Too many fans seem to be blown away

Excellent, a Must See

Each character in this movie — down to the smallest one — is an individual rather than a type, prone to spontaneous changes of mood and sometimes amusing outbursts of pettiness or ill humor.

The plot isn't so bad, but the pace of storytelling is too slow which makes people bored. Certain moments are so obvious and unnecessary for the main plot. I would've fast-forwarded those moments if it was an online streaming. The ending looks like implying a sequel, not sure if this movie will get one

In Los Angeles, the twenty-five years old reckless wolf playboy Ethan Humphries (Corey Large) lives in night-clubs scoring women supported by his parents, without working or studying. When his high-school friend Bradley (Luke Kirby) accidentally tells him that his former best friend Jeff (Luke Flynn) will get married in a couple of days, Ethan immediately travels to his hometown. He meets Brad, who is studying in the medical school, and the shy Sean (Tom Lenk), who is studying psychology, and recalls his glorious high school days, but his friends do not tell the name of the bride to him. While meeting Jeff in a bar in the night, Ethan finds that his fiancée is his former high-school sweetheart Stephanie (Jennifer O'Dell). After meeting Stephanie, Ethan questions whether he is still in love with she, or only recalling a passion from his past.I tried to like "Window Theory", but unfortunately this silly and pointless story of a man with Peter Pan's complex does not work. First, it is not possible to feel any empathy for the lead characters: Ethan is an aimless man that has not grown-up that sees women like object and does not respect even his best friend; Stephanie is a slut, sleeping with Ethan two days before her wedding; and Jeff is a man without personality, inviting his boss to be his best man and easily forgetting his responsibilities and commitment. The title has no connection with the plot and the conclusion has no moral, lesson or redemption. I like brainless teen movie, but the forgettable "Window Theory" is not a good film. My vote is five.Title (Brazil): "O Casamento da Minha Namorada" ("The Wedding of My Girlfriend")

i wouldn't even give it one star out of five. how many movies do you watch where you actually hate the main character? i can't even begin to list the things that were wrong with this movie. why do production companies pick such awful scripts to make a movie with? thousands of scripts are given each year, and of those thousands, around 10% are actually made into movies. can it be that the other 90% were WORSE than 'window theory'? how is that possible. awful script, horrible dialogue, no chemistry between any of the characters, lines are delivered like kids in a bad high school play, the music doesn't fit with any of the scenes, even the wardrobe was terrible! it hurt to force myself to watch the rest of this movie to see if anything was salvageable... but no. no doubt the worst movie i've ever seen. lets hope people don't watch this movie, otherwise these actors will never get work again.

This was bad folks.... Very bad. There are no other adjectives I could possibly conjure up to describe it. I found myself getting restless and bored after the first 20 minutes. Apparently the writers never even read the most basic of screen writing books... (Ahem Syd Field anyone? Go to your local B&N and check it out please...) The plot was as thin as water, the acting worse than an elementary school play, the cinematography so-so, and the lack of direction apparent. What's even more sad is that if you look at all the "key players" involved in the shoot (director, DP, writers, and even most of the actors) they CONTINUE to make films together. Please, for the love of god, STOP! To me, this is proof that about anyone with a little financial backing can make a movie. Then again if you look closely the lead actor's "daddy" produced it. There's hope left for Hollywood yet. No reputable names are attached to this stinky thing.

After reading the L.A. Times review by Carina whatshername that roasted this thing as sophomoric and ham-handed, I thought I'd give it a try, as she is usually off the mark with her pretentious, Went-To-Film-School-And-Wish-I-Were-A-Director self important ranting. Well, for once she was right. Film school cinematography at best due to uneven lighting and plenty of soft focus that wasn't intentional. Ham-handed the acting truly was. The lead character, Ethan, was an awful stereotype of the prom king who comes home from L.A. for a visit, yet who hasn't grown up. Plus, his falling in and out of a classic Canadian accent, which was a signal of sorts as to why films made in Canada are often so bad, was the least of his acting inabilities. His ex-girlfriend, who is marrying his ex-best friend, was another exercise in casting a beautiful person who has the emotional range of a turtle. The other characters ran the bad movie gamut from stereotypical to annoying. The brainy sidekick who is under his parents thumb in going to med school who needs to break free. The nerd who was strangely played as gay yet pined after girls (who would have been much better played as gay, but then Ethan's pseudo-macho party-boy character would have had to beat him up). The ex-best friend who gets the girl is a joke as well. The attempt here is to portray him as a corporate sellout by having his boss (played one-dimensionally by Paul Johansson of One Tree Hill) show up in town to do some kind of special project with him. He and Ethan don't seem to have ever really liked each other, and you don't really care anyway because both characters are so shallow and annoying you are just hoping for the comet to hit them all and improve the movie. Whoever wrote this at least has the comfort of knowing they can only get better from here talent-wise. As for the ending you ask, well there isn't one. Somewhere in the middle of this disaster, Ethan and the ex-girl of course sleep together, which leads us to believe that they will have an end-of-the-film declaration of love for each other at the wedding. Nope. There is no wedding because there is no end to the film. We just get a shot of the three immature boys walking down the street after a night of drinking. It was an attempt at a deep and meaningful denouement that would reflect a triumph of film-making. You can only imagine how badly it failed.