Surprisingly incoherent and boring

Load of rubbish!!

The performances transcend the film's tropes, grounding it in characters that feel more complete than this subgenre often produces.

True to its essence, the characters remain on the same line and manage to entertain the viewer, each highlighting their own distinctive qualities or touches.

The mumblecore movement in cinema has had notable ups, a few downs, but has so far been pretty consistent in my book. One of the films elevating it to a level of supreme naturalistic cinema is Joe Swanberg's Hannah Takes the Stairs, a raw and potent look at the title character and how she floats through life from points A to B, living in post-college hell.Hannah is played by Greta Gerwig; a woman of considerable screen presence who is only elevated by a charming array of supporting characters. During the first act of the film, she is dating Mike (fellow mumblecore filmmaker Mark Duplass), a listless louse whose impulsive decisions make him the worst kind of boyfriend. When he quits his job because at the moment he isn't satisfied, and after much contemplation, Hannah dumps him and becomes interested in her two coworkers at an internship in Chicago.The men are straight-shooter Matt (Kent Osborne) and offbeat Paul (Andrew Bujalski, another mumblecore filmmaker), who lounge around in their office talking up a real storm of nonsense and watching their lives uncomfortably transcend into adulthood. Hannah also has a close friendship with Rocco (Ry Russo-Young), a woman who is known for helping her through tough times and even content to sit with her in the shower when necessary.Swanberg's trademarks that appear to be continuous throughout his films are intimacy, sex, human communications, and technology, all of which seem to be shown here in some form. There's a high level of intimacy, mostly because the actors seem fearless in scenes where they casually change clothes and show full frontal nudity to the camera, and the fact that there are many shower sequences in the film where two characters will discuss things with each other bathing right beside them. This is a daring, provocative tactic, used not as a test on the audience's part, but as a way of showing humanity in its rawest possible form. One of mumblecore's main requirements is naturalism and here it is employed fearlessly through performances, events, dialog, and personal complications among the characters.As I watched the picture, I couldn't help but feel that Swanberg and his band of six writers, most of whom are the cast as well, have an incredible eye for post-college boredom and the uncertainty of it all. This is a picture where events and plot lines act as a gimmick, but are more of a true life-affirming revelation that many, many people experience after college, where you are beginning to discover what you are going to be doing for possibly the rest of your life. If you are facing this sort of life-uncertainty, it's the kind of film that reassures you in the sense that others may have that same problem.NOTE: Hannah Takes the Stairs is most likely meant as a metaphor, and I believe it symbolizes that she favors to float through life as an unambitious bubble rather than make the snap decision to ultimately pick a career and go from there. Or, "taking the stairs," if you will.Starring: Greta Gerwig, Kent Osborne, Andrew Bujalski, Mark Duplass, and Ry Russo-Young. Directed by: Joe Swanberg.

When the movie started, with the amateur filming and uninteresting boobies scene, I almost turned it off right away. I ended up watching more, and really got into it. Of course it's nothing special, it's filmed like a low-budget TV series, but what makes it interesting is that it feels real. The characters are real, the story is real, the problems are real. I felt like I was watching a reality show with people who have relationship issues that I could relate to. Obviously, if you don't like reality shows, chances are you probably won't like this. Hannah was fun to watch, although she's a bit annoying at times. Overall I really enjoyed this simplistic home movie, it was very pleasant and real. The only thing I disliked was how it ended so abruptly, I wanted more!

What's the cheapest way to make a movie? Have two actors in a room talk to each other. That seems to be the case with "Hannah Takes the Stairs", an ultra-low budget film making the rounds in the art house theatres.The film is rather claustrophobic since most of the action takes place in just a few rooms, with what appears to be the occasional "stolen shot" outside. I say stolen because filming permits in a big city are rather expensive and the outdoor set ups have a "quick, get the shot and get out before the cops see us" feel to them (these shots only run a few seconds, which is the main indication).The characters talk about their lives and work, talk some more, have sex, talk some more, talk, talk, etc. The occasional nude scene keeps the audience awake, but with no real story to propel the film along I found it to be quite a snoozer.Not too surprisingly, all dialog was improvised—-and it shows. Scenes ramble on for quite some time and even though the film is less than an hour-and-a-half, it seems quite longer.Filmmakers, please write a script and actually have a plot. Without it, the most attractive actors and locations in the world aren't worth much if you can't keep your audience interested.

Let's be honest. Your movie could have Tom Cruise, Greta Garbo, Robert DeNiro and many other "stars" in it. It could be a collaborative piece co-directed by Martin Scorsese, Howard Hawks, Jean-Luc Godard. Sven Nykist could be doing the camera work. You could bill it as Robert DeNiro having real on screen sex with Greta Garbo and on and on and on. However, if it doesn't have a script or has just a minimal outline, then it will never be what it could be. Shows like Reno 911 are the exception to the rule. They are both no means the norm. "Hannah Takes The Stairs" suffers from having no script. It is its glaring weakness and what, in the end, makes it wholly unsatisfying. As a whole, the story wanders around way too much and does not give its viewer a reason to really care for any of its characters. It is the kind of film you watch once and then forget about totally. If you were to ask me, should I see "Hannah Takes The Stairs", I would say, "Definitely. Watch it once but you won't ever want to watch it again."