A great movie, one of the best of this year. There was a bit of confusion at one point in the plot, but nothing serious.

what a terribly boring film. I'm sorry but this is absolutely not deserving of best picture and will be forgotten quickly. Entertaining and engaging cinema? No. Nothing performances with flat faces and mistaking silence for subtlety.

One of the most extraordinary films you will see this year. Take that as you want.

A clunky actioner with a handful of cool moments.

Sinatra's PI, Tony Rome, shrewdly uses verbal parry and thrust instead of muscle to clear things up. It's a showcase for the actor, without a tuneful song in sight. Plot-wise he's got to figure out where an expensive diamond pin went and where the heck bad guy Nimmo is. Along the way, there's a lot of scenic Miami Beach and bikini clad skin, mainly Jill St. John's. But what grabbed me was the innuendo, intentional or not. Catch the brief scene with Mrs. Schuyler and her repetition of a lost pussy. That exchange with Rome is simply dropped in, and has nothing to do with the plot. Perhaps it was included on a dare. Tellingly, there're other, albeit passing, innuendos, as well. After all, this was a period when the counter-culture was taking hold and the repressive Production Code was all but dead.It's also a good chance to catch a number of Hollywood vets in supporting roles, especially noir icon Richard Conte as a cop. All in all, it's a smoothly done (Gordon Douglas) eye- catcher. Moreover, the high-key Technicolor is about as far from classic gumshoe noir as possible. Happily for Sinatra the actor, it's a restrained showcase. Just bring your note pad to keep up with the tricky plot.

I really didn't care for this one that much,, being that it was Frank Sinatra Ole, blue eyes I expected a heck of a lot more and I was sadly disappointed, there were a few good things going on early 60's Miami Beach seeing Frank as a Mike Hammer type of detective, and of course the ever seductive and sexy Jill St. John, other than that I hate to say that I was utterly bored with it.. Ole blue eyes is hired by the father of a girl who loses her diamond pin, and it's up to frank to find out,, when he does it turns out to be a fake,, then you throw in the Mob, and other guys going after Ole Blue Eyes and it get's a little interesting, but truthfully I would rather watch Mike Hammer to be perfectly honest.

Sinatra's take on Dino's "Matt Helm" is "Tony Rome," with a rousing theme song sung by his daughter, Nancy Sinatra. It starts out flashy with Ol' Blue Eyes as a bachelor/private detective and loving it, with plenty of eye-candy like Jill St. John. Her presence makes it feel like Connery's Bond movie "Diamonds Are Forever." They do have great chemistry and their scenes together make for most of the film's charm. "Tony Rome" does have some recognizable faces and names for die-hard film buffs, including Gena Rowlands, Simon Oakland, Richard Conte, a fun role for Joan Shawlee (one of Billy Wilder's constant actors) as a "lady" Sinatra interrogates and who propositions him, and a rare 60s role for 1930/40s actor Jeffrey Lynn, who you'd miss, if you didn't know him. But, the film's major flaw is its length and its emphasis on characters introduced late in the film, which makes the viewer confused, having to deal with so many interested parties in "the case of the missing jewelry," and of whom the viewer has not invested any interest in. Therefore, the viewer is left wondering what happened and feeling rather unsatisfied. A movie similar in tone, but done much better is Paul Newman's "Harper." But, I give it a 5 for a good beginning and Jill St. John making the most of her role.

Long before Miami Vice which had hip cop Don Johnson living on a boat with an alligator in Miami Beach, you had Frank Sinatra as private eye Tony Rome doing the same.He's an ex-cop now a private eye who still has an inside with the police in the person of Richard Conte who's his former partner. Turns out he needs him when he takes the case of Sue Lyon who misplaced a diamond stickpin. Before the film ends Sinatra has himself all involved with every member of Lyon's family including wives and ex-wives, husbands and ex-husbands in a lovely blackmail scheme. Quite a number of people wind up dead including Sinatra's private eye partner Robert J. Wilkie. In the tradition of Sam Spade, though he might not have thought Wilkie the salt of the earth, it's an obligation to find out who shortened Wilkie's life span.Tony Rome is a Sinatra project through and through. Basically he just plays himself or at least shows the public persona that we know him for. Frank got parts in this for restaurant owner pallies, Mike Romanoff and Jilly Rizzo and one even for Rocky Graziano as a punch drunk old pug. There's even a part for Jill St. John as an amorous divorcée who you're never quite sure how she fits in the story. Jill and Frank were once a hot item, but this one was for old time sake.The problem with Tony Rome is you really do have to be a Sinatra fan to watch it. And I don't mean just of his singing, you have to be really into the whole rat pack scene. Otherwise Tony Rome and it's sequel Lady in Cement just ain't for you.