good back-story, and good acting

It's fun, it's light, [but] it has a hard time when its tries to get heavy.

The joyful confection is coated in a sparkly gloss, bright enough to gleam from the darkest, most cynical corners.

It is encouraging that the film ends so strongly.Otherwise, it wouldn't have been a particularly memorable film

Based on the book by James Fox (not the handsome English actor of a certain age) this film remains hard to pin down: it's part murder mystery, part sociological study, part history of pre-WW2 East African colonialism, part romance, part dionysian orgy (really), part Evelyn Waugh/Somerset Maughm, part romance, part.... etc. etc. And it's all true.Yes, the actors are more spectacular looking than their real life counterparts (particularly Scacchi, seldom more stunning.) Sarah Miles' strange character wafts through as most memorable of all in a rich ensemble set of louche decadents. (And yet the actress in real life admitted she may not have gotten a handle on the real woman, just an impression. Based upon my reading of Fox's and Trzebinski's books' accounts on the Alice de Janze, I'd have to agree. Nothing like her except the memorable quips and woozy flair.) Plus, most folks who didn't swim through the primo decadence of the 1960's firsthand might be appalled at what passes for entertainment in British colonial East Africa of the 1930'/40s. But what you'll get for your treasure hunt (this is a hard film to find) is the truth of a murder mystery, weird but real characters, a slice of history, all against the gorgeous panoply of Kenya, despite all its troubles one of the most beautiful spots on the entire planet, all shot on location right where the real events unfolded.

Even with the rather unimaginative script and lacklustre direction, WHITE MISCHIEF comes across as a good movie, largely because of the times and the place. But I cannot help feeling that a great opportunity was missed here to make a really memorable period piece considering the plot and setting. The fantastic location of Kenya's 'Happy Valley', the hedonistic lifestyle of the White settlers in the face of the war in Europe, the love triangle that led to Lord Erroll's murder and the subsequent dead-end investigation - all cried out for a more inspirational handling than the rather insipid effort by Michael Radford who both wrote the script and directed the film. Even Roger Deakins' cinematography was nothing to shout about.Still, the film does manage to make something of a mark, thanks largely to great performances by Joss Ackland, Sara Miles and to some extent, Greta Scacchi. I debated for a while whether or not to buy the DVD and on balance decided that it was a worthwhile investment.

Michael Radford directed and co-wrote this adaptation of James Fox's book taking place in Kenya during World War II. High society Brits evade the swarming Nazis by hiding out in Africa while money-hungry Greta Scacchi gets caught up in heated love-triangle. Languid, slowly-paced British-made drama without enough inner-fire; the handling is awfully sullen, and clichés abound, despite attractive locales and sexy Greta spicing the scenario. Terrific supporting cast includes John Hurt, Hugh Grant, and Geraldine Chaplin, yet they can't do much to infuse the film with life. Radford does pull off an amazing finale however, and his final shot is haunting. ** from ****

This story is loosely based on a real scandal that occurred in Kenya during the second world war and the film captures all the decadent events that were happening in an area nicknamed "Happy Valley". Story takes place in 1940 in Kenya where Sir Jock Delves Broughton (Joss Ackland) has brought back with him a much younger bride. Jock is in his 60's and his new bride Diana (Greta Scacchi) is probably more than 30 years younger. Diana meets the assorted British colonists that live there and spend their time drinking and going to parties and having sex with one another. Diana meets the local stud Josslyn Hay (Charles Dance) and it doesn't take long before the two are having a very public affair much to the chagrin of Jock. One night Joss drops Diana off and proceeds to drive down the road when someone appears out of the darkness and shoots Joss in the head killing him. *****SPOILER ALERT*****Jock is quickly accused of the murder and has to stand trial where it becomes a media circus. Jock is acquitted of the murder of Joss and Diana goes back to live with him but has serious thoughts that he was in fact guilty of her lovers murder. This film was directed by Michael Radford who also had directed the vastly underrated "1984". He would go on to direct other interesting films such as "Il Postino", "B. Monkey" and "Dancing at the Blue Iguana". In those films Radford has shown a knack for filming stories in exotic locations and also showing the more decadent lifestyles of individuals. He does that here in this film as well and even though the material is presented in a trashy manner, Radford still creates genuine moments with effective atmosphere. Scacchi is utterly beautiful to watch and her nude scenes are not easily forgotten. The best performance in the film comes from Ackland who has spent most of his film career being a character actor. His most effective scene is where he is sitting on his bed with a tear coming down his face while he contemplates what he should do. John Hurt plays a character named Gilbert Colvile and barely utters more than two words at a time. I had the feeling that his character was there just to make him another suspect in the murder. One of the more interesting bits of casting (For me anyway) is Jacqueline Pearce as Idina. I grew up watching Pearce in the Hammer horror films and it was quite the sight to see her in the nude in this film. Despite her age she was still very beautiful to look at. Also, a very young Hugh Grant has a small role at the beginning of the film. This is definitely a step down for a good director like Radford but he does capture the spirit of these people who are doing they're best to ignore the fact that a war is raging on in their own home country. The last shot in the film perfectly illustrates this as everyone gets together at the funeral of a close friend to have another party.