my only regret is the movie did not receive the acclaim that it deserved! I thought that Hudson did a great job in her acting debut in Dreamgirls. However, i thought that her performance in Winnie was far better! In Dreamgirls she(Hudson) was nominated for an academy award yet no mention for her excellent performance in Winnie!!

. . . the Lady Macbeth of South Africa. The trajectory for heroes is that they start out sinners like Saul of Tarsus and transform themselves into people such as Saint Paul. The Benedict Arnolds of infamy, on the other hand, begin lives of privilege and when the going gets a tad rough, they mutate into evil, self-centered cancers on humanity. This film, WINNIE MANDELA, perfectly captures her transformation from the one-time girl stick fighter champ into a chunky boozing adulteress with a lust for cheap sex and a penchant to enjoy sadistic "neck tie" parties involving her having trusting young orphan boys burned alive. No one can prove there actually is a Hell, or say whether Winnie deserves to be there forever, or just for 10,000 years. But as crispy critter Stompi Seipei's surviving sisters might point out, at least Hitler had the decency to kill his victims BEFORE burning them.