A bit overrated, but still an amazing film

Although I seem to have had higher expectations than I thought, the movie is super entertaining.

The story, direction, characters, and writing/dialogue is akin to taking a tranquilizer shot to the neck, but everything else was so well done.

Close shines in drama with strong language, adult themes.

THREE LOVES HAS NANCY is a delicious overlooked romantic comedy from 1938, closer to slapstick than screwball. Janet Gaynor was one of the absolute top female movie stars for almost a dozen years when this was made but little did the public know she was making her swansong as a star, soon to retire to marry and start a family. Well known for her heart-touching dramatic performances, this movie proves she was also an excellent comedienne and perhaps should have done more work in the genre.Robert Montgomery is a popular novelist living in Manhattan, a spoiled, confirmed bachelor (the old style, the kind that likes women but not marriage) who finds his current girlfriend actress Claire Dodd and her ambitious Cora Witherspoon a little tougher to wrangle away from in his attempts to keep his unmarried state than he's used to. His longtime best friend (and now editor) Franchot Tone tells him to accept a publicity tour for his books to get away from the gals attempts to brand him. While out in the sticks he meets sweet little chatterbox hillbilly Nancy (Janet Gaynor) who attends his department store lecture and buys his book due to her mother's prompting (she's quite appalled to learn book will cost her a whopping two dollars and regrets having him sign it before learning this, now that it's "ruined" she is stuck with buying it.) It's the eve of her wedding to local boy George who is away in New York making good but is due in any minute for the wedding. Montgomery gets a telegram learning Claire is away on tour and Gaynor gets one that George is calling off the marriage for mysterious reasons so they both get on the train to New York at the same time, Janet to find out what is up with George.Janet doesn't find George but she does track down Robert and through a series of complications ends up working as the cook for his best friend Franchot. Franchot quickly falls in love with her (who knew the way to a New York playboy's heart was homemade butter and pancakes?) but it's clear Janet, while trying to track down George, is becoming drawn to the shallow storyteller Robert.This movie seems blatantly inspired by Noel Coward's DESIGN FOR LIVING with two best friends in Manhattan becoming rivals for the affections of a sassy little minx though cleverly camouflaged by Janet's rural South background and the slapstick comedy. Of the three stars I feel Janet comes out best although Robert Montgomery is in his element in his stock semi-cad heartthrob. Franchot Tone is fine but as has been mentioned is almost an unnecessary third wheel given the unusual brevity of the film for an "A" movie from MGM (scarcely 70 minutes)and the fast-paced story. Of the supporting cast, Cora Witherspoon stands out, for once remarkably chic and dolled up in mink through still the brash dame she always is. Guy Kibbee's role as Janet's father is surprisingly small, scarcely more than a line or two despite his playing the lead in scores of B's and major featured parts in films during this period. Watch for early talkie star Grant Withers in a bit as the restaurant patron Janet is unknowingly flirting with as well as handsome Kane Richmond, a C movie favorite, as his buddy and dining companion.The movie boasts elegant art deco sets for the neighboring penthouse apartments of Montgomery and Tone (they share a terrace that allows them to walk in and out of each other's apartments and in one of the more blatant lifts from DESIGN FOR LIVING have an almost suspiciously close relationship but one as in the Coward play watered down by their rivalry.) This movie moves so fast and at just 70 minutes it's over almost before you know it, ending with a good running gag which tops even the surprise last reel appearance of George but fans of 1930's romantic comedies will eat this up like Nancy's tasty vittles.

Janet Gaynor is a country bumpkin who finds herself in New York with Robert Montgomery and Franchot Tone while her fiancée is missing in "Three Loves Has Nancy," a wonderfully funny comedy. Montgomery, Gaynor, and Tone are all hilarious as parts of this strange menage. Gaynor, as Nancy, stood up on her wedding day by "George," is sent by her family to New York to find him. After a series of events, she winds up being used by writer Montgomery to get a rapacious female and her mother off his case. When Franchot Tone, his publisher, friend, and neighbor, gets a sniff of Gaynor's southern cooking, the two men battle it out for her attention. Montgomery considers her a jinx and wants to be rid of Nancy - or so he thinks - until Tone decides he's in love with her.There are quite a few laugh out loud scenes in this film. It's highly recommended. The "goof" described by IMDb indicates that perhaps two men were cast on different days as Tone's father, an uncredited role, but only one actor is listed. Anyway, it's great fun.

Delightful comedy. I found myself laughing out loud. Robert Montgomery, as usual, has comic timing down to a fine art. Franchont Tone plays his usually sophisticated drunk to near perfection. Funny characters and a funny plot with just enough sexual tension to hold your interest.

I enjoyed the running gag of Janet Gaynor always thinking she lost something - her purse or gloves - and Robert Montgomery trying to help but running into trouble himself because of it (especially in the cute ending). And the idea of a small-town homebody having two sophisticated New Yorkers fall for her is inherently funny, but most of the time I found myself not laughing. So the film is a valiant try but no cigars are forthcoming. This was the last film Janet Gaynor made for about 19 years. (The film "The Young in Heart (1938)" was made earlier in 1938 but came out later that year.) Gaynor is perfect as the girl, with Montgomery and Franchot Tone giving good performances.I was startled at a major goof near the end, when Gaynor's family and Tone's family meet in Tone's apartment. His father is played by Douglas Wood, who has the speaking part. But in some shots we clearly see another man (Charles Richman) in the background standing in for Tone's father. There was no effort to hide him either, and even if you don't know either actor, you just have to know that Wood has a mustache and Richman doesn't. And the all the actors' placement with each of the fathers are totally mismatched. To me, this ranks as the greatest lack of continuity by a major studio ever, and I'd be curious to know why it happened.