Wonderful character development!

Terrible acting, screenplay and direction.

Good concept, poorly executed.

While it doesn't offer any answers, it both thrills and makes you think.

A really amazing film to come from the Disney studio at a time ( 1958 ) when they were making tough films for family audiences. First viewed in 1965 aged 7 when my father hired the 16mm print for private home use to family and friends. I think he projected it twice and then the film remained in the memory for many years as an early favourite. Those were the days when you saw a film once or twice and there was no way of seeing it again until a reissue or TV. Having just seen the film again 43 years later, I have to say that it really is superb entertainment with a useful message about racial tolerance yet never needing to compromise it's swiftly told, exciting story. A passionate, memorable performance from a very fit, believably cast young Sal Mineo. Beautiful Technicolor photography from the great Loyal Griggs (Shane) and not forgetting the various horses used for the lead role of 'Tonka wakan - The Great One', of course several had to be used and one has to suspend disbelief occasionally as the animals don't always look similar but all in all Disney did a very commendable job. Top Direction from Lewis R.Foster with the battle at the Little Big Horn impressively staged. A very underrated film and long overdue for a DVD restoration, in fact some filmmakers do admire it as the whole story was recently reworked in animated form for a Spielberg production 'Spirit: Stallion of the Cimarron'.

Originally, this was to have been called "Comanche," the title of the novel it is based on. Just before the Disney company was about to release their latest western, though, a B oater starring Dana Andrews with that name hit theatres. That one dealt with Comanche Indians. This one, with Comanche, a horse owned by a member of the seventh cavalry that survived the Little Big Horn and led to the tradition of the riderless horse still in existence today. Disney changed the name to Tonka, which is what a young Sioux boy, White Bull (Sal Mineo) calls the horse after catching it - short for Tonka Wakon, or the Great One. The change of titles actually works to the film's benefit, for Disney and company placed more emphasis on the Indian side of the story than the cavalry's, making this the first movie ever made to tell the story of Custer's Last Stand from the Indian point of view, at least up to Little Big Man (1970) - and in truth that was from the point of view of a what man raised by the Indians. Mineo, who would again play an Indian youth in a much bigger film, John Ford's Cheyenne Autumn (1964), is believable, and the film is sympathetic to Native Americans, without being patronizing or condescending, in a way that we expect today, but which no Hollywood filmmaker but Disney did back in the fifties - he was P.C. before P.C. existed, and may just have created the climate of tolerance that we strive for today. Philip Carey plays the sympathetic cavalryman Miles Keogh, and it's worth noting that this was the first Disney western NOT to star Fess Parker, who had been their headliner since Davy Crockett four years earlier. Very accurate staging of the Little Big Horn battle, as this is one of the only films ever made to reveal that Custer (Britt Lomond, the villainous Monastario on Disney's ZORRO TV show) had his hair trimmed short just before the battle, and that he did not carry a sword to the battle - and neither did any of his men. Those who expect Disney films to be sanitized ought to catch this one, as the Last Stand is quite bloody considering the time period in which it was made, forcing child viewers to deal with the unromantic truth of warfare on the plains, circa 1876. A little gem worth rediscovering.

I saw this movie as a kid and loved it. I now own horses and watched it with my equestrian daughter recently. It still holds up pretty well, but the thing that blew my mind was that Tonka's natural blaze is apparently painted over and the color does not match. Look at the picture on the cover of the Disney release - It's amazing that they thought they would pull that off.I agree with the other person's comment about the subject matter for a Disney kid's film. Of course, the Custer last stand part is only the big final scene. Most of the movie deals with the young Indian brave and Tonka as they sort their way through the harsh realities of those times. It seems a bit of a stretch (but perfect ending for Disney) that in the end Sal becomes a scout for the army with Tonka as his horse.

A real wholesome movie, especially from the perspective of the American-Indian. If not mistaken, back when this was released it was meant to be a Sal Mineo vehicle. Mineo plays White Bull, a young boy coming to grips with becoming a man. Others of note in this scenic drama are Joy Page, Rafael Campos, Slim Pickens and John War Eagle. Doubtful you would watch this more than once.