This movie is the proof that the world is becoming a sick and dumb place

It is a performances centric movie

It is an exhilarating, distressing, funny and profound film, with one of the more memorable film scores in years,

One of the most extraordinary films you will see this year. Take that as you want.

Karloff rules, the story needs lots of help.Karloff was great in this movie. He's better here then in some of the other pile of crap movies he was in prior to this. The other actors are only decent. The actress playing the wife was also good. The male lead sucks. He just does nothing. The female lead was better but that's not saying much. The guy who played the butler dies, maybe of boredom, like some of the audience. He did OK in the dying role. Some of the townspeople were also OK. So, wait for Karloff, and unfortunately he's not given great dialogue or enough screen time. The cinematography was good, as well as the sets. Music was good too. FX sucked. The story sucks. It stars similar to Harker heading to the Dracula's castle. Beginning is handled well, with mystery of the family. Then we meet the family, like the Munsters, there's a beautiful normal daughter in a house with strange characters. She acts like everything is normal. So, the story goes down hill from here. After some time of boredom we find out that people and plants are being mutated from some meteor, and then everybody dies, places goes on fire and the young couple escape. Happy ending. This movie first needed a better story. The basics are there, but the scenes/actions/tensions are not there. It also needed a better male lead. The daughter was fine. And it needed more Karloff. So, as is. I can only give this C-, or 3 stars

This film was originally called "Die, Monster, Die!" But later changed to "Monster of Terror", in truth both titles don't really do the film justice, maybe something like "Meteorite of Mutation" would have been more accurate. What you have here is an American International Pictures film directed by Daniel Haller and based on a story from H.P. Lovecraft's "The Colour Out of Space". The big draw to this film is the presence of Boris Karloff, Nick Adams, Freda Jackson and Suzan Farmer - although the keen eyed watchers will notice Patrick Magee too. Stephen Reinhart (Adams), an American science graduate with an attitude (you'll notice why comparisons where drawn to James Dean, not just in appearing with Dean in "Rebel without a cause" but also his on-screen broody, moody presence) visits the small village of Arkham (a fictional place created by Lovecraft, not to be confused with the Arkham of the Batman universe) in England to see his fiancé. Upon arriving in the village the locals are rude and unhelpful upon learning that he is due to visit the Witley estate. Nobody wants to help him or point him in the direction of the estate, he even gets rejected at the bicycle hire shop, he ends up walking there himself. He is greeted by Nahum Witley (Karloff), his fiancé Susan's (Farmer) father, who is a wheelchair bound former scientist. Nahum tries to warn Reinhart away before he sees Susan but it doesn't happen, Susan has asked for help with her mother (Jackson) who is bedridden and undergoing a hideous change which makes her sensitive to light and seems to be decaying her body slowly. Letitia, Susan's mother, also tries warning Reinhart, asking him to take Susan far away from the estate. Reinhart does try to leave but Susan doesn't want to and rebuffs his attempts. Strange things start to happen, notably Merwyn (Terence De Marny) the butler dies. Reinhart begins exploring and asking questions, before too long he starts suspecting Mr Witley is the cause of the problems, this comes to a head when Reinhart and Susan break into the greenhouse and find a mysterious green glowing rock which seems to be helping plants and vegetation grow to gigantic proportions, not to mention the fact that alien lifeforms seem to be living in the greenhouse too. Initially the assumption through the film is that Witley had been dabbling with evil and the black arts however the truth is much more simple; some years ago a meteorite crashed near the estate and Witley had been harvesting the radioactive properties of the space rock. Witley was under the impression the rock was sent from heaven from one of his ancestors and the problems occurring are an ancestral curse, instead his old scientific mind doesn't see the truth. Can Reinhart save Susan and himself before it's too late or will Witley's insanity prevail and allow radiation to eat everybody up? This is a great looking film considering it was made in 1965. Despite it looking like a widescreen film it wasn't shot like this, post production magic makes it look better than it actually is. Colour is vivid throughout it's only let down by some of the special effects in the later parts of the film but I can forgive these blemishes on the film as it's older than I am and CGI wasn't possible back then. There is a constant mist or miasma surrounding the location which adds to the Gothic feel of this picture. The acting is great, Karloff and Adams both deliver believable and dark performances while Susan is a ditsy damsel who needs saving from herself as much as anybody else. Patrick McGee's appearance seems to be a typically pointless appearance much like his appearances in other films. The story is a little confusing to some people I know who have watched this but it's not that difficult if you persevere with it, it's just a little odd in it's own Gothic horror way. I think the first half of the film is more mysterious and suspense filled which conflicts with the last half as this is more of a creature feature horror film. All in all this is an enjoyable if slightly nostalgic film which while outdated by today's standard is a fun 80 minutes for horror fans. I'm awarding this 6 out of 10.

I do love the old American International Pictures films from the 1960s. Many of them were directed by Roger Corman, starred Vincent Price, and were based on Edgar Allan Poe and H.P. Lovecraft stories. What did AIP do when they couldn't rely on Corman or Price to head up one of these moneymaking projects? They replaced them with other reliable talent like Boris Karloff and Set Designer / first time Director Daniel Haller.The outcome of this pairing was 1965's strange mix of sci-fi paranoia and classic haunted house themes entitled "Die, Monster, Die!" Imagine a 1950's space invader film like "The Quartermass Xperiment" and "The Thing" colliding with the setting of "The Haunted Palace." An American scientist (Nick Adams) is summoned to the secluded estate of his fiancée (Suzan Farmer). Her home sits on the edge of a crater in the center of a countryside devastated by what appears to be fire. Upon arriving, he is met by the woman's embittered and secretive father (Boris Karloff). After he's urged by his girlfriend's sickly mother (Freda Jackson) to take her as far away as possible, he begins investigating the mysteries surrounding the old house and its devastated grounds."Die, Monster, Die!" is not rated. There are some rather graphic and gory death scenes which would merit a PG rating now. They're not going to freak out anyone who's used to the realistic effects of today. However, they quite possibly could frighten children.Although not directly related to the storyline, I found "Die, Monster, Die's" use of Biblical and religious elements fascinating. The mother talks quite openly about the sins of the father coming down on the son. She also states that one can be a man of strong faith and lose it only to become a tool of the Devil.In hindsight, "Die, Monster, Die!" is a unique little film that isn't what it appears to be from the get-go. Screenwriter Jerry Sohl and Director Haller did their best to lead audiences in one direction before banging them over the head in the climax of the movie with a twist on the haunted house genre. It suffers a little from pacing, but one could almost explain that away to the era it was made in. People didn't demand such quick delivery in the 1960s and 1970s.

Daniel Haller had been Roger Corman's art director before making his directorial debut with "Die, Monster, Die!". It's the typical hokum that you can expect of the genre, with Boris Karloff as the patriarch in an English estate hiding a deadly secret. One particularly ridiculous scene is when Nick Adams's character says of himself and his fiancée "We were in science class together," since no one calls it science class in college. Yep, it's one of the many absurd but enjoyable horror flicks from the '60s, this time based on an H.P. Lovecraft story. Not any kind of masterpiece, but still fun. Suzan Farmer is a real fox! Am I the only one who thinks that Nick Adams's character looks like Tintin? PS: the cast members from "A Clockwork Orange" are Patrick Magee (Dr. Henderson here, Mr. Alexander in the latter) and Paul Farrell (Jason here, the homeless man in the latter).