Gripping story with well-crafted characters

This is a must-see and one of the best documentaries - and films - of this year.

Exactly the movie you think it is, but not the movie you want it to be.

A clunky actioner with a handful of cool moments.

Having survived an attack by a vicious madman, a journalist tries to recuperate at the local hospital but finds herself continually stalked by the psycho intent on finishing her off and must rely on her friends to stop him from doing so.This is an incredibly bland and really overly boring slasher/psycho thriller that really doesn't have all that much going for it. The constant ability of the psycho to get in and out of the hospital without being caught stretches logic and believability in the worst ways with the constant ability to escape unnoticed and menace couples outside, taking away from the suspense of the situation where it takes time out of the main storyline to focus on another, nearly making the entire section of the film just utterly endless. It never really manages to be as suspenseful as it thinks it is by not really engaging in that much of a body count either, as there's hardly all that many in here to get worked up over and the deaths are very bland anyway. The main stalking through the inner workings of the building do manage to get some good stuff in, and the investigative build-up of the identity to the police is rather fine, but overall this one wasn't all that great.Rated R: Violence and Language.

After a vicious knife attack by misogynistic psycho Colt Hawker (Michael Ironside), feminist TV reporter Deborah Ballin (Lee Grant) is taken to hospital where the maniac repeatedly tries to finish the job by posing as members of staff.I vividly remember this film's cinematic release back in '82; the advert was on TV at the same time as I was in hospital with a broken leg and, rather unsurprisingly, it struck a nerve. The film clearly struck a nerve with the BBFC as well, the censors later adding it to the UK official video nasty list thanks to the killer's disturbing brand of misogyny and sadistic violence: as slasher villains go, Ironside's Hawker is particularly cruel, the character primarily targeting females, delighting in their fear and pain, teasing them with his switchblade and taking photos of them as they die.However, as memorably nasty as Ironside's psycho undoubtedly is, the film doesn't quite live up to its potential; there is a notable lack of gore (a mainstay of the genre), and the pacing is rather weak, with matters tending to drag after Hawker's initial assault on Ballin. At 105 min long, this means a lot of boring padding, Ironside skulking around corridors and failing to get near his intended victim until the inevitable final showdown in the now surprisingly deserted hospital. We also get pointless filler in the form of William Shatner's concerned TV producer, who does nothing to further the plot, Linda Purl's single parent nurse, whose primary job is to look cute in her uniform, and lots of cheap scares (including one from a parrot!).With more grisly killings and tighter pacing, this could have been one of the genuinely great slashers of the 80s, especially given the intensity of Ironside's performance; sadly, it only qualifies as essential viewing to those determined to see all of the video nasties.

"Visiting Hours" is the intense story of Deborah Ballin, a women's rights activist who causes much controversy in her decision to support a woman who killed her abusive husband. This decision causes a psychotic misogynist to hunt down Ms.Ballin and kill her. However, his violent attack only sends her to the local hospital, where she makes friends with a kind-hearted nurse. The psychopath then hunts her and all those close to her down in order to finish what he started. Although it sounds like your typical '80s slaughter-thon, this movie actually has more depth to it than most. Instead of b-actors that don't know what they're doing, this cast is made up of some pretty good actors such as Academy-Award winner Lee Grant, William Shatner, the ever-creepy Michael Ironside, and Linda Purl. I believe that Ironside was perfectly cast here and gives a great performance as a soulless, evil killer. Another thing that sets this apart from the other slasher flicks is the dark-nature of the violence. Most of these flicks are very gory, but they are mostly light-hearted and campy. This was just dark and quite mean-spirited, which makes the movie very effective. I certainly recommend this frightening little gem!Rated: R for Violence and Profanity

Visiting Hours is the film I saw, more than once in movie theater. Having opportunity to get it on DVD I didn't know what to expect. Very few films from my childhood "at the movies" stood the test of time, but the ones that made an impact then, are forever implanted in my film taste. Same thing happened with this film. It is untypical - typical horror film, that looks like traditional 80's slashers but different in all the key points. I never looked at any of Michael Ironside's roles without seeing the deranged psychopath he portrayed in this one.It's qualities for me, are shortcomings for the majority of horror picture fans. It doesn't have new body spraying buckets of blood every two and a half seconds. It doesn't have freaks with masks and buzzin' chain saws, severed heads and body parts flying around. It has a story of deeply disturbed character, and his rampage through the world around him that he hates deeply and profoundly. Not just the women. He hates them all, and with passion. It has character actors, not bunch of nobodies that are only there to supply bodies for the count. They are not in their best dramatic roles, and the movie could have been better, but it's not half bad either, and it surely doesn't deserve such low rating.This movie has something in it that's still there all these years. It aged well and you can't say that for many of them. It's different in it's usualness and that is the catch. Look for it, even if you don't like horrors. It won't give you nightmares, it will make an impression.