Twenty Minutes of Love
Twenty Minutes of Love
NR | 20 April 1914 (USA)
Twenty Minutes of Love Trailers

Charlie is hanging around in the park, finding problems with a jealous suitor, a man who thinks that Charlie has robbed him a watch, a policeman and even a little boy, all because our friend can't stop snooping.

Reviews
Humaira Grant

It’s not bad or unwatchable but despite the amplitude of the spectacle, the end result is underwhelming.

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Hayden Kane

There is, somehow, an interesting story here, as well as some good acting. There are also some good scenes

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Zlatica

One of the worst ways to make a cult movie is to set out to make a cult movie.

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Caryl

It is a whirlwind of delight --- attractive actors, stunning couture, spectacular sets and outrageous parties. It's a feast for the eyes. But what really makes this dramedy work is the acting.

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Horst in Translation (filmreviews@web.de)

"Twenty Minutes of Love" is an American black-and-white silent short film from 1914, so this one is already over a century old, actually 105 years next year, and this one was made by the still pretty young Charlie Chaplin, who not only plays the main character, but also co-directed this one. The cast includes several names that film fans of this era and fans of Chaplin's other works may recognize to some extent. The action is taking place at a park this time where Chaplin causes quite a great deal of havoc to the other visitors, most of it unintentionally or from the heat of the moment though and not really intentionally. Malice is absent you could say, but chaos sure is present as a consequence of Chaplin's actions. Still all in all, he may not be at his best yet at that point as story and acting all in all are far from memorable. Still if you like Chaplin more than I do, then perhaps you will enjoy the watch nonetheless I guess. But I still cannot give it a positive recommendation as the only moment I found hilarious in a positive way was when he accidentally hits that lady near the end and that just isn't enough for this runtime, which by the way was way under 20 minutes in every version I found. I think it has rather to do with more fps than lost scenes. A thumbs-down for this one here as I did not feel the love and felt that premise and location offered the possibility of a far better outcome. Watch something else instead.

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Michael_Elliott

Twenty Minutes of Love (1914) *** (out of 4) A man (Charles Chaplin) walks through the park and notices all sorts of couples making out so he decides to spoof them with a tree. This is a faster paced short with Chaplin doing all sorts of goodies but the highlights are the tree scene and the ending where everyone starts falling in a lake.The Landlady's Pet (1914) ** 1/2 (out of 4) Charles Chaplin plays the favorite of the landlady, which doesn't sit well with the other occupants. This short really doesn't feature anything special and is quite bland with the exception of one scene where Chaplin learns to play tennis.Cruel, Cruel Love (1914) *** (out of 4) A man (Charles Chaplin) is dumped by his fiancé so he decides to kill himself. After drinking the poison he receives a letter from the fiancé saying she wants him back. It's interesting to see Chaplin playing a role outside The Tramp and this short allows him to go all out. The best scenes include one where he destroys a room and another one where he fantasizes about hell before taking the poison.

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Michael DeZubiria

In Chaplin's first film as director, he doesn't come flying out of the gates, instantly showing that he will go on to be a great filmmaker. 20 Minutes of Love is not much different from the films that he made in the months before or after, although it is interesting to see one of the first of his mostly improvised films made in a park with some couples and a police officer and little else. Like so many of his other comedies this one turns into little more than a lot of kicking and punching and throwing the entire cast into a lake, but given the amount of short films almost identical to this one that Chaplin cranked out, it is clear that the audiences at the time were having a blast.The plot itself is even more difficult to follow than they usually are in Chaplin's early work. It involves Charlie wandering around a park and making ridiculously overt passes at women who are sitting on park benches with their boyfriends or husbands, and then there is a stolen watch thrown into the mix and a subsequent conflict involving who owns it and who stole it. Probably the best moment in the film is when Charlie gives the watch away to a pretty girl and then is so proud that he is just beside himself. Pretty amusing, and a lot of the Tramp's characterization also comes through even in this very early film.It should be noted that you should not expect to find tiny, forgotten gems of masterpiece comedy by looking at Chaplin's early work, because film was an emerging medium and Chaplin himself was an inexperienced filmmaker from any perspective, but unfortunately 20 Minutes of Love, even though it is Chaplin's first film as director and therefore a film-making landmark, is also clearly the work of someone who had little experience in film-making and was still not sure where his career as a filmmaker would take him.

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macestelle

hello. 20 minutes of love is very important as it was chaplins first time directing. for that reason alone is enough to make it historic. true, it is not classic chaplin. true, it is not a great comedy. not even for that era. but if you think that chaplin could, as he said something to the effect of give me a park, a pretty girl, and a cop and i can make a movie. well that is what he did. i feel it is so interesting to be able to watch is film acting and directing in it's infancy, and see how he progressed through the years. not many artists work can be seen in such an early stage as chaplins. i think i'll go watch it now. mac estelle

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