It's fun, it's light, [but] it has a hard time when its tries to get heavy.

Yes, absolutely, there is fun to be had, as well as many, many things to go boom, all amid an atmospheric urban jungle.

Just intense enough to provide a much-needed diversion, just lightweight enough to make you forget about it soon after it’s over. It’s not exactly “good,” per se, but it does what it sets out to do in terms of putting us on edge, which makes it … successful?

Blistering performances.

Amenabar 's "los ostros" (the others) is now a milestone for Spanish directors .That film overshadows every other work of the last ten years as a complete and perfect fantasy and horror film.(and Amenabar's two precedent films are at least as important and innovative) "Nos miran" is a decent attempt.His main subject -the dead are watching us and are jealous of us cause they are no longer part of the game- is ambitious and the director is not always up to scratch: the subway/train trick was already used too many times ("Jacob's ladder" ,the Spanish "Art of Dying" which is cast in the same mold ,or Autant-Lara's "Marguerite de la nuit").However the writers have included interesting elements: the cop's own story,the grandma who seems to know more things than she claims.And ,mainly in the first part,the director does not forget to show some ambiguity: everything can only happen in the hero's mind.Fortunately,special effects are kept to the minimum,which builds a threatening atmosphere.Not bad.

A police detective reopens a case about the mysterious disappearance of an important businessman and he finds out there's more to this bizarre case than he first thought. Where he discovers the previous cop that was on this case is in a mental hospital, he himself is starting to get manipulated and starts seeing people in reflections that aren't really there. Is it another dimension where the strange beings roam and what does all this got to do with his childhood.This pretty much could've been a pearler of a film, but, yep but it ended up being tiredly underwhelming. This is because the whole mystery of this case slowly fades into tedium after the great first hour and the ending just lacked creditability. Although, that's just me. I thought is just copped out and took a sudden turn that didn't fit in the overall picture. Some might say it was a perfect way to end it, but that's my thought. I'll admit the film doesn't break any new ground, but it's slickly produced, with its incredibly well done direction and disquieting locations. The air is thick of atmosphere, a very unsettling awe that builds from the gloomy and cold settings. That of the cinematography, which covered these settings was truly striking by making you feel as if you were right there. While, the faint hearted score that prominently sinks into the film, just eats away at you. It puts you into a daze of discomfort and totally unhinges you. The story is what kinda derailed it for me. The supernatural touch is constructed into it beautifully, by painting an uncertain picture that seems to haunt you by mixing reality with the spirit world and implying we're being watched all the time. Leaving the door open for different interpretations. The actual topic of people disappearing without a trace and that's means everything they left behind still in the same spot is indeed scary and it does chill you to the bone. It's driven by its mysterious plot and the confronting script that pulls you along for the ride. Although, the more I learned about what was happening, the less I seemed to actually care. It benefit from not having any jump scares, but still it was predictable to know if something was going to happen and after the tight first half it just dwindle in an unconvincing fashion throughout the final scenes. The performances were good and Carmelo Gomez as the police inspector conveys a figure that you care for and truly believe with the emotions he goes through. He is one of the things that keep you wrapped in the dim story.I'm glad I took the chance on watching it, but I'll say seek out "The Nameless" instead, which is more a tailor made mystery that's truly disturbing. Overall, an okay horror mystery that has some class and pours in some interesting ideas into this chilling subject.

I was curious about this film, which I watched in DVD format. The film is based on a book by Javier Garcia Sanchez, "Los Otros", which by the way, it's the title of a better known film, "The Others", by Alejandro Amenabar. What I still don't know is whether Amenabar was inspired on this novel, or as the IMDb page indicates, he wrote his own screen play.Directed by Norberto Lopez Amado, this film came out after the more commercially successful Amenabar's movie. It's strange to have two movies about more or less the same theme filmed by two totally different directors, giving also two different accounts. If you haven't seen the movie, stop reading right here."Nos Miran" is a horror story. It starts in a flashback when we see a group of children playing in a railroad yard. Young Juan loses a dare and must lie flat on his back while an incoming train goes over him. At the same time, his young sister disappears in mysterious circumstances. The story goes forward as we watch a grown up Juan, now married to Julia, with two children of his own, a boy, and a girl. Juan works for the police department where he is given the task of solving the mystery surrounding the disappearance of a wealthy man. In pursuit of this goal, Juan discovers a link to the case when he is referred to go to an insane asylum to try to talk to the police detective that was involved with the case, originally, and now is a lunatic. The only thing he gets out of this person is: "They're watching us".This is a Gothic tale where reality and the perception of life in other dimensions blend to give a spooky feeling that yes, we are in reality being watched. But is the director referring to an abstract idea, or is he giving his own input in why people in his own country disappeared because of political turmoil? Knowing that Spanish directors, in general, love to have their own input about how they feel about their country, one wonders if the "disappeared ones" are the ones that either had to go away for fear of their lives, or are they the ghost of the "disappeared" in the civil conflict?Although the film has a vague ending, it creates an atmosphere of mystery and menace lurking behind everything in Juan's house. We don't ever know what really happened with Juan. All we know is that he has been wounded in a leg, but that is not the reason for his demise.Carmelo Gomez does his best work, in one's humble opinion, in this movie. His performance is multi layered. He expresses his confusion and his fear in a way that he hasn't done before. Either he responded to the material, or to the director, or he liked what he is doing here. Iciar Bollain, has nothing to do in the movie. The veteran Margarita Lozano is also totally wasted, as she stays away from the mystery that is at the center of the action in her own house. The children, Manuel Lozano and Carolina Petterson, are good in their portrayal of Alex and Laura.

Disturbing and somewhat weird. That's what I would say about this one. Carmelo Gómez is at his best, but there was something that I didn't like when the film ended around 03:00 AM... 'Nos miran' is one of the new terror spanish movies, with a similar atmosphere to 'The Others' by Amenábar or 'The Nameless' by Balagueró (both of them are must-see). But there is something about the script I really don't like... The story starts as a typical detective movie, with Carmelo Gómez trying to find out what happened with Barreiros, a married man who disappeared three years ago. After finding nothing, he looks for stories of other people who disappeared... and then his life turns weird...The story is interesting. Bun when the movie ended, I couldn't help thinking "How? When? Where?..." The end is not well explained and that's why I think it could have been much better.