Tuareg: Desert Warrior
Tuareg: Desert Warrior
| 12 March 1984 (USA)
Tuareg: Desert Warrior Trailers

In a desolate section of the Sahara once ruled by the French, two thirsty men stumble into the camp of a Tuareg warrior where they're given water and shelter. Soldiers from the new Arab government now arrive by Jeep and demand the two men be turned over to them. The warrior refuses, citing the sacred laws of hospitality. The soldiers shoot dead one of the men and carry off the other - a political foe of the new government. The warrior mounts his camel and rides off to rescue his kidnapped guest.

Reviews
Clevercell

Very disappointing...

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Raetsonwe

Redundant and unnecessary.

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AnhartLinkin

This story has more twists and turns than a second-rate soap opera.

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Fleur

Actress is magnificent and exudes a hypnotic screen presence in this affecting drama.

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Leofwine_draca

This unusual Italian adventure film from acclaimed director Enzo G. Castellari benefits from a unique location - a barren desert land - and a wealth of slow-motion action scenes for which the director was famous. Sure, it has its fair share of flaws and errors, but these are easily outweighed by the assured direction, good performances and wonderful locations. For once, the story of a desert warrior fighting for justice is an uncliched one, which makes a change from the various post-apocalyptic rip-offs that Castellari had directed the year previously.Another unusual thing is the film's themes of justice, power, honour and the portrayal of the Tuareg tribe's way of life in the desert, where they abide by their own laws and dislike intrusion by the outside world. These issues, along with some sweeping visions of an isolated desert, give TUAREG: THE DESERT WARRIOR a kind of epic feel, something you wouldn't expect from a cheap Italian action flick. Here, the action complements the story, unlike Castellari's LIGHTBLAST from 1985, in which the action WAS the story. My personal favourite scene is an atmospheric moment where Gacel Sayah and his companion venture into an empty desert land and discover a huge graveyard of animal bones and forgotten belongings - the impact is strengthened by the sudden silence on the soundtrack, and the eeriness and power of the desert instantly made the hairs stand up on the back of my neck.Elsewhere, it's business as usual, with Harmon fighting off loads of soldiers and eventually massacring an army station at a remote prison, where he is briefly tortured by a sadistic guard (the director in a cameo). Castellari's use of slow-motion comes into play here, making for some brief but spectacular explosions, people getting bloodily shot and flying through the air. Other scenes include a realistic sword fight, a fine moment where Gacel gets his revenge on a cruel captain by slitting his throat (ouch!) and some jeeps blowing up in the desert.Mark Harmon - the imported American lead - is actually very good indeed as the just Gacel Sayah, creating a believable hero who fights for his own beliefs. The supporting cast - from his companions, to the soldiers, to the officials - are also fine in their respective roles, and the film is accompanied by an appropriately sweeping musical score which helps bring the mood of the desert to life. Some scenes - such as Harmon killing his camel and drinking its blood to stay alive - are destined to stick in the mind and make this a minor yet memorable mood piece.My only complaint is with the ending. After a massive build-up, you're left expecting some kind of final massacre, perhaps like the one at the end of COMMANDO, and yet nothing happens. Instead, Harmon ends up shooting the wrong guy in a sudden bleak and pessimistic moment which is at odds with the rest of the film and ends things on a very downbeat note. However, this doesn't spoil the rest of the film, which is worth a look for all who might be interested by the premise, as it certainly deserves kudos for what it does.

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Red-Barracuda

A mysterious man from a feared Saharan tribe, the Tuareg, makes it his mission to hunt down a group of soldiers responsible for abducting a man his tribe gave shelter to. He uses his highly developed survival skills, honed from life in the harsh desert, to deadly effect.Italian director Enzo G. Castellari was something of a specialist when it came to action movies. He made several in different popular sub-genres of the day – spaghetti westerns, poliziotteschi, post-apocalypse sci-fi, etc. But with Tuareg - the Desert Warrior he made an action film which was decidedly less derivative than most other Italian actioners. It was unusually set in the Sahara desert, with an Arab warrior as the hero. Having said this, I felt while I was watching it that it definitely played out like a spaghetti western in terms of structure, characters and action. After all, it features a mysterious illusive loner hero with highly developed weapon skills who embarks on a mission to take out nasty villains who have committed criminal acts against powerless civilians and he does this pretty much by himself. There have been a ton of Italian westerns that followed that template, so this one is fairly derivative plot-wise but benefits in distinctiveness from its desert locations and Arabian characters. It's for these reasons primarily that this one gets plus points, as well as a somewhat interesting climax in which the central hero's ignorance of western politics leads to an unexpected climax. Adding some additional class also is a dramatic score from the ever dependable Riz Ortolani. All-in-all, this is not great stuff by any means but it's certainly one of the more individualistic Italian genre flicks from the 80's.

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HaemovoreRex

NCIS's Mark Harmon headlines in this intriguing action outing brought to us by the prolific and ever dependable Enzo G. Castellari.The story concerns a noble Tuareg chieftain who wages a one man war against an entire military force after they take prisoner a man who he had previously taken in as a guest (the said individual being traditionally also under the Tuareg's protection) As it happens, the seized man actually turns out to be the former leader of the country who has been illegally overthrown and who the people wish to return to power. Well first off, I must say that it is admittedly very refreshing to see an Arabic hero in a Western film and the concerted attempt by the film makers to portray the cultural differences between the said protagonist and his enemy. Our hero is shown as a man of true honour, proud of his culture and steadfast to its traditions and yet blissfully ignorant of political developments immediately outside of his domain. Certainly this fact is best illustrated during the films surprising climax (which I won't spoil here!)Unfortunately, it has to be said that as an action film this doesn't quite deliver enough of the requisite goods although I must concede that what action there is is very well handled, especially in one admittedly awesome sequence wherein our hero wipes out an entire garrison in a particularly explosive manner.Final verdict: Certainly worth viewing but make no mistake, this is not the all out action extravaganza that many reviewers on the internet taut it to be.

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mfaume

I don't know how many times I have watched this movie when I was a kid; It was one of my favorite movies. Action packed and I mean a good action flick.It's worth watching!

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