Memorable, crazy movie

All of these films share one commonality, that being a kind of emotional center that humanizes a cast of monsters.

It is interesting even when nothing much happens, which is for most of its 3-hour running time. Read full review

One of the best movies of the year! Incredible from the beginning to the end.

A mixed blessing. Bing, as usual is in fine form, and the songs are not only worth listening to because of Bing's mastery, but the Rainger-Robin numbers are reasonably attractive in their own right. Of course the stand-out is "Sweer Leilani" by Harry Owens. The story, however, is another matter. True, it starts most promisingly and for a while there it looks as if George Barbier and Grady Sutton are going to enjoy some stellar moments. But this promising sub-plot is soon all but junked in favor of a ridiculous lot of drivel about a stolen black pearl which the script writers themselves undermine when they turn it into a Clayton's affair. (For those unacquainted with liquor, the non-alcoholic Clayton's is extensively advertised as "the drink you have when you're not having a drink." Therefore a Clayton's plot is the plot you have when you're not having a plot). Poor old Anthony Quinn is cast in this segment and looks as puzzled by the script's casual turnabout as we do. Of course, if you decide midway through your movie to junk your plot, you've got to produce a substitute. This the writers promptly do. In fact, they produce two substitutes. The first is a series of strained slapstick scenes involving Martha Raye and Bob Burns, and the second a slightly more bearable but nonetheless ridiculous lot of twaddle involving Bob Burns and Leif Erickson. But the writers do have a nice trick up their sleeve for the Crosby-Ross fade-out. Unfortunately, they forgot to tell director Frank Tuttle to make sure the actress involved, Emma Dunn, played her scene tongue-in-cheek. Maybe they did tell him and Tuttle refused. Or maybe they simply assumed that Tuttle would cotton on. Anyway, as the movie now ends, thanks to Tuttle's incompetence, it leaves a sour taste in the mouth. No audience likes to feel that it's being taken for a ride and critics don't like it either. If a scene is tongue-in-cheek is supposed to be played that way. In fact, the whole movie is a tongue-in-cheek affair. Quinn is obviously aware of this. Understandably, he looks rather puzzled and plays at half steam – which is certainly a good decision, especially if you're not receiving any advice from a seemingly unaware director. Crosby, of course, just breezes trough the movie in his usual fine, casual style. And photographically, my hat's off to Robert C. Bruce who has enlivened his location material with some really captivating yachts-at-dusk footage.

This is a good film to watch late at night, when you're too tired to concentrate on a heavy plot and are ready for some pretty music and comic diversion. The two songs you'll immediately recognize are "Blue Hawaii" and "Sweet Lelani" (which won the Oscar that year).Bing Crosby is his usual agreeable self, in great voice, inhabiting the screen but not his character, really. His seemingly effortless singing is,as always,mellow and fine. Shirley Ross (she of "Thanks for the Memory" with Bob Hope) has a very appealing, intelligent and charming way with a line and a song. Bob Burns is there for comic relief, as is a young Martha Raye, who is, well, Martha Raye. You either like her or you don't...but she does manage a few laughs with her very physical antics and double-take expressions. A very lithe and boyish Anthony Quinn, playing one of his early "native" roles (here as a Polynesian), pops up in several scenes...years before his own ascendancy to super-stardom.It's the music and the lavish Hollywood-Hawaiian sets and luau scenes that make this a very pleasant movie to watch.

In 1937 Bing Crosby made a celebrated trip to the Hawaiian Islands and stayed about a month. Of course being the mega star he was at the time, the trip was accompanied with the usual fanfare and publicity and when he got back Paramount took full advantage of the publicity with Waikiki Wedding.It would have been nice if in fact they'd sent him back to Hawaii and did some beautiful color location photography, but I assume that Adolph Zukor felt that for the studios own homegrown South Sea island gal, Dorothy Lamour never got off Paramount's backlot, they wouldn't do more for Bing.However they did give Crosby a good, amusing plot and some nice songs to sing. Crosby plays a publicist for a Pineapple company who has had the idea to sponsor a Miss Pineapple contest with the winner getting an all expenses paid trip to Hawaii and to send back articles about the great time she's having and hawk the virtues of Hawaiian Pineapples. But the winner, Shirley Ross, ain't havin' such a good time, she's bored. So Bing concocts this elaborately staged adventure involving a stolen idol, a volcano, some natives and Shirley loves it and him. It all resolves itself in the end. George Barbier who's a favorite character actor of mine from the 30s plays Bing's boss at his choleric best. Crosby gets good support from Martha Raye and Bob Burns. Martha Raye was doing the second of three films she did with Bing. Bob Burns, who is forgotten today was a regular on Bing's Kraft Music Hall radio show. He played a hillbilly type character with a touch of Will Rogers without the topical humor. He did two films with Bing and retired from show business in 1941.Ralph Rainger and Leo Robin did the score which includes the classic Blue Hawaii, reprised later by Elvis Presley. However the number one song in the movie at the time was Sweet Leilani, word and music by Hawaiian composer Harry Owens. Bing heard the song while in Hawaii and insisted it be included in the picture. It won an Oscar that year for best song and Crosby had a big hit record of it. Nice Entertaining movie in the Crosby manner.

WAIKIKI WEDDING (Paramount, 1937), directed by Frank Tuttle, is an enjoyable but sadly neglected musical set in Hawaii starring Paramount's box office attraction, Bing Crosby, crooning to the up-and-grooming Shirley Ross, a fine vocalist in her own right whose popularity faded as quickly as it started, with her peak years at Paramount being from 1936 to 1938. By 1939, she left the studio after appearing in some secondary roles, including another Crosby musical, Paris HONEYMOON (1938), in which the object to his affection there was a newcomer named Franciska Gaal, but to re-discover Shirley Ross, WAIKIKI WEDDING is a good introduction. And now for a brief synopsis and inside look of the movie.Set in Hawaii, the story begins with Tony Marvin (Bing Crosby) and his pal, Shad Buggle (Bob Burns), accompanied by his pet pig, attending a native wedding feast, in which Tony participated with a Hawaiian song. Tony, a smooth talking publicity man for J.B. Todhunter (George Barbier), president of a pineapple company, is hired to escort Georgia Smith (Shirley Ross), from Birch Falls, a "Miss Pineapple Queen" contest winner, on her Hawaiian tour, accompanied by her companion, Myrtle Finch (Martha Raye), who in turn becomes escorted by Shad. Because Georgia is not satisfied with her trip, threatening to return home to the states and refusing to participate in any publicity campaigns, Tony goes through extremes in keeping her in Hawaii, ranging from having her accused of smuggling a black pearl, abducted by a native group headed by Kimo (Anthony Quinn); vocalizing to her, and having her attend ceremonial dances. After discovering this whole affair to be nothing but tricks to keep her in Hawaii, the angry Georgia decides to book passage on the next boat to return home and marry her dull fiancé, Victor P. Quimby (Leif Erickson), causing Tony, who now loves her, to continue using provide more tricks instead of sincerity to keep her.Along with the lightweight plot and Hawaiian surroundings, the bright score by Ralph Rainger and Leo Robin include: "Blue Hawaii" and "In a Little Hula Heaven" (sung by chorus during opening credits); "Nani Ona Pua" (sung by Bing Crosby); "Blue Hawaii" (sung by Crosby); "Blue Hawaii" (sung by Crosby and Shirley Ross); "Sweet Leilani" by Harry Owens, (sung by Crosby); "In a Little Hula Heaven" (sung by Crosby and Ross); "Okolehao" (sung by Martha Raye. Take notice how Raye's hair style changes midway through this number); "Sweet Is the Word for You" (sung by Crosby) and "Sweet Is the Word for You" (reprise, sung by Ross). While "Blue Hawaii" and "In a Little Hula Heaven" are the best sounding tunes for this production, it's the slower tempo lullaby of "Sweet Leilani" that became the Academy Award winning song of 1937.The supporting cast features Grady Sutton as Everett Todhunter; Granville Bates as Uncle Herman; George Regas, Emma Dunn, and Mitchell Lewis, among others.While "Waikiki Wedding," which runs at about 89 minutes, hasn't aired on any television station for quite some time now, it was distributed on video cassette in 1995 as part of the Bing Crosby collection, along with other titles as RHYTHM ON THE RANGE (1936) with Frances Farmer, and its WAIKIKI WEDDING co-stars, Bob Burns and Martha Raye, and a decade later onto DVD double featured with DOUBLE OR NOTHING (1937) also featuring Martha Raye. Oh, boy!!!! All films mentioned make recommended viewing for Crosby fans. (***)