This story has more twists and turns than a second-rate soap opera.

Tells a fascinating and unsettling true story, and does so well, without pretending to have all the answers.

A lot of perfectly good film show their cards early, establish a unique premise and let the audience explore a topic at a leisurely pace, without much in terms of surprise. this film is not one of those films.

The movie really just wants to entertain people.

When I bought the original The Wild Geese (mostly for nostalgic reasons) on Blu-ray I got The Wild Geese II on DVD included. I would probably not have bought it otherwise. This movie is typical example of the "follow ups" that where done in the 80's. Base it loosely on the title of the original, none of the original actors are present, give it zero budget. In short this movie is lousy. Why it was made, apart from being a cheap attempt to squeeze some more money from the success of the original, is beyond me. It is claimed that Richard Burton was going to reprise his role in this one but that he died before he could do it. I would be surprised if Richard Burton would have accepted to play in this movie. At least not without some major rewrites.The story is dubious to say the least. Sure the story in the original was not very ground breaking either but in the original The Wild Geese the actors had charisma. Richard Burton was the infallible (almost) though guy that knew what he was doing. In this one Scott Glenn runs around looking like a wimp and generally do not really seem to know what he is doing. He gets captured by the oldest of tricks. He is too stupid to realize the most obvious of things, like that the girl might need protection.There is little of the actual mercenary action that was present in the original one. The good guys mostly walk around scouting, planning or screwing up. The little enjoyment that can be found is in the performance of Edward Fox who is also the only guy who remotely seems to know what he is doing.The end is just silly. All that effort, not the least by the viewer having watched this crap to the end, is simply wasted.

Yes, Richard Burton died before filming this (he's only seen in the pre-title sequence that is footage from the first Wild Geese film---and really of no consequence to the sequel's story). Perhaps Burton saw the script for this mess and realized there was no reason to go on living. There is certainly no reason to go on watching this thing, that's for sure. It's all about some muddled kidnapping of Rudolf Hess from Spandau prison. Seems the British, the Germans, the Soviets and the scriptwriter all want to have a hand in either killing or keeping Hess alive. When we finally get a look at Hess, after 90+ minutes of tedious intrigue, it turns out that that the kidnappers have goofed and grabbed Sir Laurence Olivier instead---and not the good Olivier, but the decrepit 'Jazz Singer' version. Sir Larry, that sly ol' dog, thinks he can fool us with a Hess-like unibrow and that 'Marathon Man' German accent, but we're not buying it. The kidnappers aren't either and dump Sir Larry/Hess at the French Embassy in Berlin. The real Hess died in 1987 (hung himself in his cell, perhaps after viewing this film) and Olivier followed in 1989. Time passages.....Oh, there is something of interest in this film, at least for fanciers of woodworking. That would be Scott Glenn's performance. There is a point in the film where he appears badly injured but I'm thinking it's a cover-up for an obvious case of attack by termites. At one risible point, the benumbed Glenn re-tells his sorrowful back-story of family slaughter to Carrera with the closing line: "Death ate its way into me." That's code for termites. Or perhaps Novocaine ate its way into him. Glenn had already tried out his zombie-style "acting" before in 'The Keep', but this is the topper: you'll be hard-pressed to find a more appallingly flat performance recorded on film. At least Edward Fox (doing his 'Day of The Jackal' thing) is lively. Otherwise you get Robert Webber literally phoning in his performance, all two minutes of it, and Patrick Stewart doing a small bit (complete with bad accent) as a Soviet military man, and Stratford Johns practically faxing Sydney Greenstreet from the dead as a chuckling, gargantuan wheeler-dealer. Paul Antrim gets the Sergeant Major Harry Andrews part, and Derek Thompson gets the nonsensical IRA soldier gig. For some reason Thompson's character, in his attempts to sneak away to report to his superiors, feels the need to keep spiking Fox's character with LSD. Guess the IRA frowns on complicated solutions... like using sleeping pills. And there's also the main caper requiring our heroes to impersonate British soldiers, but Glenn can't even manage the slightest accent. Somehow the real British soldiers guarding Hess, when confronted by the very out-of-place Glenn shouting at them with his harsh American accent, do his bidding without question. Well, at least there is a bright side: there hasn't been a Wild Geese III. Yet.

If you're expecting lots of action and gunplay, don't bother; you'll surely be disappointed. The movie focuses more on intrigue and endless spy games. The complicated story maintains interest throughout, but ultimately it's all for naught. Still, there is a sly performance by Edward Fox to be enjoyed (if you can stand his deliberately curious accent!) (**)

This is a highly underated film. For those of you who love Hard action films , this is perfect. Peter Hunt gives the procedings a no frills, lean and mean pace. He brilliantly captures the tough World the characters live in. I loved the first film, this isn't as good but is entertaining enough. It is very much like 'Who dares Wins' in its uncinical approach to fast and heavy violence. The characters are not nice people so there is little love loss between them. Scott Glenn plays the lead Emotionless and I believe this is done on purpose.