hyped garbage

It's fun, it's light, [but] it has a hard time when its tries to get heavy.

The performances transcend the film's tropes, grounding it in characters that feel more complete than this subgenre often produces.

Great example of an old-fashioned, pure-at-heart escapist event movie that doesn't pretend to be anything that it's not and has boat loads of fun being its own ludicrous self.

Other reviewers have noted that "Up in Arms" was the first major movie that launched Danny Kaye's star. It certainly is a foretaste of the versatile Kaye's many talents. It includes a couple tongue-twister sequences, a couple of other language impersonations, and just a little song and dance. But, none of these are at the accomplished level Kaye would reach and show in films that followed. What he is good at in this career opener, he is fantastic at in films such as "The Inspector General" of 1949, "On the Riviera" of 1951, "Knock on Wood" of 1954, and "The Court Jester" of 1955. Venues to showcase talents like Kaye don't have to have great plots. Films such as this are good and enjoyable just for the entertainment of the star or stars. But, when films also have interesting stories, they often click better and enhance the viewing enjoyment. At least I find that so in Kaye films. With much better scripts in those later movies, he moved more naturally and smoothly into his tongue twisters, impersonations, or song and dance numbers. "Up in Arms" doesn't have a very solid plot. So, it seemed to me a number of times that the producers forced the next Kaye sequence on us. Like an old-fashioned entertainment break between scenes in an otherwise not-too-good stage show. Those few who praise this film as among Kaye's best had best watch again those films I named above. His impersonations, tongue twisters, and song and dance advanced remarkably in just a few years as he perfected his talents in each of these fields. Still, it is his comic performance alone that earns this movie seven stars in my book. Dinah Shore's singing supported the film some, but otherwise I think the cast was lackluster. Dana Andrews had more than a dozen movies under his belt, and would rise to become a leading man and male co-star in many films of the late 1940s and 1950s. But, he did not fit in comedies or musicals. He's clearly out of place here. One other thing that struck me, with the rich Technicolor for such an early film, was the makeup worn by the ladies. In the musical scene with everyone boarding a ship, all the WAC nurses line up along the ship railing. As the camera pans their pretty faces, their heavy use of makeup really stands out. That may have been a sign of the times, and I appreciate the lesser use of pancake makeup in modern days. Our sharp lenses and cameras can give us very close shots that show the natural beauty of the human face. I think the pancake would be obvious and not very enticing.

As a general Rule, I hate Hollywood musicals - Certain Musicals. This is just my personal taste and no offense to those who love musicals. Mostly because, and I bet a lot of people will agree with me, the music is just badly written. Always there are exceptions to the rule, and one of those being Danny Kaye (Another being Kay Kaiser).The Technicolor on this is just fantastic and the music and lyrics are of the best of the Danny Kaye films. It is a great comedy on it's own having a pretty hilarious premise and several incidents that have you howling in laughter even after 60 years or so. Danny Kaye is a dailectition of superb talent, and his fake Scottish in this movie is hilarious.Finally, Danny Kaye was a Musical genius, and I do not know any other entertainer who could use his flapper and a musical instrument as well. I have laughed Long Hours due to this guy all through my life, even if I have seen the film several times! Hahaha! Dinah Shore has a real swell number as well- Kind of in the middle of the film. I like Dinah Shore as his "leading lady" - I like how she is dressed, I love the sharp shoulders on her costumes, she was about as odd as he was. And this oddity is what made this film so classic. His most beautiful leading lady was always Virginia Mayo, but Shore is really funny and so it is a good match up.Of course there is the Danny Kaye­™ "Dream Sequence" and this one is fantastic. I love the flaming Women Torches- Goldwyn always made a little mini production out of those sequences. I don't know if Danny himself suggested these, but several of his movies have them and "The Secret Life of Walter Mitty" Practically consists of them. Wonder Man is another. So of course "Up in Arms" has a couple very good imagination sequences like that, including the ending.But nothing is as good as Kaye standing in front of a full Orchestra, dementing the music. This film has one scene in particular, where you can certainly say, that music, used as a comedy tool, works very well.

One of the funniest movies of all-time. Danny Kaye's first film. Catapulted him from a virtual unknown to an international super-star. Two songs co-authored by his wife, Sylvia Fine, did the trick for him: "The Lobby Number" and "Melody In 4-F." These two songs put Danny's virtuoso tongue-twisting genius on full display. Danny Kaye plays a hypochondriac who is drafted into the Army in World War II and ends up single-handedly capturing a platoon of Japanese soldiers in the South Pacific while winning the heart of beautiful songstress Dinah Shore. Now, 60 years later, the film remains thoroughly enjoyable, and no other entertainer has emerged who can equal Danny Kaye's extraordinary comedic talents. If I had to make a list of the 10 funniest films ever made, "Up In Arms" would surely be on that list.

I have no idea why the rating for this film is so low! This was the first Kaye film I saw and, now after having seen most of his others it's still my favorite.I had this preconception about Danny Kaye that he just made some early, cheesy musicals. Well, that is kinda true... but he is such an amazing, funny performer! One of my new favorites. Who woulda thunk it.