I think this is a new genre that they're all sort of working their way through it and haven't got all the kinks worked out yet but it's a genre that works for me.

Simply Perfect

Let me be very fair here, this is not the best movie in my opinion. But, this movie is fun, it has purpose and is very enjoyable to watch.

The film's masterful storytelling did its job. The message was clear. No need to overdo.

While writer/director Eloy de la Iglesia is well known in Spain for his quinqui (i.e. hoodlum) films, gritty depictions of young criminals and drug addicts, abroad his reputation rests largely on the shoulders of his early seventies thrillers. The most notorious of these is Cannibal Man, which gained cinematic immortality as one of Britain's Video Nasties. Like many titles on that list, this film is far more complex than its exploitative title and marketing would suggest; the original Spanish title is La semana del asesino, which means The Week of the Murderer.The murderer in this case, rather than "cannibal man" as the export title misleadingly suggests. is Marcos (Vicente Parra), a lower-class employee of the local slaughterhouse. His small shack looks like a relic when compare to the adjacent high-rise apartment, which is populated largely by affluent students. Marcos is pressured by his girlfriend Paula (Emma Cohen, one of Spain's greatest actresses) to marry, but he insists on waiting until he's promoted. One of their outings goes horribly wrong when a cab-driver, disturbed by their backseat necking, kicks them out of his taxi. Marcos refuses to pay the fare, and a scuffle breaks out. As the cab driver begins beating Paula, he utters one of the film's best lines, which is simultaneously hilarious and tinged with social commentary: "I'm gonna give you the beating your father never had time to give you!" Marcos hits him in the head with a rock, accidentally ending his life. Thus begins our protagonist's soul-destroying week, which finds him committing murder after murder in order to cover up his original crime.Though the film has its share of blood and gore, Eloy de la Iglesia is far more interested in his character's plight, as well as his social status. Marcos often reminds us that he's a poor man. When his brother and girlfriend pressure him to confess his crimes to the police, he protests that as a working class schmo he'd never get a fair trial. "The police will never believe me...and you need money to afford a good lawyer." The chain of murders only escalates as more people snoop in Marcos' shack, and react either with hostility or fear. His only friend throughout the whole ordeal is the enigmatic Nestor (Eusebio Poncela, most famous for playing the inspector in Almodovar's Matador). Nestor is a resident of the nearby high-rise, and one of the affluent students mentioned earlier. He spends his time spying on people with his binoculars, and this is how he acquaints himself with Marcos.In discussing the relationship between Marcos and Nestor, it is necessary to reference the director's sexual orientation. Eloy de la Iglesia was a gay Marxist, during a time in which homosexuality was still illegal in Spain. Though it's never blatantly mentioned, Nestor is clearly gay, and he shares the director's sympathy with the working class. Though he initially tries to impress Marcos with masculine posturing, Nestor's interactions with Marcos soon become charged with homo-eroticism. This reaches its peak in a memorable swimming pool scene, in which Marcos and Nestor swim and shower together; it's a dazzling and tender display of filmmaking, and it loses not of its potency with repeat viewings. This scene, as well as much of the political content, was unfortunately but not surprisingly censored from the Spanish version of the film, meaning that this English-dubbed export version is the closest thing to a true director's cut. Some recently discovered deleted scenes, featured on the German blu-ray, fascinatingly hint at a more explicit version. While most of the material is inessential, such as a scene in which Marcos is promoted, one of the final scenes shows Nester and Marcos passionately making out. No context is provided, and this scenes (as well as the others) features no audio. Thus this plays as a haunting footnote to the film's fascinating and complex central relationship: did de la Iglesia intend for the two men to become lovers? Is this perhaps just a fantasy of Nestor's? Or, more intriguingly, a fantasy of the classically masculine Marcos? Unless the screenplay surfaces, or someone interviews Poncela about it, we may never know.Since I am both a huge fan of this film and incredibly reckless with my money, I forked out a sizable amount of money to import the recent German blu-ray. I am pleased to say that the disc is a significant upgrade to the American DVD, and lends a greater appreciation to the director's artistry. This was my third viewing of the film, and I found it just as rewarding as the first. The surprise reveal in the deleted scenes only sweetened the deal for me, assuring me that my money was well spent. It is a complex, politically charged, yet deeply heartfelt film. I shared it with a friend on my last viewing, and I hope he will not mind if I share his thoughts on the experience: "It's really just about one man having a bad week, and the trials of having to get through it without losing his whole soul." It is that, but also much more; a film that can be appreciated from multiple perspectives. I fear that this review does not do it justice. Suffice it to say that this is truly one of the crowning achievements of Spanish horror cinema. This will also be of interest to anyone interested in the history of queer cinema, being one of the ballsiest acts of transgression ever committed under a fascist dictatorship. Though homosexuality was outlawed in Spain, de la Iglesia wore his sexuality like a badge of honor, and he continued to make films on his own terms.

A butcher was just having a date with his girlfriend until he cause some problems with a Taxi driver then he kills him and his girlfriend, he is going over the brink of insanity. He now goes on a killing spree creating some serious crimes and stuffing some parts of the bodies into the meat factory where it can be processed into what we eat.Despite the title "Cannibal Man", it's not really about the man being a cannibal but it's really a psychological horror drama and a character study about a man who's been driven to the edge of his insanity. There is some shocking graphic murders which made this movie banned in other countries, the film is a sick and twisted look at a psychopath's mind with good acting and is very dark.Also recommended: "Maniac" ( 1980), "The Texas Chainsaw Massacre Series & 2003 remake", "Caligula", "Henry: Portrait of a Serial Killer", "High Tension", "American Psycho", "Driller Killer", "The New York Ripper", "Wolf Creek", "Eaten Alive! ( 1980)", "Cannibal Ferox", and "Jungle Holocaust" ( a.k.a. Last Cannibal World).

(aka: APARTMENT ON THE 13TH FLOOR)The title CANNIBAL MAN is somewhat misleading for this Spanish film since it really has nothing to do with cannibalism at all.A butcher named Marcos (Vincente Parra) lives in an old whitewashed house on the edge of some new high rises that were recently built. One night he goes out on a date with his girlfriend and accidentally kills a taxi driver in a fit of rage. She wants him to turn himself into the police but he refuses.When she threatens to turn him in, he slits her throat with a long butcher's knife. And so begins his killing spree. He manages to kill five more people (including his brother, his future father-in-law, and a waitress who's real friendly towards him) in a desperate act of covering himself up before the inevitable end comes. He takes the body parts to the local slaughterhouse so they can be ground up by the machines. He also has to buy multiple cans of air freshener in order to get rid of the smell.The one person who convinces him otherwise is the young homosexual on the 13th floor of the high-rise who knows his secret but doesn't say anything about it. An act of conscious suddenly grips Marcos and the homosexual is spared.It's not a particularly gory story although there is blood and there are scenes of people being stuck with all kinds of sharp instruments. However, if you're looking for decapitations and body parts lying around, you won't find anything like that here. Everything's implied which it and of itself, works well for this particular film. Unfortunately the Anchor Bay DVD doesn't come with any extras beyond a trailer.It has good acting and a good script for an obvious low budget, obscure film even though it does share a similar theme with Claude Chabrol's more prestigious LE BOUCHER (1970). A butcher, multiple homicides etc...It beats out anything Jess Franco would've filmed around the same time.6 out of 10

Most commentary I have seen on Cannibal Man focuses on the psychological horror, but the political side of the story seems more important to me. The film seems to place more blame on the society of Spain under Franco than even on the killer, the ultra cool swimming pool sequence is very reminiscent of Chaplin's "the Great Dictator".