We're Not Married!
We're Not Married!
PG | 11 July 1952 (USA)
We're Not Married! Trailers

A Justice of the Peace performed weddings a few days before his license was valid. A few years later five couples learn they have never been legally married.

Reviews
AniInterview

Sorry, this movie sucks

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Pacionsbo

Absolutely Fantastic

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Dynamixor

The performances transcend the film's tropes, grounding it in characters that feel more complete than this subgenre often produces.

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Rio Hayward

All of these films share one commonality, that being a kind of emotional center that humanizes a cast of monsters.

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rodrig58

Marilyn fails to steal the movie but she is very close (too small role in one of those 5 episodes). All the other actors are excellent and all the stories are exciting, true, like in real life and the the whole movie is a real moral lesson. A true delight in seeing so many precious stars, some of them smaller some of them bigger, such as Ginger Rogers, Mitzi Gaynor, Zsa Zsa Gabor, Louis Calhern, Jane Darwell, Victor Moore, etc. They all have real charm, they are very talented, they are natural, credible. Very entertaining!

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blanche-2

Back in the '50s, a common sitcom episode was the married couple finding out that they're not legally married."We're Not Married," a 1952 film, has five such couples, including Fred Allen and Ginger Rogers, Marilyn Monroe and David Wayne, Eve Arden and Paul Douglas, Eddie Bracken and Mitzi Gaynor, and Louis Calhern and Zsa Zsa Gabor.There were several episodic, anthology-type films from this period. "We're Not Married" deals with five very different couples and what the notice of non-marriage means to each couple. There's a wealthy man (Calhern) married to a gold digger (Gabor), a bickering husband and wife radio couple (Allen and Rogers), a couple in a slump (Paul Douglas and Eve Arden), an ambitious young woman and her husband (Monroe and Wayne) etc.The best is the Calhern-Gabor, and Allen and Rogers make a good team and give bright performances. There are some funny sequences throughout.Mores have changed a lot since this film, but it makes for pleasant watching with good direction by Edmund Goulding.

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bensonj

The chief virtue of this film is the marvelous casting, which could hardly be better. And there's a pleasing variety to the episodes. That said, the edge to the writing and direction is definitely not as keen as one would like. To give just one example of the problem: A letter is sent to each couple, telling them that, through a technicality, they're not really married. In the opening sequence, we hear the letter dictated. At the appropriate point in each installment, the letter is introduced with a special musical theme, and the reader of the letter reacts appropriately. But then, each time, just to make the point completely clear, we are shown a close-up of the identically worded letter. Another example: Paul Douglas dreams of dates with beautiful girls, AND DREAMS, AND DREAMS... Also, though one suspects that Fred Allen had a hand in the writing of his sequence--a parody of radio breakfast couples--here, too, the satire is a little too obvious, their banter being merely a string of not especially clever product plugs (one of them having the miracle ingredient, chicken fat).Calhern rises above the heavily ironic divorce-lawyer skit, and James Gleason gives one of his finest performances as a hick hustler promoting Marilyn Monroe in a fledgling Mrs. America contest. Had the rest of the film been as sharp as Gleason's well written and well performed characterization, it could have been a classic. The final sequence is the most successful, because of the fine, unaffected performances of Gaynor and Bracken (particularly the latter) and probably also because Goulding was most at home with this simple romance. A point of interest in the film as a whole is how much attitudes about marriage have changed since the film was made.AMC has shown an amusing deleted sequence with Walter Brennan in its HIDDEN HOLLYWOOD series.

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Robert D. Ruplenas

This is a thoroughly entertaining little piece of fluff with a great comic premise and good performances from a fine cast. Ginger Rogers and Fred Allen, in particular, work wonderfully together as the bickering radio stars who must play a lovey-dovey couple on their morning show. It is too bad that Allen - who has such a wonderfully dry and cynical comic persona (sort of a Walter Matthau prototype) - didn't make more movies. This is a fun way to while away an hour and a half.

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