The Wrong Man
The Wrong Man
R | 05 September 1993 (USA)
The Wrong Man Trailers

US merchant sailor Alex Walker is stranded in Mexico, penniless and wanted by the police. He meets and joins up with an unlikely couple - ageing but likeable shit Phillip Mills and young sexy, frustated wife Missy. The three develop a curiously inter-dependent relationship. Meanwhile, Police Captain Diaz and Detective Ortega are closing in and the plot circle is closed at Tapachula rail station amidst a stack of mistakes and wrong decisions.

Reviews
Phonearl

Good start, but then it gets ruined

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Supelice

Dreadfully Boring

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Orla Zuniga

It is interesting even when nothing much happens, which is for most of its 3-hour running time. Read full review

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Cissy Évelyne

It really made me laugh, but for some moments I was tearing up because I could relate so much.

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SnoopyStyle

Merchant sailor Alex Walker (Kevin Anderson) is stranded in Mexico after missing his ship's departure. His wallet is stolen and the man who stole it is killed by somebody. The cops are after him for the murder. He joins up with Phillip Mills (John Lithgow) and his trophy wife Missy (Rosanna Arquette).Kevin Anderson is a weak actor and his character isn't particularly interesting either. Arquette is broadly sexual. She even sleeps sucking her thumb. She has some fun camping it up. However Anderson is the black hole of charisma. Lithgow is possessive and jealous. The production is not high quality. If they could get a charismatic leading man, this could be an interesting trio.

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ccthemovieman-1

Well, here we go with yet another John Lithgow loser. Man, did this guy make a lot of terrible films and was unlikeable himself in almost every role, or what? In this film he's at profane screaming best! No wonder he did so much better on network television where he could be restrained. (Don't be fooled by the "TV" label on this; it's cable TV and this film is rated "R.")A good screen partner for him was Rosanna Arquette, who usually treated the male audiences to good glimpses of her ample breasts. She went topless here for at least five minutes. Meanwhile, the lead actor was neither Lithgow or Arquette. It was Kevin Anderson, a young actor who likes to play low-life roles. Maybe he's related to Lithgow. Wow, does this movie have "class" written all over it or what?!If you picked this up at the video store, you not only got "The Wrong Man," but you got the wrong movie. Go back and get the one with the same title, but starring Henry Fonda.

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BloodTheTelepathicDog

This is Rosanna Arquette's film, as the box art proudly displays. That is the reason I purchased it, and was not let down. The lead actor, Kevin Anderson, was a dude I had never seen before, but he performed adequately.John Lithgow helps to save this film from being just another decent T&A flick, but when the T&A is provided by the perfectly proportioned Rosanna Arquette, there isn't much need for assistance.Kevin Anderson is on the run from being framed for a murder, and tags along with fellow American tourists Arquette and Lithgow, deep in Mexico. As one can expect, Kevin finds that taking his eyes off Rosanna is not easily done. And Rosanna wouldn't mind sampling stud Kevin rather than her underhanded husband Lithgow.The motel scene where Rosanna spends about five minutes topless, receiving a piggy-back ride from Lithgow made the film for me. Rosanna is all kinds of sexy!!

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chrissage

...........This contains a spoiler or two................. Alex, a mug on the run, is duped by Felix and finds himself wanted for murder, again. to escape the law he climbs into Arquettes cleavage, sorry, make that convertible, and along with her very annoying husband Lithgow, hits the road. this movie seems to be nothing more than a vehicle for Miss Arquette to parade her body and considerable charms at every opportunity. Lithgow is awful - just plain unbelievable with the mood swings of a metronome. Alex is one dimensional and as blank as his suit. his vision does not extend beyond the end of his nose, or Miss Arquette's cleavage, whichever is closer at the time. for all that, it is strangely watchable until the end, which is laughably so. the getaway vehicle is a train pulling out of the station with the speed of the road roller in Austin Powers. three old ladies with zimmer frames would have time to get on or off without breaking sweat, let alone a limb. yet to the mexican police it is a challenge. ludicrously funny.

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