This Movie Can Only Be Described With One Word.

Plot so thin, it passes unnoticed.

Instead, you get a movie that's enjoyable enough, but leaves you feeling like it could have been much, much more.

Clever, believable, and super fun to watch. It totally has replay value.

"Start your life over."Na Hong-jin, the director of the successful thriller, The Chaser, made another film two years later containing similar themes of crime, desperation, and gore. Both films have the same lead actors as well, instead this time, Kim Yun-seok and Ha Jung-woo switch places as protagonist and villain. And it works out pretty well for them. Ha Jung- woo plays Gu-nam, a poor taxi driver in the Yanbian Province (a Chinese region bordering North Korea and Russia). His wife left him and their daughter to go work in South Korea and send over money. The lack of communication from his wife for over six months has him worried and his debt only increases. In comes Kim Yun-seok's character, Myun-ga, a hit-man boss who offers Gu-nam a chance to pay off his debt and see his wife if he carries out just one hit in Korea. Gu-nam tucks away what little values he has left and hesitantly accepts, resulting in him being shipped off to Korea over the Yellow Sea. A complicated murder and chase story then begins.Just like other Korean thrillers, The Yellow Sea is gruesomely violent and puts its protagonist through many harrowing situations. The film starts off strong, with a clear idea of where the plot will lead: Gu-nam goes to Korea, kills the man he's been sent to murder, and returns. However, things don't go as planned, resulting in Gu-nam being chased down not only by the police and Myun-ga, but by another hit gang as well. At this point, the movie becomes lost in its initial story of a man trying to commit murder for money and branches off as an hour long chase film. There are literally scenes up to 15 minutes of poor Gu-nam running from a fight he's been caught in the middle of. The chase sequences consist of a lot of action, including multiple cars crashing and flying into the air, without flashy CGI. Because of these chases, the film distances itself away from the characters, or more likely, the characters run away from the film. What starts as a film focusing on the characters' lives and internal struggles, ends up having less and less to offer about the protagonist's dark mentality, and more to offer in terms of physical fights and blood gushing from a hapless victim.The Yellow Sea starts with drama and ends with mindless action. On the other hand, The Chaser is a continuous spectacle of psychological entertainment. Even so, The Yellow Sea proves that lovers of suspense and thrillers should continue to keep an eye out for Na Hong-jin's future works.

Unable to break free of the visa debts that his wife left him with when she went to South Korea to earn money, a taxi driver takes an offer from local criminal Myun to be smuggled into South Korea in order to kill someone for him. The money is the main motivator but he also hopes he can find his wife somehow. Trying to accomplish these hurts both of his goals and, as he is soon to discover, the story is much larger than just a simple killing.I had heard good things about this film and, if I'm honest, it took me a while to get around to watching it mainly because the running time put me off. In a way I was right and wrong because when I finally did watch it the running time is excessive but yet it does mostly still deliver as a thriller. The plot sees a simple murder escalate as others involve in its planning or execution all start to represent a danger to our main character, who is trying to get home even though he'll be no safer there. It takes a little while to get moving but the film soon delivers some violent scenes as well as some exciting chases and escapes. The build of the plot helps these be engaging and exciting while in fairness they are also pretty well filmed as well. The more frantic action has the feel of the Bourne movies (although not as effective) and those that know the locations may get extra value from Busan harbor and some of Seoul showing up.The plot isn't perfect though and it does contribute towards most of the film's weaknesses. The first of these is the subplot involving the missing wife; it acts as an engagement tool with the main character that we didn't really need but otherwise it just seems to add distraction away from the main narrative. I was fine with it being mentioned but in the end I didn't understand why it was given so much time. Speaking of time, this is an issue because the film runs far longer than it really needs to and even though I enjoyed it, I still found myself thinking of all the really obvious places where the film could have been edited down to a still-generous two hours. As it is, the length means the pace cannot be kept up and that the simple story is spread out too much. This shows in how excessive but yet how very tidy everything gets. I liked the way that the various characters all fell into place around the lead's story, but I liked it best when it was chaotic, not when it is all pulled together to be all tidy and resolved at the end. That said I did enjoy the nihilistic tone it had and that, in the end, the route of the original murder was something so simple and personal that it wasn't even worth one man's death, far less all those shown here.The main actor is convincing and kept me interested in his escape; his performance keeps him as a human and tragic figure even though he is able to evade the odds a bit too easily and a bit too frequently. Myun is a great character full of menace and violence and the actor has fun in that role, but the excessive action does at time get too much to buy into since he has a stamina that a Terminator would baulk at. The rest of the cast fill in well enough, but mostly it is the action and plot that keeps the film moving, not the performances. Na's direction is good although I know some dislike cameras that move all the time.Overall Hwanghae is a solid and enjoyable thriller which would be better were it not for its own excesses. The running time is excessive, the spiralling plot and stamina of the main characters are excessive and the whole film really needed a tighter edit to make the most of its strengths. Still solidly good but could have been more.

This is a gritty super realistic film, where reality occurs as one wolfs down spare noodles as a ravenous dog.It is paradoxically a fantasy in which one man survives insurmountable odds.It is that which shows the rational madness of the human condition.I am afraid it is a Love Story.Although those who are young might think it glory of violence even though the end is null. However depending on your cut there are alternative Kaputs.I highly recommend this film to gain brotherhood amongst the races, we are are pink slime oozed from the mold.

Directed by Hong-jin Na The story of a cab driver in Yanji City, a region between North Korea, China and Russia. His wife goes to Korea to earn money, but he doesn't hear from her since in 6 months. He plays mah-jong to make some extra cash, but this only makes hif life worse; but then he meets a hit-man who proposes to turn his life around by repaying his debt and reuniting with his wife, just for one hit (Plot).Once again, the filmmakers and actors (the same as The Chaser 2008) from South Korea have hit a huge great film again, nothing bad here, just in one word when the film end you will say wow !, one of the best thrillers i saw in my life, the film combines many things such as crimes, suspense, betrayal, bloody fight, hunts, struggle, patience, pain, sacrifice,car chases and more! I love everything in this film, first the story of the film and how the director tells in three major characters in 4 chapters, secondly linking all the three characters in many scenes and goals (Money!), thirdly the great performance of the three characters especially the(Jung-woo Ha and Yun-seok Kim) and finally directing and Screenplay was remarkable !.Director Na in his 156-minute film divided into four chapters ( Taxi driver, Killer, Joseon Clan and Yellow Sea) practically wrote about the history of the building of primal instincts, how they get awakened by chance, how they crash with other instincts and the ending to it all.Had he given more commercial consideration he could have made the running time more compact. The latter half of the film drags on a bit due to the repeated pattern of killings and chase. Therefore dividing the film in chapters to show three people's perspectives from beginning to end is 100 percent director Na's own doing.5/5