The Yellow Sign
The Yellow Sign
| 19 October 2001 (USA)
The Yellow Sign Trailers

A young art gallery owner, Tess Reardon, is looking for new talent to spark life into her failing business. Haunted by nightmares, she discovers that an artist she dreamt about, Aubrey Scott, actually exists, and she seeks him out. The eccentric painter agrees to a showing of his art, but only if Tess will model for his new work. She grudgingly agrees and begins to regress into a past life from a parallel world, and that everything is not at all as it seems.

Reviews
Redwarmin

This movie is the proof that the world is becoming a sick and dumb place

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Hattie

I didn’t really have many expectations going into the movie (good or bad), but I actually really enjoyed it. I really liked the characters and the banter between them.

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Yvonne Jodi

Unshakable, witty and deeply felt, the film will be paying emotional dividends for a long, long time.

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Logan

By the time the dramatic fireworks start popping off, each one feels earned.

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Steven Kaye

I saw a poorer-quality version of this at a World Horror Convention, so I was excited to see how the remastered DVD was. Vanek's direction was sound, evoking a foreboding atmosphere and growing uncertainty as to the dividing line between reality and the world of Carcosa and dreams. The dialog did not seem forced or unlikely (though perhaps I would have liked to have seen that the gallery needed a successful show, rather than having a throwaway line to that effect). But equal credit must go to the actors and to Jason Voss' evocative paintings. Dale Snowberger could easily have overplayed Aubrey Scott, but he was sinister without being hammy.

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Charlie2300

Aaron Vanek took up the poison chalice for this film project because "The Yellow Sign" is an adaptation of themes within the collection of loosely connected short stories that make up "The King in Yellow" by Robert W. Chambers. This book is rightly famous and, indeed, revered within the 'Weird tales' genre because it is genuinely disturbing and hints at horrors beyond what is written therein. It is profoundly Lovecraftian in feel and works at the level of dread, suspense and terror that can only be attained where the nature and origin of fear is hidden, covert, implied. The problem with attempting to translate a Lovecraftian tale into film is simple; you can have as many special effects as you like, but show the monster and you lose all the tension and dread built up by the imagination of the reader/viewer. It is not therefore surprising that the vast majority of the Lovecraft tales 'adapted' for films to date have failed miserably to do justice to the original stories. That being said, "the Yellow Sign" is a worthy exception to the general rule. This is a genuinely disturbing and downright creepy film, a very rare commodity indeed. Just like the book, there are elements missing and the lack of coherence leaves your imagination to fill in the gaps. I seriously considered giving this a full 10 out of 10 but for the fact that a 'director's cut' is shortly to be released! Recommended without reservation.

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ladyeuthanasia

Aaron Vanek's terrific adaptation of "The King in Yellow" is a bone-chilling story about a woman caught between two worlds and her relationship to a mad artist. This is sure to please any fan of Lovecraft, especially those enamored of Robert Chambers' work. Vanek successfully captures the atmosphere of Chambers' work like never before. He is in no small way assisted by Tynes' clever script, which superbly translates to the screen all the elements of what makes Chambers so great on the page. (Lovecraft fans who might not be familiar with Vaneks' other films might be familiar with the sublime Pagan Publishing, which Tynes founded.) The best performance was by Shawna Waldron as Tess. She was charming, even mesmerizing, although all the performances were terrifyingly good. The film was shot on HD and is of surprisingly high quality -- no small feat and certainly a feather in Vanek's cap for working so deftly in the medium.I can't wait to see what Vanek scares up next!

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gregvan

In his update of Robert Chambers's classic horror story, director Aaron Vanek has crafted a haunting film with some genuinely unsettling moments. The story follows young art gallery owner Tess Reardon (Shawna Waldron) as she tries to convince enigmatic painter Aubrey Scott (Dale Snowberger) to exhibit his exhibit his paintings at her gallery. When Scott agrees to the show only if Reardon poses for him, the audience is drawn into a weird tale of ancient forces and conflicts and scary stuff. Great atmospherics and stylish production design express Vanek's dark aesthetic, helping to make "Yellow Sign" a satisfyingly chilling experience.

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