everything you have heard about this movie is true.

Good films always raise compelling questions, whether the format is fiction or documentary fact.

It really made me laugh, but for some moments I was tearing up because I could relate so much.

This is a gorgeous movie made by a gorgeous spirit.

When I was watching film, I cry so the Veda is dramatic film.Atatürk is nice person because he is fighting to Entente Gowerment.British,France,Russia,Italy is Entente Gowerment so Veda film describe in 1881-1923.The film is wonderful so I am thanking Zülfü Livaneli and Zülfü Livaneli's crew.The Veda film is describing to this events: Atatürk's children days and Atatürk was grow.After then the Entente Gowerments are occupying to East,South and West Anatolia.The British and France occupying South Anatolia the Armenian occupying to East Anatolia and the Greek occupying West Anatolia.Atatürk is coming to Turkey in İstanbul then Atatürk is going to Samsun in 19 May 1919.After then Atatürk is fighting World Gowerment and Atatürk is wining to Kurtuluş War.So you must watch the Veda film.

Turkish renaissance man Zülfü Livaneli ("Shahmaran" & "Iron Earth, Copper Sky") draws upon the reminiscences of Atatürk's lifelong friend and loyal ADC Salih Bozok for this sumptuous but shallow hagiographic retelling of the life of the Grey Wolf intended to restore Turkish pride in the wake of the more controversial biopic "Mustafa" by Can Dündar.With Atatürk on his deathbed a despondent Salih Bozok (Serhat Kılıç) begins to relate the life of the Grey Wolf from their childhood together on the streets of their beloved Thessalonica and on through their military career to the foundation of the republic and the President's tumultuous relationships with Fikriye (Özge Özpirinçci) and Latife (Ezgi Mola).The talented and prodigious Sinan Tuzcu ("Orada" and "Nefes") takes up the bulk of the screen time as Atatürk between the ages of 25 to 45 but is given very little to work with as the character is two-dimensionally rendered with no apparent emotional depth even when the actor is interacting with his own wife Dolunay Soysert as the Grey Wolf's mother.Serhat Kılıç heads up the supporting cast as the narrator Salih Bozok but seems curiously absent for all the major events depicted while Özge Özpirinçci and Ezgi Mola are required to carry what little emotional content the film has as the competing love interests and Burhan Güven, Bartunç Akbaba and Kaan Olcay round things out as various incarnations of Atatürk.The director deliberately sets out to avoid any perceived insult to the Turkish image of their founder and in this respect at least succeeds like any other uninspired hagiography with a loosely strung together episodic collection of supposedly inspiring well-worn incidents from the Grey Wolf's life which ultimately serve to give no true insight into the man himself."Unfortunately, words are not enough "

If this movie is outstanding, it is certainly by it's ability to dodge any depth. No significant analysis of any character, no solid study of the historical context or stake, just a superficial picture of the events through a soap-like art. The author's purpose to grossly suggest along the movie his narration is a jewel of subtle understatement, as a reflection of the oriental sensibility, doesn't produce any effect but a real tediousness. Confronting with such imposture, one could naturally consider this a suggested work to embellish a vanishing symbol, facing times of trouble. It's few to say this subject deserves a better handling: the birth of a modern nation, the fate of millions of people involved, yesterday and today, the difficult questions of liberty and democracy are the real, complete and achieved understatement here.

Not being a historian myself by any measure, I doubt anyone would argue that Ataturk is one of the greats who does deserve his story told in a great movie. This attempt unfortunately doesn't cut it.The storyline is quite boring, scenes are artificial in a sense that they don't facilitate the story in necessary scale. Quite many scenes seemed redundant altogether. Acting is mostly poor - overacting is often the case. I'd expect larger focus on his state matters than personal life, which seemed to be theme of this movie. I truly hope that someone takes another shot at telling Ataturk's story. A team of better writers, actors and director is essential to make it! 5/10. That high only because the movie is of some historical importance.