Absolutely brilliant

A different way of telling a story

what a terribly boring film. I'm sorry but this is absolutely not deserving of best picture and will be forgotten quickly. Entertaining and engaging cinema? No. Nothing performances with flat faces and mistaking silence for subtlety.

Actress is magnificent and exudes a hypnotic screen presence in this affecting drama.

Query: Why are some vehicles Right-Hand-Drive? Even imported cars should be converted. Great comedy moment: M. Hulot's sportscar is so small that he can reach across to sound the horn situated outside on a spare tyre on the opposite side of the steering wheel!

-Les Vacances de M. Hulot (released as Monsieur Hulot's Holiday in the UK and Mr. Hulot's Holiday in the US) is a 1953 French comedy film starring and directed by Jacques Tati. It introduced the pipe-smoking, well-meaning but clumsy character of Monsieur Hulot, who appears in Tati's subsequent films, including Mon Oncle (1959), Playtime (1967), and Trafic (1971). The film gained an international reputation for its creator when released in 1953. The film was very successful as it had a total of 5,071,920 admissions in France.--Critical response:-On its release in the United States, Bosley Crowther's review said that the film contained "much the same visual satire that we used to get in the 'silent' days from the pictures of Charlie Chaplin, Buster Keaton, and such as those." He said the film "exploded with merriment" and that Tati "is a long-legged, slightly pop-eyed gent whose talent for caricaturing the manners of human beings is robust and intense.... There is really no story to the picture.... The dialogue... is at a minimum, and it is used just to satirize the silly and pointless things that summer people say. Sounds of all sorts become firecrackers, tossed in for comical point." -Tati biographer David Bellos has described the film as "Sublime," and said that, "It was through this film that I first fell in love with France. I think that is true of a lot of people." The journalist Simon O'Hagan, writing on the occasion of the film's 50th anniversary in 2003, wrote that the film, "might contain the greatest collection of sight gags ever committed to celluloid, but it is the context in which they are placed and the atmosphere of the film that lift it into another realm. The central character is an unforgettable amalgam of bafflement at the modern world, eagerness to please and just the right amount of eccentricity - i.e. not too much - his every effort to fit in during his seaside holiday merely succeeds in creating chaos out of orderliness. Puncturing the veneer of the comfortably off at play is by no means the least of Tati's concerns. But, (there is) an elegiac quality (too), the sense that what Tati finds funny he also cherishes." -The film was entered into the 1953 Cannes Film Festival.

Monsieur Hulot (Jacques Tati) comes to a beachside hotel for a vacation, where he accidentally (but good-naturedly) causes havoc.The film affectionately lampoons several hidebound elements of French political and economic classes, from chubby capitalists and self-important Marxist intellectuals to petty proprietors and drab dilettantes, most of whom find it nearly impossible to free themselves, even temporarily, from their rigid social roles in order to relax and enjoy life. Is this, in some small way, a precursor to "The Discreet Charm of the Bourgeoisie"? On its release in the United States, Bosley Crowther's review said that the film contained "much the same visual satire that we used to get in the 'silent' days from the pictures of Charlie Chaplin, Buster Keaton, and such as those." Crowther is quite right, and it would be no surprise if Tati used these earlier comedians as his template. His previous film, "Jour de Fete", had all the earmarks of a silent comedy.

Seems that I just don't like this movie as much as everyone else seems to do. Don't get me wrong, I was still throughout amused by this movie, it just was not one that really ever made me laugh out loud or entertain constantly, while this was obviously the movie its intentions. The movie tries to be an humorous one in basically literally all of its scene's. Needless to say that not everything in the movie really works out and there are just a few moments that are truly funny. Add to that that the overall movie is quite slowly paced, so its sequences often really take its time to develop and to reach its funny peak.Those moments are often the slapstick ones. You could say that this movie is being a 'modern' slapstick, that features as little dialog as possible. The psychical comedy of the movie can get funny at times, though its not ever anything too surprising or innovative. There is not really a story in it all. It's simply about a beach-side hotel, at which some strange characters stay. Main character is Monsieur Hulot, who everybody for no apparent reason seems to hate. He is being played by director Jacques Tati himself and was a character that got featured in some later Jacques Tati comedies again. I'm still willing to give all those movies a shot though, since I was still quite amused by this whole movie. And I'm a fan of slapstick humor as well, so I'm hoping this all gets featured better in some of the other 'Monsieur Hulot' movies.Thing is that there just isn't much to the story at all. There is no problem or big mystery that needs to be solved. No love story or no evil villainous characters. There is nothing wrong with a movie that doesn't really follow a narrative and is just basically the one comical intended sequences and situation after the other but in this case the movie just doesn't know to benefit from this approach. The movie doesn't even really constantly follow its main character at all. Added to that is it's rather slow pace of story-telling (which French movies are often known for), with as an end result an at times rather slow and lacking comedy.Amusing to watch throughout but just not always that funny and it all gets too slowly paced, by writer, director and actor, Jacques Tati.6/10http://bobafett1138.blogspot.com/