To me, this movie is perfection.

Fun premise, good actors, bad writing. This film seemed to have potential at the beginning but it quickly devolves into a trite action film. Ultimately it's very boring.

True to its essence, the characters remain on the same line and manage to entertain the viewer, each highlighting their own distinctive qualities or touches.

By the time the dramatic fireworks start popping off, each one feels earned.

Dramatic and decent Western magnetically performed by Henry Fonda as main cast and just look at the extraordinary support casting . A town can be killed by a bullet , just like a man! . Welcome indeed to this weird Western dealing with a little town determined to become modern , there are stores as hardware , livery stable , undertaking and saloon . A sociopathic stranger (vicious as well as marvelously wicked Aldo Ray) takes advantage of the frightened townspeople and burns down the saloon , destroys the small hardscrabble village but the 'mayor' Will Blue (Henry Fonda , his role mentions he is 49 years old at one point and turning 50 at another and yet Fonda was well over 60 at the time of the filming) doesn't stand up to crazed murderous . After that , Blue convinces its survivors to stay and rebuild it . As Blue swears to rebuild the small Western town after the stranger rides on , but the townsfolk give up and abandon . Afraid for the city's future and even more afraid of the fact that the maniacal Pistolero seeks revenge , Blue , then , promises to make a new town . A wagon load of whores led by "entrepeneur" Zar (Keenan Wynn) shows up and together with Blue, and Maple (John Anderson) they rebuild the little town . All of them decide that old-style violence is the only way to rid themselves of the angry diabolic gunman . As Will has to take a last stand when the powerful gunslinger take over his town , again . What happens in the ending makes one of the most dramatic climaxes of any story you've ever seen!This passable , meaty Western contains interesting plot , intrigue , thrills , shootouts and results to be quite entertaining , though slow moving . It is a riveting mixture of the psychological flick and the basic Western action pic . Well-paced as well as rare Western balances action , suspense and symbol-laden drama . It's a classical recounting about a veteran as well as hesitant leading citizen of the runtown of ¨Hard Times¨ who at first doesn't stand-up to ruthless killer , a peace-loving and surrounded by cowards and frightening people ; being probably one of the strangest Western of the sixties . This is an atypical but thought-provoking western with a lot of reflection , distinguished moments and dramatical attitudes , in addition a multitude of enjoyable situations . The picture profits Henry Fonda's portentous interpretation , he gives a top-drawer performance as a Mayor who fails to stand up to the gunfighter , Fonda is an awesome expert in the art of conjuring sensational , terrific acting . Originally made for television in 1966, but released to theaters instead, before being shown on TV because of its violent content . Engaging screenplay from the novel "Welcome to Hard Times" by E.L. Doctorow , author of ¨Ragtime¨ . The traditional story and exciting script was well screen-written by Burt Kennedy though clichés run through-out , the agreeable tale is enhanced for interesting moments developed among main characters and especially on the relationship between Henry Fonda and Janice Rule . The highlights of the film are the climatic showdowns , the peculiar love story among protagonists , and , of course , the final gundown . The casting is frankly nice . Here are reunited a top-notch plethora of secondary actors , most of them playing the frightened townspeople as Keenan Wynn , Janis Paige , John Anderson , Warren Oates , Fay Spain , Edgar Buchanan , Paul Fix , Denver Pyle , Lon Chaney Jr. and Royal Dano who is exactly right as Indian medicine man . Atmospheric cinematography in Technicolor is superbly caught by cameraman Harry Stradling . Thrilling as well as atmospheric musical score by Harry Suckman . This hard Western picture was professionally directed by Burt Kennedy . He initially was screenwriter , his initial effort, ¨Seven men from now¨ (1956), was a superb western, the first of the esteemed collaboration between director Budd Boetticher and star Randolph Scott . Kennedy wrote most of that series, as well as a number of others for Batjac, although it would be nearly 20 years before Wayne actually appeared in the film of a Kennedy script . In 1960 Kennedy got his first work as a filmmaker on a western , ¨The Canadians¨ (1961) , but it was a critical failure . He turned to television where he wrote and directed episodes of "Lawman" (1958), "The Virginian " (1962) and most notably ¨Combat!"(1962) . He returned to films in 1965 with the successful ¨The Canadians¨ (1965), directing the pilot for the TV series of the same name and subsequently made ¨Support your local gunfighter¨, ¨Support you local sheriff¨ that resulted to be two of his best Western . And directed two with John Wayne : ¨Train robbers¨ and ¨The war wagon¨ , Robert Mitchum : ¨Pistolero¨ , ¨The good guys and the bad guys¨ , Frank Sinatra : ¨Dirty Dingus Magee¨ , Raquel Weich : ¨Hannie Coulder¨ and a sequel ¨Return of the magnificent seven¨ . His last films were TV products and mediocre productions such as : ¨Wild wild west revisited¨, ¨More wild wild west¨, ¨Big bad John¨, ¨Dynamite and gold¨¨ , ¨The trouble with spies¨and ¨Suburban commandos¨ . This violent Western ¨Welcome to Hard Times¨ is a Henry Fonda vehicle , if you like his particular performance ,you'll enjoy this one .

I had managed to ride clear of Hard Times for many years, but gave in when TCM screened it this week. Such a pity to see Burt Kennedy's name on this woeful film. Then it's such a pity to see anyones name on this film! Not that the poor quality print TCM have helped any, nor did TCMs awful Automatic Sound Level Control - with all it's unnecessary HISS that comes up during the quite scenes or between spoken dialog! When will they ever correct this, and get it right in Aust...?? From some posts, there must be a lot of easily pleased viewers out there. This made for TV Pilot, was not even good enough for TV, let alone Cinema. Just another of those shocking films that helped send MGM to the wolves. The writer of the book must have wanted to 'shoot' the producers after he saw it. This is the type of 'evil' (now called dark) rubbish that copycat film maker Eastwood has re-made endlessly following his Spagetti films...and his are no better than this - just made with more money, and more psycho's!Difficult to find much worth saying about any of it. It wasted: Fonda, Rule, Ray, Spain, and several better than average supporting stars like Fix, Birch, etc. A very good D.O.P. could not even save this trite treatment Such a pity.

Recap: A brutish and violent gunfighter holds the little frontier settlement of Hard Times in terror. Local mayor Will Blue is helpless, and the terror only ends with the gunfighter burning the town and riding out. The town is almost deserted, but when a saloon manager, along with his group of prostitutes settles in the town to serve the miners from the surrounding mountains, there is hope once again. But Blue struggles with both his own guilt of having done nothing and other locals accusations of the same. And sometimes the gunfighter will return, will Blue be able to defend his town then?Comments: A rather uneventful and badly acted western. Especially the movies threat, the gunfighter, is so exaggerated so that the threat seems just silly. The it is supposed that the drama should come from the tension between the surviving townsfolk, but it never gets really interesting. One problem is that the supposed hero, Blue, is nothing of the kind. And without a hero and an absent threat, there is no real reason to care. Is there? In fact, Blue is so little of a hero that he doesn't even succeeds to gain redemption when the villain returns. He doesn't do anything until the villain is out of bullets, and defenseless. Only then does Blue fight him.With nothing to care about, the movie uninteresting at best, and boring at worst. It certainly is disappointing. A veteran such as Henry Fonda should be better in choosing his projects, and do better with the material at hand. But I guess he didn't care either… 3/10

I had high hopes for this, but wound up despising it. This is pacifism with a broad brush, absolutely sophomoric in it's persistent delivering of the kind of message that makes "turn the other cheek" resemble heroism.I just hope impressionable children are not being exposed to this defeatist philosophy.Pushing this movie's obvious message to kids is like passing around the bubonic plague.The actors are first-rate but are squandered here in my opinion.In WWII actors flew bombers or fought for their country on the beaches and were slogging along in the infantry for years in dangerous terrain. Regrettably, things have deeply changed in the USA. Hollywood has become the mouthpiece of the left. This movie was produced in the 60s and bears the stamp of those times, times when the inmates tried to run the asylum--and very nearly succeeded.So watch and enjoy the fine acting in this film, but don't succumb to it's defeatist message.