Wonderful character development!

Better Late Then Never

Am i the only one who thinks........Average?

It is encouraging that the film ends so strongly.Otherwise, it wouldn't have been a particularly memorable film

This was really the first film in which Red Skelton was the star, rather than a supporting character. And while it was a B movie, it was a good one that received a fair amount of acclaim for Skelton. The general shtick is a good, but common one in that era -- a sort of twist between gangsters and spooks.Here, Red plays Wally Benton, the star of a radio mystery series; he's "The Fox", an expert criminologist (and accidentally a goofball). He plans to elope with his girlfriend Ann Rutherford, but his agent urges him to also date the sponsor's daughter to assure that his show is not canceled. Meanwhile, Conrad Veidt runs a religious cult that preys on the wills of oldsters, mostly women. One member has died and bequeathed a life interest in $1,000,000 to a nephew (Lloyd Corrigan), with the principal going to Silver Haven only after Upshaw's death. Veidt is determined to have Upshaw murdered so that the money will come straight to the cult. Members of the cult develop a plan to have "The Fox" develop a fool proof murder. Kidnappings ensure, and the bumbling Skeleton tries to save himself and his two female paramours. Can "The Fox" save the women and prevent the murder? How he does it is rather clever.Red Skelton, in his first starring vehicle, is very good here, although he got even better in the two sequels. This is a good role for Conrad Veidt as the head of the phony religion; must have been a nice change not playing a Nazi in the World War II era! Ann Rutherford was a good romantic interest for Red. "Rags" Ragland, who later played Red's pal, in this film was one of the reprobates, but did so nicely. Venerable character actor Henry O'Neill is along as the sponsor of Red's radio program. Eve Arden is here as Red's manager, but has little to do, and that's a shame...but she was a known scene stealer.If there's a criticism here it's that about two-thirds of the way through the film it lags a bit, but then comes on stronger at the end. Aside from that, it's a pretty refreshing B movie. Recommended, particularly to see the young Red Skelton.

Remake of 1933 movie is the first in a series of three movies. Wally "The Fox" Benton (Red Skelton) is the star of a popular radio mystery program who is kidnapped by criminals. They plan to kill somebody and want Wally to plan the perfect murder. As added incentive for him to do as they want, they also kidnap Wally's fiancée (Ann Rutherford) and another girl who likes him (Virginia Grey).Fast-paced enjoyable Red Skelton comedy hits on all cylinders. Great direction, great script, superb cast. Skelton is wonderful in his first starring role. Ann Rutherford is absolutely adorable as his fiancée. Something about her I've always loved since I first saw her in the Andy Hardy films. Virginia Grey is the other girl who wants Red and she's fiery and spunky and lots of fun as well. The way the three of them team up to handle the bad guys is terrific. Conrad Veidt is excellent as the heavy, as are all of his henchman. There's more support from the likes of the great Eve Arden, Lloyd Corrigan, and Henry O'Neill. It's really a first-rate cast in a very fun and funny movie.

It's Red's first starring role and he plays it fairly straight only sometimes mugging it up in ways that would become his comedic trademark. It's an excellent supporting cast, especially the unsung Don Costello as the henchman with a bad case of nerves and unsteady loyalties. And whose inspired idea was it to walk the thuggish-looking Hilda (Mariska Aldrich) through several scenes, allowing Red to get off some choice one-liners, ("Didn't I see you on 'Wrestling' last week."). Still, I'm curious why there're two leading ladies instead of one. Grey's character "Fran" seems unnecessary to the comedy set-ups and the storyline, so perhaps there's an inside story on this odd bit of doubling-up.In my little book, the movie's only fitfully funny, mainly because the two comedy set-ups (the secret room and the radio trick) go on too long and lack the intensity of Red's better comedies. As other reviewers point out, the best parts are the many choice throwaway lines that sometimes fly fast and furious, so keep your ear cocked. All in all, this first of the "Whistling" series is not the best, but it does present a chance to catch one show-biz's brightest comedy acts developing his way up the Hollywood ladder.

If that cracks you up, you'll be deliriously happy for an hour and twenty minutes. If you're not amused, watch Red Skelton say it. If you're funny bone still hasn't been tickled, go away. Otherwise, Whistling in the Dark is a good bet, even for family.